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All Star Superman #4 Review

Saturday, June 21st, 2003 at 7:58 PM EST

Updated: Saturday, June 21st, 2003 at 7:58 PM EST

AllStarSupermanCv4.jpg

Before talking about this issue specifically, let me make a comment about the title in general. How awesome is it that Superman has a “cool” title? When the hell is the last time Superman was “cool?” I think it probably goes all the way back to Byrne’s first issues (like them or not, they were “cool” at the time). That’s really impressive, and I’m grateful to Morrison and Quitely for at least giving us that.

Now, on to the issue. If you recall, I made a comment about Casanova #1 being the best book out this week, unless All Star Superman #4 was “extra amazing.” I made a miscalculation with my statement. I think All Star Superman #4 was better than Casanova #1, but at the same time, I don’t think that All Star Superman #4 was “extra amazing.” In fact, I think it may have been the “weakest” of the four All Star Superman issues. However, the weakest of All Star Superman was still good enough to be the best book I read this week.

The coolest thing about this issue, by far, was Morrison’s Jimmy Olsen. What a character!! In the Silver Age, there never really seemed to be much interest in whether Jimmy was cool or not, and post-Crisis, the consensus seemed to be that Jimmy WASN’T cool. Well, All Star Jimmy Olsen has an answer to it all - he IS cool, and I love it! The idea that Jimmy is such a popular columnist is a brilliant idea on Morrison’s part, especially the scene quickly after that line with Perry White explaining how Clark is still the better journalist. That’s awesome - building Jimmy up without tearing Clark down. It reminds me of something the Superman writers FAILED to do recently (when Jimmy got a promotion at Clark’s expense).

Beyond the whole “Jimmy as a confident, cool yet still dorky in a way” thing, it was awesome to see Jimmy be so protective of Superman. It reminded me of this great Jimmy Olsen story from decades ago, where the Phantom Zone criminals manipulate things from the Phantom Zone so that Jimmy is confronted with Superman’s secret identity. They hope that this will drive a wedge between the two friends. Only thing is, Jimmy, when he realizes what he’s seeing, closes his eyes and KEEPS them closed! How awesome is that? He’s so willing to protect his friend that he not only turns down the scoop of the century, but even his own human desire to know the secret identity of his friend. So cool, and this is mirrored in this story, where Jimmy protects Superman after Superman is turned by Black Kryptonite into an evil opposite of normal Superman and also when Jimmy makes sure not to use any of the amazing events of the day in his article. All for his friendship with Superman.

Great stuff.

Quitely’s art is, as usual, awesome. He is able to draw fantastical events while still getting all the little touches right. Except, of course, for one minor scene that seems to have been a mistake. Two cool points to someone who can come up with a good explanation for why the musical producers thank Jimmy and Superman for saving them from the monster that Jimmy still looks like - why would the producers think the monster was someone else?

On top of the main plot, there were so many cool little scenes, like Jimmy in drag, the moon scene at the end, the infinity bank account - all these scenes (and humor) on top of a great, character-driven plot filled with action?!?!? Not even the impressive Casanova #1 can keep up with that, so I will have to pick, in the great ASS vs. Cass debate, ASS #4.

Recommended without reservation.

13 Comments

The story made me ask the question:

“What if it’s been Jimmy Olsen’s story all along?”

I don’t think it’s a coincidence that FQ makes Lucy the looker of the Lane Sisters.

//\Oo/\\

Is Lucy Lane still in continuity?

Matthew, that’s an interesting idea!

For me, this is the issue of All-Star Superman that has really and totally won me over. I liked the previous issues too, but wasn’t quite sure what Morrison was going for, or whether I “got” his approach completely. I think I do now, and it’s really, really cool!

I thought it was a great issue - and I absolutely love how they keep playing with “established” continuity stuff. The whole Doomsday thing was awesome, as was the rather surreal effect of “Doomsday” cradling what it / he thought was a dead Superman at the end of the fight..

Lucy Lane is still in continuity, and showed up during the Byrne reboot in the Man of Steel miniseries, issue #5.

She’s not been seen in the comics for some years, having been romantically tied to — and borne the child of — Ron Troupe.

My shop didn’t seem to have Cassanova so this kind of one by default…

Out of curiousity, I’ve seen others comment that they felt that this was the “weakest” issue of the run so far, and I’m wondering as to why. I personally felt that the 2nd issue was the weakest so far and thought this was stronger than that, though it does have less of Superman in it. Heh, maybe that’s the answer to my own question right there..

I think that the previous issues had a bit more great character moments, especially with Superman and Lois, which is why I loved #2 - their date was handled fabulously.

I did think his handling of the moment where Lois realizes that she’s never really wanted Clark and Superman to be the same person was done rather brilliantly.

I rather liked it — it made Olsen cool, which always demonstrates creative genius, and it really did a nice job conveying that a world containing Superman and his wacky adventures would be a remarkably different and wonderful one for even the average joe on the street reading the Daily Planet. It’s “Jimmy-as-accessibility-figure” taken all the way, so that he plays that role both textually and metatextually. Think of it as one day inside the Painting that Ate Paris, or a glimpse of everyday life on Danny the World or on Flex’s Earth after the superpeople come back.

ShaMaN!

Think of it as one day inside the Painting that Ate Paris

Great line!

I thought it was also fun how, in a poke at that big green guy from the competitors, this ‘reverse Superman’ got weaker the more disturbed he got.

heck, I think it’s interesting that someone is finally using the capable version of Jimmy Olsen… we haven’t really seen him since the seventies or early eighties.

I mean, honestly, I want stories that justify these people’s places in Superman’s universe. Otherwise Jimmy Olsen is much less of Supermna’s pal than he is this special ed. twit that Kal-El happens to take pity on.

These are the first Superman comics I have enjoyed since the Alan Moore stories, and before that, the Denny O’Neil ones. It is just plain FUN to have a great writer/artist team on the book.

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