CSBG Archive
Breaking down “Event” comics, Part Seven: Infinite Crisis; or, who is first against the wall when the revolution comes?
Part One: Identity Crisis #1-7.
Part Two: Countdown to Infinite Crisis.
Part Three: Day of Vengeance #1-6.
Part Four: The OMAC Project #1-6.
Part Five: Villains United #1-6.
Part Six: Rann-Thanagar War #1-6.
“If that’s all there is, my friends, then let’s keep dancing.”
I have completed my task, good readers. In the past month, I have read 7 issues of Identity Crisis, 1 issue of Countdown to Infinite Crisis, 6 issues each of four related mini-series, all leading into Infinite Crisis, 4 specials that serve as epilogues to those mini-series and tie in to Infinite Crisis, 1 Secret Files and Origins issue that ties in to Infinite Crisis, and 7 issues of Infinite Crisis itself. You fine folk could absorb 44 issues of bad comics in two years – I had to soak it all up in a month! It’s remarkable I survived. But I did. And so, here at the end of all things, the DC Universe, quite frankly, will never be the same! And this time, of course, we really mean it!
To paraphrase Margo Channing, “Fasten your seat belts, it’s going to be a long and bumpy post!”
The feeling I had as I was paging my way through IC and its attendant tie-ins was not one of anger. It was not one of frustration. It was one of ennui. Perhaps I tried to read too much, too fast. Perhaps I am not as fully invested in the minutiae of the DCU as I should be, or as Geoff Johns and his allies are. As I look back over my purchases of the past few months, I realize how divorced I have become from the DC mainstream. If the Batman books have good creative teams, I buy them. I’m buying Catwoman but remain on the fence. I have started buying Checkmate and remain hopeful for its success. Guess what? That’s it. That’s all I buy that could be conceivably affected by this crossover, and Checkmate doesn’t count, because it began after this. This leads me to the conclusion that I am so far from the audience that DiDio and his unholy legions are writing for that one of two things can happen: I can actually judge this on the basis of whether or not it tells a good story without whining that Pantha loses her head; or I will miss the point entirely and be told that I am nothing but a worthless hack who hates superheroes. Some people in the comic book blogaxy already think I’m a worthless hack, and the fact that I didn’t know Fallen Angel was a flashback and that Jimmy Olsen used his signal watch as his hypnotic trigger probably didn’t instill any confidence in my reading abilities! (My excuse: it was late, I was tired, and I probably should have just checked before posting – let he who is without sin cast the first stone, people!). Which of these possibilities is it when we talk about Infinite Crisis? Well, perhaps a little from column A and a little from column B. I certainly didn’t gnash my teeth and rend my garments when Star Sapphire bit the big one, because she never meant anything to me (hell, I didn’t even know that Star Sapphire was no longer Carol Ferris – that wacky DC, always keeping us on our toes!). So I can read this without crying in my beer. However, I also know very little about the various intricacies of the story, and so I might miss some of the more subtle stuff that Johns is throwing at us. You must judge!
For the most part, however, I enjoyed Infinite Crisis. Yes, you read that right. Don’t get me wrong – it’s a mess, but it’s a grand mess, one that has great ambition but perhaps less-than-great execution. I certainly don’t understand the absolute condemnation of the series. It’s an okay read, I guess, but again, I just felt dulled by the time I finished it. Yes, it needs to be epic, but never being able to catch your breath eventually leaves you, well, breathless. And not in a good way.
As there is a ton going on, I thought I’d do a quick synopsis of each issue. You might have forgotten all the drama, you know! So away we go!
Let’s start with a body count, which we will update after each issue. Because in the new, cheery DC, nothing says “heroic deeds” like a body count! If I miss anyone, I am counting on you, good readers, to fill me in! Sue Dibny, obviously. Jack Drake. Digger Harkness. Firestorm (does he count?). Ted Kord. Shazam. A bunch of wizards (I don’t know their names, sorry). I don’t have high hopes for Jean Loring’s survival, orbiting the sun like that. Maxwell Lord. The rest of the ruling circle of Checkmate. The Fiddler. That Parademon dude. Pariah (maybe?). Cheshire. Shayera Thal. Okay, whom am I missing?
Infinite Crisis #1, cleverly titled “Infinite Crisis”: Well, it opens very well, with Superman, Batman, and Wonder Woman at the JLA Watchtower not long after it exploded mysteriously. There seems to be a lot of misguided anger directed at Wonder Woman. Sure, she killed Maxwell Lord, but that’s the only reason people are scared of the superheroes? Really? Batman, although he’s never killed anyone, is far scarier than Diana is. Anyway, we get a mysterious narrator who clearly doesn’t think the DC Trinity are terribly heroic. But after the first couple of pages, this book shows us what it’s going to be: a mess.
This is the problem I have with all epic crossovers: holy crap, is this thing packed. We get Conner Kent, we get Dick Grayson, we get the OMACs killing poor little Ratcatcher, we get the big storm at the center of the universe … you get the idea. It is hard to keep track of all this, especially because of the fact that it everything has already been set up in other books. I read the original Crisis on Infinite Earths and I don’t really enjoy it all that much for the same reason, but it does tell a complete story in twelve issues. Sure, you can go read all the other tie-ins if you want, but for IC, reading the previous 4 mini-series, plus Countdown, is almost required. It’s vexing.
There’s a ton of what feels extraneous in this issue. The OMACs gathering over Blüdhaven is fine. The Spectre appearing in the skies over Gotham is fine. But what the heck is going on with Mongul in the Watchtower? He just shows up and beats the three heroes to a pulp before leaving. Wha -? I don’t get it. The destruction of the Freedom Fighters is a little better, because at least the Ray fits into Luthor’s plan, but why the villains couldn’t have just kidnapped him from his home is beyond me. I guess then we wouldn’t have been able to see Phantom Lady, the Human Bomb, and (apparently) Black Condor and Uncle Sam die, as well as Dr. Polaris. COOL!
The final scene with Batman telling Superman that the last time he inspired anyone was when he was dead is fine, if a bit self-aware. This whole series will suffer from a sense that Geoff Johns is telling us what he does and doesn’t like about the DCU. It’s a nifty line, but it’s not even the last time I was inspired by Superman, and I don’t even like Superman! Remember when Superman Blue stopped the moon from falling into the Earth during Morrison’s JLA run? Now that was inspiring! Suck on it, Batman (Geoff Johns)!
And then, of course, the book takes its turn for the worse. I knew it was coming, but I still groaned. Earth-2 Superman (our mysterious narrator). Alexander Luthor. Earth-Prime Superboy. Earth-2 Lois Lane. Oh dear. Boy, the weird realm they inhabit remains ill-defined, doesn’t it? And where do they go when Superman punches through the wall (in tortured prose, mind you - “I throw my fists at the wall …” just sounds stupid)? This can only lead to bad things. Oh dear.
Body count: Phantom Lady; Human Bomb; Black Condor (he’s dead, according to issue #2); Uncle Sam (missing, according to issue #2, although at the end of this issue he’s floating face down); Dr. Polaris; Ratcatcher.
That’s Clark’s “Whatchu talkin’ about, Bruce?” face.
Infinite Crisis #2, “The Survivors”: More fisticuffs, as Power Girl gets beat on by a bunch of bad guys. The fact that the Psycho Pirate remains a key player is very neat. Well, I think so, but then I remember that Grant Morrison made him a different person and I don’t know how they retconned it and it bugs me but I don’t let it bother me because I can always take out my issues of Animal Man and read a great story. So at the last moment Earth-2 Superman shows up to help Kara. So that’s where he went! And the rest of them went to the North Pole! Groovy! We get a bit of Power Girl’s ridiculously convoluted back story, and then E-2 Superman launches into a synopsis of the original Crisis. This bothered me, because I didn’t feel like going back and reading the original (I mean, it’s twelve stinkin’ issues, and as I mentioned, it didn’t thrill me all that much), but the way E-2 talks, it’s as if the Earth simply began in 1986 with the creation of Wonder Woman and New Superman (he’s like New Coke, don’t you know). E-2 says, “The potential was there. And it started off so well. I felt confident the earth was in good hands.” We see the Giffen/DeMatteis JLI, the Perez Wonder Woman, and the Byrne Superman. However, according to new DC history, that’s not when it started. Correct me if I’m wrong, people, but in this new world, Superman and Batman were not the first superheroes, but all those JSA people were. So when E-2 Supes and Lois started watching them in 1986, the JSA had been around since World War II. Am I wrong? I certainly could be. So then it was glorious for a long, long time and these new superheroes were simply carrying on a long tradition. Superman gets all cranky because the shit starts to hit the fan, but it’s just a weird way to put it. I don’t know where I’m going with this, so I’ll stop.
The Joker shows up to slaughter the Royal Flush Gang after he learns that the Society didn’t want him because he is too insane. Who knew that one page – the only page on which the Joker appears until the end of the epic – would be so important? Anyway, I can’t wait for the new, improved Joker in the new, cheery DC – I’m sure he’s going to dress his gang like bananas and hold up a carnival while saying stuff like, “Take my wife … please!” I mean, that’s what we’re all about here in the new DC, right?
Kara remembers her past, which is nice, and Bruce Wayne is all mean to Alfred (a scene parodied very nicely in this week’s Dr. Blink, Superhero Shrink). That Bruce – he’s stinky! He finds out that the OMACs are attacking Themyscira, because the Amazons are all evil. Meanwhile, E-2 tells Kara that the wrong earth was saved, and he’s going to bring the right one – his – back. So that’s his dastardly plan!!!!!
Body count: Remarkably small this issue. It looks like five members of the Royal Flush Gang, plus the big robot dude (who doesn’t count). Some random Amazons. Man, Johns is getting sentimental in his old age, ain’t he? He better ratchet it up in later issues!
Not a good look.
Infinite Crisis #3, “Divine Intervention”: Aquaman kills that shark dude on page 1. Too bad Brother Eye didn’t catch that on tape. Talk about scary! Then the Spectre steps on Atlantis. So who dies? Does Garth? Does Dolphin? Anyone? It’s a pretty cool scene, actually. As is the next scene, with Diana and Artemis discussing the future of Themyscira. But then we get goofy. An Amazon actually says, with a straight face (it’s in the middle of a battle with OMACs, so I would expect a straight face, but still), “The purple death ray has been completed.” Funniest line of the year by far. What is the significance of it being purple? If it has been the yellow death ray would it not have worked as well? Awesomely stupid line by Johns. E-2 Superman tempts Batman like he’s the serpent in the Garden, which is kind of cool. He tells him how wonderful Earth-2 was and shows him his marriage to Selina and his daughter, Helena. It’s kind of neat that because Dick Grayson is a hero on Earth-1 and not on Earth-2, Batman rejects his offer.
The war continues on other fronts. While E-2 Supes tempts Batman, Superboy-Prime does the same to Power Girl. They both reject the offer, but interestingly, Batman is the one who does it for personal reasons, because he loves Dick Grayson and doesn’t want to see him become a bad guy on Earth-2. Kara, it seems, might actually join Luthor and Superboy, but she stumbles across Luthor’s big Anti-Monitor thing before she can make her decision. At the same moment she gets ambushed by Luthor and Superboy, Batman finally gets around to checking out the security tapes of the Watchtower, where he finds out that Superboy destroyed it and kidnapped J’onn. This is pretty well done by Johns, even though we can kind of see it coming – the Superboy part, at least, since we already know Luthor is evil.
In an effort to continue to remove all sense of wonder from the DCU, King Dan and his minions decide to send Themyscira to another plane of existence. This is in the same issue as the destruction of Atlantis, remember. Again, strange underwater kingdoms with fish people and islands with mystical Greek warriors have no place in the new, cheerier DC! So Artemis and the rest of the Amazons are gone. Despite over 200 issues of the last Wonder Woman title, it never seems that it lived up to its great potential. Oh well.
Finally, the real Lex Luthor, in his stupid armor, shows up again just after Alexander Luthor decided to use Black Adam in his Anti-Monitor thing rather than wasting time finding a Marvel. This is another cool little scene. It sets up Black Adam nicely for later in the series, when he’s fighting on the side of angels even though he’s killing people. And I’m a bit confused about Alexander Luthor. He doesn’t say in this issue about projecting his image to the Society (I’ll find it somewhere), but in this issue, it appears he is actually there and it’s not a projection. So what the hell? How does he switch back and forth so quickly? He talks about it later, but it sounds stupid. I could have sworn at some point we see Luthor addressing the Society at the same time as Alexander Luthor is talking to Superboy. I could be wrong.
Finally, I want to point out what I think is a minor continuity glitch, although, again, I’m sure I’m missing something. Out in space where the center of the universe is now, Firestorm is fighting with Donna Troy and the gang. Suddenly another Firestorm shows up. This Firestorm is the Ronald/Martin Stein Firestorm, who disappeared at the end of Ostrander’s run on Firestorm. DC decided to ignore that very cool story and brought him back with that horrible costume and moved on. So is this the first time we’ve seen that Firestorm since? Or was the Firestorm who was stabbed in Identity Crisis a different Firestorm? WTF?
Body count: Shark dude that Aquaman kills; Tempest and Dolphin (I doubt it – can anyone help out?); many Atlanteans; some Amazons (probably). How disappointing.
Words fail me.
Day of Vengeance Special #1, “The Ninth Age of Magic”: Nabu decides to gather the Shadowpact and defeat the Spectre by losing to him. Good job, Nabu! It turns out to be a great plan, actually, because by killing Nabu, his crimes are so great that it draws the attention of God, who decides the Spectre needs a human host. Good to know God is paying attention! Like the rest of the series, this is a big fight book, with Nabu fighting the Spectre while the Shadowpact fights various DC sorcerors who have been possessed by the Seven Deadly Sins. It’s pretty, and resolves several key points: the Spectre’s rampage ends, and he bonds with a human host (but God forbid we find out who it is in this issue); Hawk and Dove apparently lose their powers because the Lords of Order and Chaos who gave them their powers die (which will lead to another continuity glitch later in the series); Captain Marvel becomes the new Shazam; Luthor finally grabs Nightshade; and Detective Chimp throws away the helmet of Fate, which is kind of neat. Oh, and in order to one-up Geoff Johns, Willingham throws in almost every single magical character in the DCU. Holy crap – hey, there’s Freedom Beast! Hey, there’s Black Orchid! Hey, there’s some chick from the freakin’ Power Company! How cool.
Body count: The hosts of Hawk and Dove, charmingly named T’charr and Terataya; Nabu.
One of maybe three funny panels in the whole crossover.
Infinite Crisis #4, “Homecoming”: I don’t care what anyone says: dropping Chemo onto Blüdhaven is awesome.  Luthor tells Kara about their big scheme, and he mentions that his Luthor at the Society was a “simple hologram.” Hmmm. Maybe. We learn so much! Yay, Luthor! It turns out all the people hooked up to his Anti-Monitor thing have a “specific vibrational frequency hidden in their genetic codes.” Um, whatever. Do we ever find out why J’onn is there? All the others are from “different” universes who were folded into the restructured DCU because they were marketable – uh, I mean, because of some strange unfathomable reason known only to God. And then he needed fuel, so he recruited the Spectre to “destroy” magic, but instead he reduced it to chaos, which Luthor was able to use. Cool!  Brother Eye and the OMACs are going to provide the programming, and Superboy moved planets around (yes, he can do that!) and sparked the Rann-Thanagar war while shifting the center of the universe to where it was in the Earth-2 universe. Boy, I’m glad this isn’t confusing! Luthor tells Kara he’s going to manipulate the multiverse to find the perfect combination. Who knew that would entail physically taking planets and smushing them together! Physics means nothing in the DCU! One last thing about this rant intrigued me – Luthor claims that no matter what universe exists, when a Superman stands by a Luthor, “they will always be at odds.” Yes, it’s a subtle endorsement of predestination by Geoff Johns! If we don’t have free will, then all that we do is pointless – so why not be evil? Yay, evil!
Superboy goes to visit Conner Kent because he doesn’t like that Connor isn’t all super like he is, and they have a big fight. BIG FIGHT! Then the Titans show up.  With the Doom Patrol and the Justice Society.  Oh, what a huge mistake. As the fight continues, you know someone is going to die. Even though in non-event books heroes can fight each other for hours and hours and never die, in “event” comics people throw random punches and people die – like Pantha! And then he kills a bunch of other people that I don’t know!  DC nerds, help me! Big wildebeest-looking guy – please tell me he’s not called Wildebeest – some guy he turns to ice, some redhead in green whose arm he rips off, and some weird ninja/samurai dude with a sword. All the Flashes – including Barry Allen! – show up to somehow get rid of him – Wally and Bart disappear, and Jay is the only one left, and the Speed Force is somehow gone. Explanations are for wimps!
Luthor tells Psycho Pirate to force Black Adam to say “Shazam.” The lightning that comes is the fuel Luthor needed to crack open his hole in space, I guess. Somehow he re-creates Earth-2 – it just suddenly appears. All the old Earth-2 heroes are transported there. And E-2 Superman takes Lois there. All is right with the worlds!
Finally, the Spectre gets a human host. Isn’t that Cris, Montoya’s partner? I assume he was killed in Gotham Central, because I seem to recall hearing about it. So why does the coroner call him “Vic”? Is it just a mistake by Johns?
Body count: Is Chemo dead? If so, excellent last word: “Oop.” Millions dead in Blüdhaven, of course, although I always thought Nightwing’s “town” was supposed to be significantly smaller than Gotham. So “millions”? Really? This issue is, of course, a bloodbath – we’re back on track, DC! Pantha, wildebeest dude, iced guy, redhead guy, ninja guy. Quite the swath! And Firestorm sort of “dies” – again. Sheesh.
Jeez, Pantha, that’s going to leave a mark!
Rann-Thanagar War Special #1, “Hands of Fate”: Oh dear. The HANDS are back! We all remember the hands from the first Crisis. Well, this time they’re Alexander Luthor’s, and they’re sticking out of the hole in space that he created in IC #4. Nobody knows what’s going on, but Komand’r convinces the Grand Mor that it’s a dastardly Rannian trick, and even though it appears God is about to scoop up the universe and kill everyone, the Thanagarians attack again. Energy waves keep rippling out of the hole, which destroys all these Thanagarian ships, which makes the Grand Mor call off the attack. In the midst of all this, Kyle manages to have a “Kyle Rayner: Adult!” moment, which I bet made Devon happy. This issue has really two things to do: prove that Superboy started the war, which we get from video evidence, and when that’s destroyed, from two handprints on the surface of Thanagar. Yay – war’s over! Oh, and Jade dies.  Her energy flows into Kyle, and it fucks up his face and gives him a new name – Ion. Boy, I sure hope DC gives him a series! That’s really all there is to this issue. And it cost five (5!) dollars.  Jesus H.
Body count: Jade. I miss her already! Â
Kyle Rayner: Adult!
Infinite Crisis Secret Files and Origins 2006, “Heaven”: This is a vexing issue, as it cost 6 dollars, tells us only one small nugget of information about the rest of the series, and that nugget is so mind-boggingly stupid that I thought my brain might explode. But it’s also kind of crucial to the series. At this point, the people running DC should be rounded up and shot. This is like Marvel having a world-changing event and putting a crucial piece of information in a Maggot mini-series. I mean, really!
The crucial piece of information, of course, is that Superboy can alter reality by … punching it. I can’t believe I just typed that. Anyway, Alexander Luthor can’t explain it, which means that Geoff Johns doesn’t know how to explain it, even a little bit, which means it’s unbelievably stupid. Here’s what he thinks to himself: “I don’t know how, but he’s altering reality out there. Creating conflicting truths. People are changing without explanation. New events are superseding what had always been. Each strike he takes is rupturing the continuity of life without reason or purpose.” So, apparently, each time Superboy hits the crystal stuff that surrounds them, he changes the DC reality. So it’s his fault that Superman died, and Batman got his back broken, and Superman turned blue, and Green Lantern went nuts, and all the other stuff. But … I thought it was because those heroes weren’t heroic? But if it’s Superboy’s fault …? Arrrgggghhh!
Anyway, this is an awful issue. And it was stupid of DC to tell this story in a separate issue of the big event. Blech.
Body count: None. Very disappointing, DC!
Infinite Crisis #5, “Faith”: You know, it’s all very nice that the heroes have a service for their fallen comrades at the beginning of this issue, but who is it commemorating? And why now? “Hey, check it out – there’s another Earth hanging in the sky! Let’s have a generic funeral for all the people who have died so far!” Meanwhile, in a twist that is certainly not meant to be ironic at all, the new Blue Beetle turns out to be the only one who can see Brother Eye. And Conner Kent is in some kind of Luke Skywalker-at-the-beginning-of-Jedi statis tank, recovering from the injuries that Superboy inflicted. And Lex Luthor shows up! Where exactly is Conner? Is it someplace Titans-ish? If so, shouldn’t there be security? Just wondering …
And then old Lois dies, speaking crytic words: “It’s not going …” Oh dear. That will probably not make E-2 Superman happy. He takes his grief out on the first person he sees, who happens to be Earth-1 Superman. He grabs an olde-tyme automobile – I’m going to call it a Packard, because that has a nice olde-tyme sound to it – and bashes our Superman over the head with it. It’s a really nice image – someone should put it on a cover sometime. He’s kind of misguided, though – old Lois had to be around 80, and people die, you know, E-2. Don’t pick on poor E-1 Superman just because human beings die! It’s old home week, as old Wonder Woman shows up and gives new Wonder Woman some sage advice and takes her to Superman. E-2 gets all righteous and then weepy, while our Superman has a nice line: “If you’re from this Earth it can’t be perfect. Because a perfect Earth doesn’t need a Superman.” SNAP!
Alexander Luthor, meanwhile, explains why Breach is plugged into his tower – he would have been the Captain Atom of Earth-8, which is a nice theory (but he should have called it “the Ocho”) – but he still doesn’t tell us why J’onn is there. He also tells Psycho-Pirate that “everything comes from Superman.” He doesn’t know why, but Superman is the key to the return of the multiverse. Another vague thing that Johns doesn’t even attempt to explain. Grrrr. Then, Luthor brings back the multiverse (yay!) and somehow Superboy returns (boo!). Oh, there’s going to be a smack down!
Body count: Old Lois. Well, it’s something. Oh, and old Wonder Woman, but I don’t think she really counts.
You tell him, Superman who has just been to the dentist! (Seriously, isn’t that what he looks like?)
Infinite Crisis #6, “Touchdown”: The Philadelphia Eagles score on a last second scramble by Donavan McNabb and win the Super Bowl! Oh, not that kind of touchdown? Okay.
Batman makes a funny on page 1: “Booster.  You have no idea how to talk to kids.” Bwah-ha-ha-ha! And then Blue Beetle makes the Brother Eye satellite appear, and the OMACs come out to defend it. Meanwhile, E-2 Superman tells E-1 Superman and Wonder Woman that if they don’t stop Alexander Luthor, the multiverse will explode in a Big Bang. Then Alexander Luthor starts smushing Earths together, and in two pages DC once again proves that the idea of a multiverse is awesome, so of course it must die. All those Elseworlds stories they’ve been telling for fifteen years? They could all exist on different Earths! How cool is that? But no, fun is not allowed in the DCU!
For some reason, the Phantom Stranger decides to summon the Spectre – yes, the same Spectre who recently tried to kill all magicians. Felix Faust thinks it’s a bad idea, and what do you know – the Spectre kills Star Sapphire! But that’s just a side note to the two big fights in this issue – Batman and his bunch versus Brother Eye, and Conner Kent, Dick Grayson, and Cassie Sandsmark versus Alexander Luthor and Superboy-Prime! Alex tries to merge Earth-2 and Earth-3, almost killing Superman and Wonder Woman, but Firestorm thwarts him at the last second. Conner, Dick, and Cassie free all the people on the Anti-Monitor tower, and they go after Alexander. Black Adam pokes his fingers through Psycho-Pirate’s eyes. Eeeeewwwww! Very nice, DC, to actually show us all the viscera, not to mention one of Psycho-Pirate’s eyes. The kids will love that!
Superboy says something vague about where he’s been – the Flashes kept him imprisoned “for years” under red sunlight. Can anyone tell me if – shocking! – DC told us what happened to him in a different book that I couldn’t be bothered be read? Batman, meanwhile, distracts Brother Eye so that Mr. Terrific can throw the satellite out of orbit, and Alexander Luthor decides to make Earth-Prime the main Earth. Earth-Prime, of course, being “our” Earth, which leads to that stupid little scene of him reaching for us through the pages. Yes, I know Morrison did it, but that worked. This is dumb, because of course Earth-Prime isn’t “our” Earth – Superboy doesn’t live in my world, after all! At the last second, just before Alexander reaches through the page and grabs me, Conner propels himself and Superboy into the Anti-Monitor tower, destroying it. Goodbye, multiverse! Hello, “New Earth.” So long, Conner. Your death didn’t quite resonate like Barry Allen’s did. And did everyone notice that Batman asks Hal Jordan to take him to the North Pole, where all this is taking place, but on the last page, Hal is nowhere to be found? Where’d he go?
Body count: Star Sapphire, Psycho-Pirate, Conner Kent. Definitely quality over quantity in this issue.
Murder – now with charming sound effects!
The OMAC Project Special #1, “The Lazarus Protocol”: Well, Brother Eye fell to Earth. So what happens next? Greg Rucka is glad you asked, because this issue is all about that! In order to save itself, Brother Eye initiates the Lazarus Protocol (Lazarus was the guy Jesus raised from the dead, for you Bible-challenged people out there), which involves creating a single super-OMAC plus Sasha Bordeaux, for some reason. Batman tells Sasha she needs to go to Saudi Arabia to make sure that Brother Eye is destroyed. Amanda Waller gets promoted to head of Checkmate and told to go get Brother Eye. The Russians, Chinese, and Israelis are also interested. Man, I hope the shit doesn’t hit the fan with this! Sasha, meanwhile, is fighting Brother Eye’s attempts to take control of her. Waller calls out Beatriz and tells her that she knows Fire used to be a killer – for the Brazilians. Wouldn’t that be cool if we could see some of Fire’s old adventures, back when Brazil was the terror of the world and its agents ran roughshod through the intelligence community???? Anyway, Super-OMAC is kicking all kinds of ass, but Sasha gets through – because Brother Eye lets her. Waller thinks Brother Eye is controlling her, but Beatriz trusts her to resist long enough to destroy it. Sasha is supposed to be the repository for all of Brother Eye’s programming, but before it can complete the download, she blows it up. With her inside. End of Sasha, right? Well, yeah, if Rucka weren’t in love with her. The nanobots covering her body not only protected her from the blast, but they were burned off in the process. So not only did Sasha survive, she almost looks human again. How dare you question the logic of that solution, puny mortal!
Body count: Well, I’m going to miss Brother Eye. He had pizzazz!
The Wall lays down the law!
Villains United Special #1, “A Hero Dies But One”: This issue contains perhaps the single greatest panel not only of this entire crossover mess, but possibly of the past five or ten years. I shall reveal it below!
Hey, remember that jail break that the villains were all planning? Yeah, well, it takes place in this issue. It’s worldwide, man! Wow, that Luthor can bring a plan together, can’t he? Just like George Peppard! Barbara Gordon is designated as the person who recruits every single hero on the planet (El Diablo! Geo-Force! Whoo-hoo!) to fight the bad guys. And that’s what they do. There’s not a lot else to the issue. The Secret Six pick up Scarecrow and Adam Fortune and find out that all the villains are heading to Metropolis, but it’s unclear why they care, and when they show up in Metropolis, they don’t do anything. Strange. The villains all go to Metropolis and Doctor Psycho sends Doomsday out to fight them, and we get a big page of the heroes fighting Doomsday and the other villains while Barbara Gordon goes on about heroism. Yay, heroes!
It’s a weird little story in that it clearly fits into the rest of the story, but doesn’t resolve any section of the story as the other “Specials” did. In that, it’s the weakest of the “Specials,” which is ironic since Villains United was the best mini-series. I suppose there wasn’t anything really to resolve from the mini-series, unlike the other three, so this feels extraneous.
There are what appear to be a few continuity glitches. First, we see Beatriz in her trashy early-1990s outfit fighting for the good guys, when in The OMAC Project, she’s a secret agent for Checkmate. I suppose she could have ditched Checkmate for a while and fought for the good guys, but it’s weird to see her in the way-out-of-style outfit (come on, Bea – a head band? What Not To Wear on line 2!). On the same page we first see Bea, we see Hawk and Dove. I thought when their Order and Chaos hosts died, they lost their powers. Whatup wid dat????? Finally, Green Arrow is fighting a shark dude. That can’t be the same shark dude that Aquaman speared back in Infinite Crisis #3, can it? Does DC have two different shark dudes?
Body count: Some random guards and the warden of Enclave M. Adam Fortune gets thrown out of a helicopter, but for some reason I doubt that he died. Can anyone enlighten me? That Nazi guy with the gold epaulettes. Seriously, what’s up with that costume? Black Adam kills him.
As for the greatest panel in the crossover and of the past five or ten years, behold!
What’s so great about that panel, you ask? Gaze behind Ollie’s right shoulder …
Yeah, that’s Looker, people! Looker is awesome. Mike W. Barr and Alan Davis should do a Looker Prestige Format mini-series. That would totally rule.
Infinite Crisis #7, “Finale”: So the Society says that they’re going to “take” Metropolis, and that if they do, other cities will fall. This is kind of a lame plan of Luthor’s, isn’t it? Luthor always said that the Society wouldn’t function like the League, because all these villains could never work together. So who gets Metropolis? Who gets Gotham? Why would this work at all? Why wouldn’t the United States government simply drop a couple of nukes on Metropolis and take care of the problem once and for all? They didn’t have a problem cutting Gotham off from the rest of the country, after all. (Okay, maybe not nukes. But at the end of the Villains United Special, all the villains are simply walking down the interstate. Couldn’t the government send some planes in their with missiles and fry ‘em up a bit? Could that hurt? In fact, the government has been strangely missing from this whole thing, except when they went after Brother Eye.) I’m not entirely sure how all the villains taking over makes this “the perfect Earth” that Luthor has been searching for. But then again, I’m dense.
Anyway, on page 2 and 3 we get the big spread of the big fight in Metropolis. Is this where people say we can see all the Seven Soldiers but one? I see Bulleteer, Klarion, the Manhattan Guardian, but no Shining Knight, Mister Miracle, Frankenstein, or Zatanna (we’ve seen Mister Miracle and Zatanna in previous issues, though). Whatever that means. I haven’t read all the mini-series yet (and won’t, apparently, until freakin’ September, even though Seven Soldiers #1 was supposed to be out in April!), so I’m not sure what the significance of it is. Alexander Luthor and Superboy, last seen in IC #6 at the North Pole, are wandering through the carnage, and Luthor apparently has gained total consciousness (he’s got that going for him), because he knows how Earth-1′s history has changed even though the Anti-Monitor tower no longer exists. Weird. He knows that Wonder Woman helped found the Justice League, that Superman was active before he showed up in Metropolis, and that the killer of Batman’s parents has been caught. I ranted about this a while back, so I won’t again, but I’ll just point out: 4 different fates for Joe Chill since 1986. Pick a freakin’ back story and stick to it, DC!
Then the big guns show up – Superman, E-2 Superman, Batman, Wonder Woman, Hal Jordan, John Stewart, Raven. Wait, Raven? Anyway, much ass is kicked, but Superboy-Prime goes a bit squirrelly because he doesn’t want this Earth. “This Earth still smells like Conner Kent, Alex!” says Superboy-Prime. “It’s like spilling Chinese food in the car – it never goes away!” Bart shows up looking like the Flash (again, I assume this is explained in his own book, because wasn’t Johns writing that at the same time?) and Superboy decides to destroy the universe. Can’t these bad guys come up with something original for a change? Superboy blasts Zauriel’s wing off and does something to Breach, which causes the “real” Captain Atom to return (I actually bought the entire Breach series recently, so this might make sense when I read them, and I assume Captain Atom popped back from the Wildstorm Universe – where does that fit in to this whole thing?). Speaking of which, where did that Phantom Lady come from? The Green Lanterns try to stop Superboy, but their kung fu is weak! He kills a bunch of them, but they were only trying to slow him down anyway. Meanwhile, Batman pulls a gun on Alexander Luthor because he thinks Nightwing is dead. Diana convinces him to put the gun down just before a building falls on Luthor. The Supermans grab Superboy and fly him through Krypton’s sun – that’s kind of cool – and onto everyone’s favorite Green Lantern, Mogo. Any crossover, no matter how bloated, that has a cameo by Mogo can’t be all bad! Flying Superboy through the red sun of Krypton means that he loses all his powers. Superman loses his powers because of the Kryptonite, right? Did E-2 Superman lose his powers because of the red sun too? I’m going to assume it. Anyway, they all beat each other bloody, but Superman wins in the end. Well, shit, of course he does! He’s fuckin’ Superman! And then E-2 Superman dies. Yeah, well, he kind of had to, didn’t he?
And so we come to the end.  Ah, the end! There’s a panel of heroes that are still missing. Animal Man, Cyborg, Adam Strange, and some others who were in deep space are on the wall. Couldn’t they put the ones who are actually dead up there? We know those three aren’t dead. Sigh. The Spectre has blood on his hands as he wanders through a city, and some kids find something in the surf. What is that? Something magical, obviously. It looks like a curly staff and either a tall hat or a weird-looking glove. Help me, DC nerds! Bart says he spent a few years somewhere, possibly with Wally, Linda, and his kids, but he can’t run anymore, which means Jay Garrick is back to being the Flash. I haven’t read the new series, but it’s not Jay, is it? Oh well. And then the Joker kills Alexander Luthor because Alex didn’t include him in his plan. Man, that’s gotta suck. Lex Luthor watches with some satisfaction. So, is Lex crazy or not? Man, it’s hard to keep up. Clark, Bruce, and Diana decide to take a year off – perhaps the DC books will somehow jump forward a year and show us what has happened while a weekly mini-series keeps up with what is going on in the DCU! DiDio wouldn’t resort to a cheap marketing ploy like that, would he? Nah. How long does this new “perspective” last, anyway? Any guesses? And I guess I’m the last person in the world to notice this, but on the big double-page spread showing all the heroes and how wonderful the world will be even though the Trinity is taking a break, there are some weird inclusions. There’s an OMAC. There’s Lobo. When the hell has Lobo ever been a hero, much less concerned with Earth? Who’s the dude with the Christian cross on his chest? Back to Seven Soldiers, Mister Miracle is significantly missing, but so is Beatriz DaCosta. And she ain’t dead! Black Adam is there. Deathstroke is there – another guy who is not heroic in the least. Catman is there, but he’s a tad more heroic than Slade Wilson. And, of course, there’s lesbian Batwoman. So … is this just an advertisement? Shocking!
And because DC can’t leave well enough alone, Superboy-Prime is in prison, carving an “S” on his chest with his own finger (I thought he didn’t have any powers?) and promising to return. We’ll see you in 20 years, Superboy, when DC decides to reboot again!
Body count: Bane snaps some Asian-looking dude like a twig; Prometheus shoots some guy in the back; Sir Justin hits the Riddler with a mace, which should kill him but won’t; Black Adam ”kills” Amazo; Superboy casually rips apart some insect-looking thing; Green Lanterns 885, 3544, 34; Earth-2 Superman; Alexander Luthor.Â
Mogo is cool. You know it to be true!
What have we learned and who is to blame?
That’s a bit harsh, I suppose. Maybe it should be “who gets the credit?” However, even with decent “event” comics, there has to be blame, because their nature is such that they lead to even more “event” comics, and the law of diminishing returns kicks in. There is a lot that is quite good about this monster crossover, but in the end, we have to point fingers.
First, what have we learned? Well, in the world of comic books and really all entertainment, it is clear that comics by fiat simply don’t work. Exactly why was this mini-series conceived? We can look back at Identity Crisis, and although that was not technically part of the crossover, it provided the impetus for this sprawling mess. I imagine that Meltzer pitched the idea to DC, and, as I mentioned, it’s not a bad idea. The execution falls apart in the end, but the idea is sound. However, Meltzer blew by having Dr. Light rape Sue Dibny. Again, it’s not the rape that I object to (it’s awful storytelling, but the objections to raping women have been hashed out ad infinitum, so I don’t want to go into it here), it’s that it’s a red herring. The presence of red herrings is certainly necessary in murder mysteries, but this brings about such a fundamental change in the status quo of the heroes that DC had to deal with it. You can argue that Identity Crisis is as much about the mindwiping of Dr. Light and, more specifically, Batman as it was about Sue Dibny’s murder, but if it is, then Meltzer does a poor job addressing it and pretty much guarantees that this “self-contained” mini-series will have to spawn something like Infinite Crisis. It’s frustrating because Identity Crisis, ultimately, didn’t need the rape of Sue Dibny.
Once the mindwiping was out of the box, the committee took over. Dan DiDio and his cabal decided that something needed to be done about the “dark” tone the DCU was taking. Once again, they allowed the dark tone to occur, but for some reason, they suddenly decided it was wrong. Was it the fan reaction to Sue Dibny’s rape and subsequent murder? Was it Ray Palmer’s cavalier treatment of his wife when he finds out she is insane? I’m not entirely sure. Until Dan DiDio comes out with a tell-all book about his years at DC, we may never know why this crossover, beginning with the only truly horrible book in this mess, Countdown to Infinite Crisis, was green-lit. Did the fans’ reaction precipitate it? Or did JoRucknick and DiDio remember that Alexander Luthor, Superboy-Prime, and E-2 Superman were still around somewhere? Or was the cabal made up of young comic book fans when Crisis on Infinite Earths come out and they wanted to create their own mega-crossover? I will not rely on press releases for my information, so I don’t know the answers to these questions.
The other problem is, of course, that the “event” in this event comic is rather lame. Let’s look at big-time crossovers in the past. Crisis on Infinite Earths, possibly the grandfather of them all, “corrected” a “problem,” as people saw it, in the DC stable. We can argue until doomsday whether the existence of multiple earths was actually a problem or not, but at least the series addressed an existing situation. Other crossovers have introduced mega-threats and then dealt with them. Currently, Civil War is addressing a problem that has always lingered with regard to masked superheroes – the fine line between heroism and vigilantism. Marvel may have hyped the problem, but it has always been there. Infinite Crisis, however, addresses a problem that doesn’t really exist: why are heroes not acting like heroes anymore? Well, if these people were real, it might be a problem, but the simple answer is: because writers write them that way and fans buy the books. In the past fifteen years – when things, I suppose, really got bad – DC has published several “lighter” books – Major Bummer, Young Heroes in Love, The Heckler – while Marvel gave us ClanDestine, at least. I’m sure there are others, but those are just the ones that I can think of sitting here at the keyboard. Guess what? Either through poor marketing or the fact that fans just didn’t care, all those books died quickly. Very quickly. Superheroes are dark because people want them dark. If they didn’t, no one would have fallen for Bane breaking Batman’s back after they watched DC kill Superman. The marketplace drives the stories, and DC responded. So why change now?
That question is at the heart of why this crossover was published. Why change now? Decreasing sales? An attempt to gain new readership (meaning kids)? An attempt to regain old readership (people nostalgic for “goofy” superhero comics)? I don’t know. It seems to me, however, that, as I’ve mentioned before, that if DC didn’t want to publish “dark” superhero books anymore, the simple solution is don’t do it. The fact that this event forces Bruce to admit he’s been a complete and total bastard to certain people is weird. Jason Todd’s murder didn’t convince him? Barbara Gordon’s crippling didn’t convince him? Sarah Essen’s murder didn’t convince him? Vesper Fairchild’s murder didn’t convince him? Why this event? The idea of this series is misguided, because nothing DC can do now is any more traumatic to Bruce than what has already been done to him. If DC wanted him to be nicer, they could have just told their writers to stop writing such horribly depressing stories. He could simply come to the conclusion on his own. But that’s not cool enough, I guess.
Another reason why this crossover seems to exist is to overhaul the DC line. This is rather strange. Is it easier for fans to accept new characters when they are introduced in a universe-changing epic? I don’t know. In this series, we get a new Blue Beetle, a new Spectre, a new Flash, and a new Wonder Woman. The “One Year Later” books have brought about changes for almost every title, and fans seem to accept them. Are they accepting them only because of the events of Infinite Crisis? Or if DC simply said, “You know what? Our books are stale. We’re throwing everything ahead one year and we’ll see what we get.” Imagine this new Wonder Woman without the benefit of having Infinite Crisis. Would that be a harder sell? This comes back to continuity, the elephant in the room when we talk Big Two superhero comics. Like it or not, the fans obsess about it, and so do the companies. In his column on Friday, Greg brought up some examples of non-continuity titles, and they will always exist, but let’s face it: they’re niche titles. Even the Ultimate line now has continuity, so don’t throw that at me! Mainstream superhero titles have continuity, like it or not. Now, they don’t have to strictly adhere to continuity, but it still exists. And this means that DC simply can’t change the identities of their heroes that easily without a big mega-crossover like this. Well, they could, but they would piss off a large section of their fan base. For some reason, fans are more accepting of big changes when they come in a big crossover like this. But that’s a dangerous game, because a big crossover like this brings out all the obsessive fans (who knew anyone actually cared about Ted Kord?) and it also means that these new titles have a spotlight’s glare on them, and they have to succeed quickly or we get the inevitable retcon. That’s unfortunate, because it’s always interesting to see what a writer can do if he or she is freed from the constraints of continuity and is able to write a story that works, with perhaps nods to whatever history they see fit. I’m not reading the new Blue Beetle, because I’m just not interested, but how long will it be before Ted Kord returns? And he, I’ll point out, isn’t even the original Beetle. If DC had simply brought out a new Blue Beetle series with little fanfare (or less than they did with this one), maybe Giffen and Rogers could be a little more creative and deal with the history when it’s pertinent.  Again, I’m not reading it, so maybe they are writing a good book, but the spotlight on the book can’t help – if they are doing a good job, it’s despite the expectations.
So why can’t DC (and Marvel) change unless it’s cataclysmic? Again, it has to do with the fans.  We accept the death of Conner Kent because it “meant” something. And, he died a hero.  But let’s be honest – Conner Kent was never a really big player in the DCU, and it’s interesting to note that as the cycle of these crossovers becomes tighter, DC has to find lesser and lesser heroes to kill. In the first Crisis, Supergirl’s and Barry Allen’s death were events because both characters had been around for a long time. Now, the old characters are so iconic that there is no way DC would kill off someone of Barry Allen’s stature – and if they did, the fans would go through the roof – and the new characters just don’t have the same impact as the older ones would. It’s a strange dilemma. Who will DC kill off next - Jim Rook? NOOOOOO!
The biggest problem I have with Infinite Crisis and all the mega-crossovers is that they promise things they simply can’t deliver. I know that most of us don’t fall for it when the Big Two promise ”real change,” and I don’t even care about that too much. If Grant Morrison, in the course of writing about Batman, decides to write an ultra-bleak story in which Batman is a dick, DC won’t say no. Whatever sells, after all. The thing that bothers me is that they think we will believe it. We know that this is a business, and that any character who is no longer viable as a selling point is vulnerable, and that any character who, for whatever reason, suddenly becomes viable can be resurrected. “Real change” in superhero comics cannot be editorially mandated, and that’s the most egregious thing about IC. If the reading public wants our superheroes to be like Batman in the 1950s, when he strolled down the street and helped old ladies cross and got cats out of trees and fought villains with giant foam fingers of doom, then we won’t read Batman until DC gives that to us. At least I hope so. The other option, that we bought Infinite Crisis and its vast ancillary titles simply because that’s the way we’ve always done it and we hope that things will get better, is too depressing to contemplate. I have read a lot of people gnash their teeth over the events in Infinite Crisis. And yet they’re buying 52, and the new Blue Beetle, and the new Wonder Woman, and James Robinson’s Batman story, and Shadowpact, and Secret Six, and Ion, and Holly-as-Catwoman. Those are the kinds of fans who drive me insane. “Well, Infinite Crisis sucked, but I really like the concept of Blue Beetle, so I’m going to keep giving my money to DC. It has to get better, right?” Superhero comics rely on people like that, and it’s frustrating. Because if you want books to be better, the only way – the only way! – that DC (or Marvel) will do it is if you vote with your pocket books. They don’t care about online petitions or fan clubs (Manhunter‘s lease on life notwithstanding). If you want your superheroes to act like superheroes again, then don’t buy comics in which they act like dicks. We shall see if this brave new era of DC heroics lasts, or if we revert to the grim-’n'-gritty template. Because if we do, then we have no one to blame but ourselves. Me, I like good stories, whether or not someone gets shot in the head. And I hope that I buy books that reflect that and drop them when they start to suck. Comics should be good, after all, to coin a phrase.
Final body count, by the way: 45 confirmed individual deaths, plus a bunch of others that appear to be fatalities but haven’t been confirmed, and finally a bunch of random people like Amazons and Atlanteans. That’s in 44 issues! Wow, good job, DC. Let me know if I’ve missed some!Â
“Let’s break out the booze and have a ball, if that’s all there is.” Amen to that. Who sings these lyrics and the lyrics at the top of the post? It’s the perfect sentiment for my feelings about Infinite Crisis!
Sorry for the length of the post. Man, this was a fun bunch of comics, weren’t they? I have to decompress, like George Constanza in the Summer of George.  Reading comics shouldn’t be such a chore! Thanks for putting up with me while I did this, and always remember:







51 Comments
Evan Waters
June 25, 2006 at 10:11 pm
“Purple Death Ray” reminded me of the Purple Death in FLASH GORDON CONQUERS THE UNIVERSE (the most pointlessly named disease in existence since said serial was in black and white.) Maybe they were trying to evoke that kind of 30s-40s pulp technology feel.
Strangely, I disliked the scene you praised where Bruce rejects Superman-2′s offer because Dick Grayson isn’t “better off”. First off, I had no idea what the Hell they were talking about. I thought it meant he was dead, maybe. And the scene makes it look like Batman basically values the well-being of Dick Grayson over everyone else in existence. Which, while bound to please the shippers, is kind of dickish. At least stand on principle or something.
I tried to give this a fair shot, though my resentment of Ted’s death and Maxwell Lord’s sudden evilness and the knowledge that both were somehow vital to making this thing happen probably clouded things. Still, I liked the first couple of issues, but stopped at issue #4 when it became clear that Alex and SB-Prime were now evil (sorry, “misguided zealots”- incidentally, I’m kinda getting sick of that villain type. It even applied to Evil Max.) for nebulous reasons explained in a tie-in book, and that they weren’t going to actually tie the threads from the various minis together in a meaningful fashion. That the whole thing can perhaps best be summarized as “some bad shit goes down and reality changes somehow” is probably not a good sign. Plus, on a visual level, though the art was technically adequate, it was just ugly. All blood and fire and lightning and darkness and the occasional internal organ. I think there was less gore in all three LORD OF THE RINGS films.
One correction, though. Didio has made it clear that DC is not after a fun, happy DCU. After all, that doesn’t sell. He’s categorically ruled out putting out any JLI/YOUNG JUSTICE-type books for the time being. I do blame the fans for this mostly, but Hell, Marvel manages to keep SHE HULK in print. That said, the DCU does seem a bit less “gritty” now. Heroes are generally heroes and villains are mostly villains. Well, then there’s Cass. *Sigh*
Andrew-TLA
June 25, 2006 at 11:50 pm
Of course the Purple Death Ray is silly. It’s a counterpart to the Purple Healing Ray, which has been an integral stop during any Paradise Island Vacation. What really surprises me is that nobody thought of it ten years ago.
Paul Newell
June 26, 2006 at 12:19 am
“For the most part, however, I enjoyed Infinite Crisis.”
Just a quick question….I didn’t see anything in the summing up explaining what you liked about the series.
So, apart from the little things you mentioned, why did you enjoy it?
JR
June 26, 2006 at 12:20 am
Hector and Lyta Hall (Dr. Fate and Fury) died in a tie-in and I heard The Fisherman died in some other tie-in.
There are 2 shark guys in the DCU but the one Aquaman stabbed didn’t die.
Brief Firestorm history- In Extreme Justice Ronnie Raymond had Lukemia and Martien Stien (who’d been out in space since the end of Ostrander’s run) shows up to cure Ron and ends up triggering his metagene, making him Firestorm again. Stien went back into space and Ronnie meandered around for years until being killed in Identity Crisis, his power winding up in the new guy. And no it doesn’t make much sense.
E2 Dick Grayson didn’t become a bad guy, that scene is supposed to be read as E-2 Superman realizing that Grayson was just a good a guy on both planets thus showing the flaw in his thinking. No it’s not very apparent or clear at all.
I didn’t buy everything involved but what Inifinite Crisis did make clear to me is that Johns has fallen into a bit of a pattern with his event stories (specifically JSA/JSA, Rebirth, and this). It’s something like: 1) Bunch of weird/chaotic things happen that signify some impending doom followed by 2) character angst sometimes but not usually related to (1), 3)exsposition, 4)Action/fight sequence that serves more as distratction rather than to further the plot of (1)…5) more exsposition and finally 6) big jumbled fight sequence where the major villians usually end up getting away or making it out alive.
I believe Didio had once stated that his original goal with this was to make the DCU more “realistic”. That started to change when Mark Waid said in an interview that everything will be okay/lighter afterward. So there seems to be a mixed vibe on just where they should go as a company now due to the groups that want the former and the groups that want the latter.
Rest assured I have already taken the advice to cut down on my pull list.
JR
June 26, 2006 at 12:31 am
Oh! And after Superman moved the moon he ended up slugging it out with an angel, how cool was THAT!?!?
Matt
June 26, 2006 at 12:35 am
The thing in the surf which the kid found was the staff lantern from the Tangent (remember that?) Green Lantern story.
And Infinite Crisis was cool. It had Mogo. Nothing with Mogo in it could possibly be bad. Ever. DC could publish a comic with 20 pages of Mogo in it, just floating in space doing nothing, and it’d be awesome.
Paperghost
June 26, 2006 at 1:14 am
Great writeup. I tried reviewing the “entire” Infinite Crisis series, and all I came up with was “flarp”.
The thing that annoyed me the most about IC was the shockingly poor art by – um – forgotten his name…when E-2 Superman was on the newly recreated Earth with Lois. Why exactly did his face look like it had been made out of melted putty? I read somewhere that it was to make it look “more like the original E-2″, but it just looked like melted putty to me.
Alex Hopkinson
June 26, 2006 at 4:50 am
Heh, I appear to be the only person on the internets that actually liked Luthor’s green Buzz Lightyear armour of these past couple of years.
Ion
June 26, 2006 at 7:34 am
J’onn is on the tower as a representative of Earth 1.
Greg Burgas
June 26, 2006 at 7:46 am
Paul – the reason I liked IC was probably because I had zero expectations. Since I read it after the Internets had thrashed through it for months, I had a general idea about all the things that were wrong with it – even down to the art – so I went in expecting it to be the worst thing ever. It wasn’t, and even though that sounds like damning with faint praise, it didn’t try TOO hard to be more than it was – a soap/space opera with big explosions, a soupcon of characterization, and those “events” that make event comics what they are. It certainly isn’t all that good, but it also certainly didn’t deserve quite the excoriation that it received. Although, as I pointed out, others know a LOT more about the DCU than I do, and it seems like the more you know about DC, the angrier you are. Which is why this is a strange crossover – it pissed off the people it was trying to placate.
Matthew E
June 26, 2006 at 7:53 am
I can answer some of your questions.
“What is the significance of it being purple?”
Because the Amazons always have purple rays. It’s like a Themysciran motif.
“Do we ever find out why J’onn is there?”
Because they needed someone on the tuning fork to represent Earth-1, and J’onn knew too much. That’s my theory.
“please tell me he’s not called Wildebeest”
Of course he’s not called Wildebeest. That would be silly. He’s called Baby Wildebeest.
“So why does the coroner call him “Vicâ€? Is it just a mistake by Johns?”
It’s cop slang. ‘Vic’ is short for ‘the victim’.
“So, apparently, each time Superboy hits the crystal stuff that surrounds them, he changes the DC reality. So it’s his fault that Superman died, and Batman got his back broken, and Superman turned blue, and Green Lantern went nuts, and all the other stuff. But … I thought it was because those heroes weren’t heroic? But if it’s Superboy’s fault …?”
The impression I got is that all the stuff you list happened on its own. The stuff Superboy caused is the inexplicable continuity-bending stuff, like Max Lord not being a robot, or Zero Hour, or the thing that punted the rebooted Legion off into nothingness at the end of the Titans-Legion Special (explicitly stated in the text of that comic, by the way! Shows how far ahead DC was planning this), or the shenanigans with the Doom Patrol, or Jason Todd coming back to life.
Your larger points, about continuity… I prefer your approach to the rigor-and-reboot approach, and I certainly agree with the buy-what-you-like philosophy (which I’ve also read/heard from DC representatives, repeatedly, over the years, to their credit)… but I did enjoy Infinite Crisis, despite its flaws. I’d like to see DC get their continuity to a state – however they do it – where they don’t have to mess around with it any more. But I suspect that this isn’t possible for a genre in which characters who fought in World War II and modern teenagers coexist but aren’t allowed to age normally.
moose n squirrel
June 26, 2006 at 7:57 am
“The stuff Superboy caused is the inexplicable continuity-bending stuff”
And here I thought that was caused by the fearsome cosmic force which the ancients once called “bad editing.”
moose n squirrel
June 26, 2006 at 8:05 am
I feel compelled to point out once again, Greg, that DC never promised anyone a “cheery new DC.” There were vague mumblings about making a more consistent tone, and there was that one interview where Mark Waid claimed it was all about lightening the DCU (“we’re going to fix Batman,” etc.), but Waid’s comments were quickly and roundly dismissed as a misunderstanding by his co-revampers. Everyone in the “DC is too dark” camp jumped to the conclusion they wanted to draw – that DC was going to put on a happier, sunnier face – but nothing of the sort was ever promised by anyone with any real authority.
To the extent that Dan Didio has promised any change in the tone, he’s promised to darken it, explaining that readers are drawn to angst, not to light-heartedness. Anyone who thought they were making a happy new universe or bringing back Earth-Purple or whatever got taken for a ride.
Matthew E
June 26, 2006 at 8:17 am
“And here I thought that was caused by the fearsome cosmic force which the ancients once called “bad editing.—
Potayto, potahto.
Greg Burgas
June 26, 2006 at 8:38 am
Yeah, Moose, but it’s more fun if we believe DC is planning a new, cheerier DC while slaughtering dozens of its characters. My point remains the same – if you want to change the tone of your books, no matter what that tone might be, you don’t need a mega-crossover to explain it. Just do it. Readers will adjust!
nicholas
June 26, 2006 at 9:09 am
but he should have called it “the Ochoâ€
This wins for “best outside reference.”
Ticoman
June 26, 2006 at 9:13 am
Sorry man, but someone has to break this to you eventually:
The wildeebeast-looking guy that gets killed by Superboy Prime? His name is… WILDEEBEAST!
Thank heaven the oriental-looking guy that gets his back broken by Bane isn’t called “Oriental-Looking Guy”
Jeff R.
June 26, 2006 at 9:59 am
Thank heaven the oriental-looking guy that gets his back broken by Bane isn’t called “Oriental-Looking Guyâ€
It’s Judomaster, which isn’t all that many steps away from that…
moose n squirrel
June 26, 2006 at 10:06 am
My point remains the same – if you want to change the tone of your books, no matter what that tone might be, you don’t need a mega-crossover to explain it.
Of course, but that isn’t what DC wanted, was it? Does the DC universe feel substantially different to you now than it did a year ago? The point was the crossover itself, and the fact that DC has a fan base that can be relied upon to buy fifty issues of a story simply because DC tells them to. They didn’t want to “fix” anything. They wanted to make money. By that standard it’s been a resounding success.
I am MODOK
June 26, 2006 at 10:36 am
Nice with the “total consciousness” Caddyshack quote. Caddy quotes never hurt!
Gordon
June 26, 2006 at 10:39 am
I can honestly admit one good thing about Infinite Crisis – it got me to scale back on my comics. To not just buy something because I can.
It would be one thing if there were the continuity problems that were in existence back in 1986. (I’m not arguing that there were – just that it would make sense if there were a simular siutation). However, it seems that this mini-series was at the whim of Johns and DiDio to “lighten” the universe…or, at the very least, to tighten continuity.
Case in point – want to make Batman less of a jerk? Have him softened by Stephanie Brown’s death (here’s a shout-out to girl-wonder.org). Have him realize that he’s been so obsessed with his “mission” that he’s driven the very people he cares about away.
Oh, wait, that wouldn’t sell comics.
But at least now, DC has convinced me to be much more selective in buying comics. To explore and purchase other kinds of books. To diversify my reading palate, so to speak.
Thanks, DC, for turning off one fan. Anyone else want to join me?
T.
June 26, 2006 at 10:46 am
Moose is right, DC never promised a lighter tone. A lot of people took the metacommentary in Infinite Crisis to be an indication of that, but if you follow the story you realize that the point is to answer the critics of DC’s dark tone by digging its feet in the ground and declaring that its heroes may be dark but overall they’re still heroic and are fine just the way they are.
Greg Burgas
June 26, 2006 at 10:48 am
Too true, Moose, but throughout the series, we get this sense that Earth-2 Superman and Superboy are speaking for the fans, and that they’re tired of this. No, there’s no reason to think that anything will change, and that makes this mess even more vexing, because, as I pointed out, most crossovers either address an existing problem or create one and then deal with it. Yes, Luthor created a problem in this story, but the impetus seems simply to be that the heroes weren’t acting that heroically. That’s dumb.
And I’m aware that at this level, comics are all about making money, and you’re right about it being a resounding success. It just bugs me how crass it all seems, and that we keep falling for it. I didn’t spend any money on this, but I have on other stuff that I bought into, and that’s annoying. I’m glad Gordon chimed in, because he’s right – we all need to be far more discriminating about what we buy, especially from the Big Two. My moment of epiphany came with “Hush.” I hope others gain it from Infinite Crisis.
T.
June 26, 2006 at 11:31 am
yes, E-2 Superman and company were speaking for the fans, but as the series progressed it was obvious which fans they were speaking for, at least in the eyes of Didio and company:
- E-2 Superman Old school, outdated, confused and ultimately, wrong and guilty of misunderstanding the problem and making it worse. Gets bloodily pummelled to death.
- Superboy prime – an evil whiner who just wanted things the old way for evil purposes. Is revealed to be mentally unhinged psycho and gets locked up.
- Alex Luthor – a scheming intellectual control freak that was manipulating the first two. Gets taken out by the spokesperson for excess violence in comics, The Joker.
And further proof that this was never meant to be a critique of darkness in comics but a defense was the narration caption used when Conner Kent died, something along the lines of “We didn’t become less heroic, we just forgot sometimes.” Basically, sure it looks dark but we’re actually just as heroic as ever, see. Now shut up and get ready for more of the same.
Evan Waters
June 26, 2006 at 11:34 am
But of course, Earth-2 Superman and Superboy Prime are on the wrong side. It’s sort of a wash. The heroes are causing a problem because they haven’t been heroic, but the bad guys are bad because they want to roll everything back to the Good Old Days.
I think the approach DC’s taking now is that it’s still dramatic and darkish, but Batman’s not a dick anymore and Wonder Woman won’t be snapping necks and so on- a bit more idealistic even if it’s not happy. More KINGDOM COME than JLI, I guess.
Which I’m mostly okay with, except for the explicit lack of any sort of funnybook in the main continuity. It’d be nice if there were one non-serious corner of the DCU.
Paperghost
June 26, 2006 at 12:41 pm
“Which I’m mostly okay with, except for the explicit lack of any sort of funnybook in the main continuity. It’d be nice if there were one non-serious corner of the DCU.”
I’m still waiting for a reprint of the bwah-ha-ha era of the JLA. Don’t think my chances are too good…
Dan Coyle
June 26, 2006 at 1:36 pm
Superboy= Mark Waid
Alex Luthor= Brad Meltzer
Max Lord= Warren Ellis
It gets a LOT funnier if you read it that way.
Loz
June 26, 2006 at 1:42 pm
I should preface this by saying I haven’t read any of the Infinite CrisisSeven Soldiers telling us that the Z-list heroes can be more important and heroic than the A-List rather than IC telling us the A-List can be less heroic and just worse than the Z-List. The SS story is positive, while IC is just negative.
Oh, and on the Joe Chill thing. Zero Hour did away with him being found responsible to be used as an excuse for why Batman would be darker. I presume that his now being brought to justice is to signify that Batman is now FUN! in the new FUN! DCU. I’m sure the next murder that Batman has to investigate will have a smile on it’s face that has nothing to do with Smilex.
Bill Reed
June 26, 2006 at 2:44 pm
DC Comics has many shark dudes. The one Aquaman kills, King Shark, is not really dead. And is in Busiek’s Aquaman. And if you thought “King Shark” is a cool name, the other shark dude is named “The Shark.” I know. Awesome.
I’m kinda ticked they offed some of my obscure favorites like Ratcatcher and Captain Nazi. And Amos Fortune, if that’s what you meant.
And I thought they offed Looker, too. But there she is!
And *I* cared about Ted Kord.
Anyway. This looks like a mess and I’m glad I avoided it. But, y’know, I’m sure there’s SOMEONE who could’ve written a huge mega-crossover and made it actually tell a comprehensible, complete story. Hell, maybe it could even have been good. If only Morrison got to do Hypercrisis.
Alas. These kinds of comics depress me. I’m afraid if I read any more about Infinite Crisis, or even think too hard about it, I’ll just go “blorrrkk,” have a stroke, and die.
moose n squirrel
June 26, 2006 at 2:49 pm
It just bugs me how crass it all seems, and that we keep falling for it.
And because we keep falling it, they’ll keep giving us more of the same. I’ve pretty much given up trying to convince people to stop at this point. Every week it seems like Marvel and DC do something fantastically stupid, and every week fans get in an uproar, and then they resign themselves and say “But maybe it’ll lead to a good story” and just keep buying, and the payoff never comes. And why should it? When you’re financially rewarding a company for fucking up all the time, what incentive do they have to start getting it right?
K
June 26, 2006 at 3:00 pm
aaah, yeah. your general “agenda” rears its ugly head again. and you mentinoned it yourself early on, but it seems to me that you often seem unable to grasp some simple occurances and automatically suspect there is something more written somewhere else. i found nothing confusing about the flash stuff. i dont know who the fuck mogo is, but you knew him. so surely you could grab onto the rather simply explained bit about superboy and the flashes. hell i read less dc than you do and i got it.
thanks for finally convincing me. this week i have realized that Comic Blogs Should Be Good. and this one isnt. bye.
Greg Burgas
June 26, 2006 at 3:11 pm
That’s sad, K. Oh well. Mogo is incidental to the story, after all, and it means nothing that the Supers fell onto him and not someplace else. I suppose he manuevered himself so that they would land on him, but it could have just been a random planet. Knowing who Mogo is just adds a tiny bit to the story. The deal with the Flashes and Superboy, however, seems more important. As for your contention that I didn’t read it well enough, well, that’s not true – I know exactly what happened to the Flashes and Superboy, but it’s explained in a couple of panels and I was just wondering if in one of the Infinite Crisis tie-ins we found out the bigger story. In this, the Flashes and Superboy disappear, and then they return with some vague statements about years having passed and Superboy trapped in a red sun prison. It just seems like that would be a story to tell, and I was just wondering if it had been told somewhere. That’s all.
But I’m sad now. Come back, K! I promise to keep whatever agenda I obviously have hidden! I’m not even sure what it is, but I promise!
Apodaca
June 26, 2006 at 5:51 pm
“but it seems to me that you often seem unable to grasp some simple occurances and automatically suspect there is something more written somewhere else”
Well, I’m glad you’re taking off. I’ll never understand people who start tossing out insults in these discussions.
Real fucking classy.
Jesse Thomas
June 26, 2006 at 6:12 pm
Well, regarding your question about the song lyrics, I recognized them as being from a PJ Harvey song, but I checked around, and it appears that PJ was doing a cover of a Peggy Lee tune (cleverly titled “Is That All There Is?”) from 1969 (lyrics by Leiber & Stoller).
This concludes today’s dose of music trivia.
Philip
June 26, 2006 at 6:20 pm
Ah… I wanted to like Infinite Crisis. I hadn’t bought comics in a while, and when I got to the last page and saw Superman and Superboy from the original Crisis I thought “Wow, neat!” The reappearance of the corny but endearing “This looks like a job for Superman!” catchphrase was also a nice surprise, and I was looking forward to some optimistic and Silver-Age sense of wonder heroics. Unfortunately by issue 3 the writers decided to point to Superman and say “Wait a second! This guy’s an old coot!” And instead of being an upbeat story about heroism it became the Gotterdammerung. That’s too bad.
Also, can someone clarify a point about the ending for me? It’s said that Superboy loses his powers under a red sun. Visible light is all part of the same spectrum, it shouldn’t make a difference. Maybe it wouldn’t power him up to the same degree but there’s no reason it would deplete his power. So, if he’s stuck inside a transparent walled prison in the heart of a red sun, he’s getting constantly recharged and becoming more powerful with every moment he spends there?
Greg Burgas
June 26, 2006 at 6:55 pm
Jesse – Yeah, I knew it was a cover, but I know the song from Harvey’s strangely compelling but ultimately disappointing album Dance Hall at Louse Point with John Parish. Bizarre stuff.
And I don’t know about that, Philip. It sounds logical, but maybe someone with far more arcane knowledge of Superman’s powers can help.
JLG
June 26, 2006 at 7:01 pm
As other people have said, that wildebeest guy was Baby Wildebeest, who was three years old. Way to think things all the way out Geoff. And funny how a baby getting stuck in a well can be a big media event, but in the DCU 7 weeks can go by in 52 and not word about a kid superhero who gets a fucking hole blown through him.
I don’t know. I started and quit with IC at 4, and wish I wasn’t suckered into buying the Titans tie-ins that added absolutely nothing (certianly nothing like “set-up” or “characterization”). I always get ticked about people saying how “realistic” and “bold” that scene was, but who realistic and bold is it when SBP, in his chaotic rampage kills… three characters who were in limbo? The lack of a real spine is evident here (gee, how about sending people who would actually have a chance?), and proven by Geoff chickening out and trying to save Nightwing. How many fanboys would be praising it as cool or shocking if Dick Grayson had his head knocked off? Johns was gearing Superboy to die, and he ended up having the most noble and heroic death, of course. If DC is all about showing true heroism and lower tier heroes looking heroic too, then, you know, how about remembering that other people than Superboy died?
And yeah, I’m one of those people who are whining about Pantha. I know, fuck me and who cares. But there’s more to it than “Grr, one of my favorites died!” I really only followed Teen Titans at the time, and that was because of the cartoon, so it’s not encyclopedic fanboy kvetching. But the level of gore in that whole scene was ridiculous, and creepy. What’s the point? Especially when Psycho Pirate is treated with the same detail? Is Geoff writing a superhero Cannibal Holocaust? What’s supposed to be a tragic scene for both Pantha (who, incidentally, never had her origin resolved, so nice job, Geoff) and SBP, is ruined by the ignoble, campy death of Pantha. It’s cheap, shallow, “safe,” shock. Peter Jackson knew he had to keep his Dead Alive out of Lord of the Rings. And when you rip off Mortal Kombat, something should tell you to go through another rewrite. What may be worse is what could happen with Red Star, if Geoff just killed Pantha and Baby Wildebeest for Red Star’s development in future Titans issues (hello refrigerator). Given how mired in depression and angst Titans is, I’m really thinking that’s a safe bet.
I haven’t bought any of 52, and I’m dropping more and more of Titans, since it’s too miserable, and those I really care about are off in limbo. But are you going to tell me I’m going to cause a change at DC for this? I’m probably just a whiny fanboy, and a weird, crazy at that, as someone will surely mention later (partly because I can’t whine about Superboy or Lilith
). No, all I can do is cut my ties from what I used to like. Apparently I just like the wrong characters.
Yeah, sure, I’m emo and all that. It’s not helping the Cubs suck this year.
Paul Newell
June 26, 2006 at 11:38 pm
“Although, as I pointed out, others know a LOT more about the DCU than I do, and it seems like the more you know about DC, the angrier you are. Which is why this is a strange crossover – it pissed off the people it was trying to placate.”
Not totally…The polls and general conversation at CBR’s Board has shown it to be about 60%/40% with the 60% liking Infinite Crisis. And a lot of us that did fall into the “Know more about DC”.
As is the case in these situations, however, I think its a case of some who hated it having more to say. And saying it louder.
Paul Newell
June 26, 2006 at 11:43 pm
“The deal with the Flashes and Superboy, however, seems more important. As for your contention that I didn’t read it well enough, well, that’s not true – I know exactly what happened to the Flashes and Superboy, but it’s explained in a couple of panels and I was just wondering if in one of the Infinite Crisis tie-ins we found out the bigger story. In this, the Flashes and Superboy disappear, and then they return with some vague statements about years having passed and Superboy trapped in a red sun prison. It just seems like that would be a story to tell, and I was just wondering if it had been told somewhere. That’s all.”
It hasn’t been told anywhere yet, but there was a remark from Didio, somewhere online,that it would told sometime in the future.
John Seavey
June 27, 2006 at 5:32 am
I’ve thought about this a lot, while at work tonight, and come to this conclusion.
You are such a wimp, Greg.
Infinite Crisis and its lead-ins nearly did you in? I’m reading ‘Extreme Prejudice’, ‘Heroes Reborn’, and ‘Millennium’. And that’s just for starters. My diet of crossovers includes everything you just choked down, and enough extra to kill twenty normal men. (Then again, I’m getting paid to do it.)
OK, no, that’s not really my conclusion. My conclusion is this: Voting with your wallet isn’t the answer. That is to say, it’s not the answer for improving comics. It might be the answer for you, personally; not buying things you don’t like and not reading things you don’t enjoy will certainly make you feel better. But in practical terms, we’ve already seen the result of fans voting with their wallets, and it’s…well, it’s ‘Infinite Crisis’.
Because, you see, the fans who’ve voted with their wallets by not buying comics they don’t like…well, they’re gone. Out the door, not coming back, bye seeya. (Note: For purposes of this debate, I will be using a certain amount of dramatic hyperbole. Please introduce the phrase “plus or minus ten percent” to everything I say if you want a more realistic analysis.) It’s not like they walk into a comics store every week, ask, “Is there a comic coming out now that’s clever, heart-warming, and family friendly? No? OK, I’ll be back next week to check again.” They stopped walking through the door of comics shops, and that’s the scary thing about comics right now…if you’re not actively walking into a comics store and looking, you could easily believe that comics have ceased as an industry. (More on this in a paragraph or two, but for now, just go with me on this.) The people who left when ‘Sandman’ ended, by and large, don’t even know that ’1602′ or ‘Eternals’ exists. The people who stopped reading comics when ‘Bone’ ended are not hearing about the new ‘Shazam’ series in Entertainment Weekly cover articles or seeing ads for it on TV, or even seeing it when they walk by their local newsstand for that matter. These people are as dead to comics publishers as if they had shot themselves in the head.
So it’s not a case of “Book A, which is grim-’n-gritty and attracts Audience A, vs. Book B, which is light-hearted and attracts Audience B”…it’s a case of “Book A, which is grim-’n-gritty and attracts Audience A, vs. Book B, which just got cancelled because Audience B has given up on comics altogether and doesn’t know Book B even exists.” So all you get is Book A. Which gets its price raised, because you want to keep making the same amount of money even though selling to a smaller audience.
Ultimately, that’s the problem. The audience for comics is now “comics fans”. It is a self-selecting audience. The only people who find comics are the people who go looking for comics. The idea of comic books as a casual, impulse purchase for people that don’t pursue it as a hobby went out with…why, there’s our culprit now! That’s right. It went out with the rise of the Direct Market.
The Direct Market is killing comics. It has effectively ghettoized the industry, to the point where the only place you can find comics is in comics stores, which means that you won’t find comics unless you’re looking for them, which means that the chances of attracting new readers are pretty much jack and squat, and jack left town. Look at the ‘Marvel Adventures’ line. It’s exactly what Marvel needs–casual, continuity light stories aimed at young readers. And where are they selling them? F***ING COMICS STORES! The exact place where young readers don’t go, because there’s nothing there but a bunch of weird thirty-year olds and posters of girls with giant breasts!
The solution, and I say this knowing that this is a problem that’s been thirty years in the making and may take thirty years to fix, is to sell outside the Direct Market. Sell comics at video game stores, next to the DVD racks at Best Buy, in gas stations, in grocery stores, in drugstores, in coffee shops, pretty much anywhere and everywhere that there’s people looking for something quick and light to read. If there’s a magazine rack, there should be comics on it. If there’s a section of cheap paperbacks, there should be a section of cheap Marvel pocket trades. If there’s a section near the checkout with “impulse purchases”, you should have a few comics there. The industry needs to be doing everything possible to get people to at least notice the existence of comics, at least sample them. Because right now, for all the money they throw at marketing and promotion, their basic strategy is still “wait until people walk into a store demanding their product, then sell it to them.” And that is doomed to failure.
(Sorry about the length–I realize this is probably an article in and of itself rather than a comment. But as I said, I did have all night to think about this.)
Douglas
June 27, 2006 at 9:29 am
Greg, this was AWESOME. Thank you for doing it.
Greg Burgas
June 27, 2006 at 10:32 am
Thanks for reading, Douglas. Glad you liked it.
You’re pretty spot on, John, but you’re right – that’s a whole different post. It’s something to think about, though …
Cheeseburger
June 27, 2006 at 11:00 am
“Visible light is all part of the same spectrum, it shouldn’t make a difference. Maybe it wouldn’t power him up to the same degree but there’s no reason it would deplete his power. So, if he’s stuck inside a transparent walled prison in the heart of a red sun, he’s getting constantly recharged and becoming more powerful with every moment he spends there?”
Interesting you should bring this up. I did a presentation last year about the science of Superman and you can actually explain this quite easily. A red star’s (we’ll assume it is a red dwarf not a red giatn) temperature is about 3500K. This means that it’s energy emission peaks at aroun 750 nanometers(nm) – that’s why it’s red. The energy output at this wavelength is much higher than than the output at say 500-600nm, where a yellow star (surface temp 5860K) like our sun emits the most energy. In this case (our sun) the energy output at 500-600nm is much higher than at 750nm
What’s the end product? Well you could hypothesize that in order for Superman/boy’s power to work, there has to be more energy output at a 500-600nm than at higher wavelengths. So some of that cancells the emission from the red part of the spectrum and you are left with extra yellow sunlight to power up. Conversely, with a red star, the high amount of red light cancells the small amount of yellow light, leaving an excess of red light and no powers.
There, your science lesson for the day.
Paddy
June 27, 2006 at 2:04 pm
Firstly I didn’t realize the art was as bad as it was until I read this review.
Secondly I’m glad i now have an order to put my issues in.
Thirdly I think I’m going to have to read this again. I don’t know if that’s a good thing or a bad thing.
kalinara
June 28, 2006 at 7:50 pm
The fact that this event forces Bruce to admit he’s been a complete and total bastard to certain people is weird. Jason Todd’s murder didn’t convince him? Barbara Gordon’s crippling didn’t convince him? Sarah Essen’s murder didn’t convince him? Vesper Fairchild’s murder didn’t convince him? Why this event?
I have to admit, I found Bruce/Batman’s redemption moment very plausible (dubious quality of the crossover aside).
Mostly because I pin it down to when Kal-L tells him what Earth 2 was like. And to me that makes all the difference in the world.
Jason’s death, Vesper’s murder, Stephanie’s torture, Leslie’s betrayal, Barbara’s crippling, et cetera didn’t make a dent in Batman’s downward spiral because they were more darkness piled on darkness. The character was drowning in it, to the point where he could only get darker/more intense/more of an ass to deal.
But I think when Kal-L tells him that in some world, he was happy. E-2 Batman found love, had a family, and generally survived his angst. I don’t think Post-Crisis Batman had ever entertained any sort of hope of a life past his crusade. To find out that in some other world that it was possible…well, it’s a little bit of hope that makes all the difference.
That was my take anyway.
Devon
June 28, 2006 at 9:16 pm
How proud I am that you worked a “Kyle Rayner:Adult!” reference into your wonderful Infinite Crisis analysis!
Greg Burgas
June 28, 2006 at 9:39 pm
Well, Devon, it seemed like a perfect example.
That’s actually a very interesting take, Kalinara. It’s probably what Johns was going for. At least I hope so, because it’s a subtle piece of writing, and I look for hope in the sprawl of the mini-series!
David N. Scott
June 29, 2006 at 10:09 am
As for the Purple Death Ray, there actually is a fairly good explanaion, in that the healing purple ray has been a big Amazon thing for ages and ages…
Basically, the Amazons were using their Purple Rays for killing folk instead of for the good of rainbows, unicorns, and, uh, militant theocratic monarchies.
As in, for meanness!
Lynxara
June 29, 2006 at 11:01 am
The fact that it’s a reference to old continuity really doesn’t make the line “The purple death ray has been completed” sound any less moronic. I understood the context and found it painfully goofy myself.
The very idea that bad dialogue is excusable simply because it references a continuity element is… well, it’s exactly the sort of mentality that Greg was complaining about in the portion of this review that ranted about the direct market.
It doesn’t matter if the Amazons had a purple healing ray forever. “The purple death ray has been completed” is still dreadful dialogue by any standard, in any context.
Kelson
June 29, 2006 at 10:01 pm
No, none of the Flash stuff was explained, anywhere. The last 5 issues of the series were a fill-in issue that had been completed years earlier and kept on the shelf, followed by a rather poor 4-part story by Joey Cavalieri which, strangely, had nothing to do with Infinite Crisis despite starting the same month as IC #1. Then it’s “Pow — you’re cancelled!” followed by “Wham! You’re disappeared into Infinite Crisis!” and “Sock! You’re four years older than you were two issues ago!” and finally “Biff! Come back later this year when you’ll find out who the new Flash really is!”
John Seavey
June 30, 2006 at 5:09 am
And can I just mention the suckiest thing about re-launching old titles just for the sake of the shot of “buzz” you get from a new #1?
It makes hunting for back issues really freaking annoying. “Yes, I’ve got a copy of ‘Legion of Super-Heroes’ #21 in my hands, and I want to purchase it.” “OK, let me just look it up in our database to get a price…um, we have six hits on that issue. Would you happen to know which year that title launched in?”