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CBI Archive

Comics You Should Own Archive

Monday, July 17th, 2006 at 5:22 PM EST

Updated: Monday, May 26th, 2008 at 12:04 PM EST

Here are links to all the Comics You Should Own essays I have written so far.  Enjoy!

300 by Frank Miller.

1963 by Alan Moore and some of his Swamp Thing collaborators.

Alias by Brian Michael Bendis and Michael Gaydos, mostly.

Amazing Spider-Man #229-230 by Roger Stern and John Romita Jr. - the Juggernaut strikes!

Amazing Spider-Man #238-251 by Roger Stern and John Romita Jr. (mostly) - the first part of the Hobgoblin saga. 

Animal Man #1-32 by Grant Morrison and Chas Truog, mostly, with Peter Milligan’s weird six-issue story added on, because it’s cool.

Arrowsmith by Kurt Busiek and Carlos Pacheco.

Atlantis Chronicles by Peter David and Esteban Maroto.

Aquaman #0-25 by Peter David, Martin Egelund, and Jim Califiore, mostly.

The Authority #22-29 by Mark Millar, Tom Peyer, Frank Quitely, Dustin Nguyen, Arthur Adams, and Gary Erskine.  They couldn’t keep a penciller, but the issues are still great!

Automatic Kafka by Joe Casey and Ashley Wood.

Avengers Annual #10 by Chris Claremont and Michael Golden.

Avengers Forever by Kurt Busiek and Carlos Pacheco.

Aztek the Ultimate Man by Grant Morrison, Mark Millar, N. Steven Harris, and Keith Champagne.

Batman #452-454 by Peter Milligan, Kieron Dwyer, and Dennis Janke.

Batman #515-552 by Doeg Moench, Kelley Jones, and John Beatty, mostly.

Big Numbers by Alan Moore and Bill Sienkiewicz.

Camelot 3000 by Mike W. Barr and Brian Bolland.

Challengers of the Unknown by Jeph Loeb and Tim Sale.

ClanDestine #1-8 by Alan Davis.

The Crow by James O’Barr.

Daredevil #283-300 by Ann Nocenti, D. G. Chichester, and (mostly) Lee Weeks. 

Daredevil #26-50; 56-81 by Brian Michael Bendis and (mostly) Alex Maleev.

Defenders #46-50 by Roger Slifer, David Kraft, David Warner, and Keith Giffen.

Detective #471-476 by Steve Englehart, Marshall Rogers, and Terry Austin.

Detective #569-574 by Mike W. Barr, Alan Davis, and Paul Neary.

Detective 583-594; 601-614 by Alan Grant, John Wagner, and Norm Breyfogle.

Detective 629-633; 638; 643 by Peter Milligan, Jim Aparo, and Tom Mandrake.

Detective #801-808; 811-814 by David Lapham, Ramon Bachs, and Nathan Massengill.

Dr. Fate by J. M. DeMatteis, Keith Giffen (on the mini-series), and (mostly) Shawn McManus.

Doom Patrol #19-63 by Grant Morrison and (mostly) Richard Case.

Dreadstar #1-40 by Jim Starlin.

Dreadstar #41-64 by Peter David and (mostly) Angel Medina.

Elektra: Assassin by Frank Miller and Bill Sienkiewicz.

Elementals #1-5 by Bill Willingham.

Enigma by Peter Milligan and Duncan Fegredo.

The Extremist by Peter Milligan and Ted McKeever.

Fantastic Four #347-349 by Walt Simonson and Art Adams.

Firestorm #58-100 by John Ostrander, Joe Brozowski, Tom Grindberg, and Tom Mandrake.

Flex Mentallo by Grant Morrison and Frank Quitely.

Four Women by Sam Kieth.

From Hell by Alan Moore and Eddie Campbell.

Fury by Garth Ennis and Darick Robertson.

Grendel #1-12 by Matt Wagner, Arnold and Jacob Pander, and Jay Geldhof.

Grendel #13-23 by Matt Wagner, Bernie Mireault, Hannibal King, and Tim Sale.

Grendel #24-33 by Matt Wagner, John K. Snyder, Jay Geldhof, and Bernie Mireault.

Grendel #34-50 by Matt Wagner, Tim Sale, and Patrick McEown.

Hard Time by Steve Gerber and Brian Hurtt.

The Heckler by Keith Giffen and Tom and Mary Bierbaum.

Hellblazer #27 by Neil Gaiman and Dave McKean.

5 Comments

Does anyone know who did the covers on the Milligan / Aparo run of Detective?

I believe it was Norm Breyfogle… it was actaully a crossover between Detective and Batman… Milligan wrote all issues and Aparo and Breyfogle doing the interior art.

So Greg, how about Blaze of Glory/Apache Skies by John Ostrander? I usually don’t like Westerns, but read this, and loved it!

I don’t own it, Tom. I’m always on the lookout for Ostrander comics, though, so I’ll have to keep that in mind!

Also, thank you for your review of Daredevil. I bought these as they were being released, and…THIS is what made me love Daredevil. Chichester’s writing is amazing, and he succeeds where others would have failed. The story is so powerful because it’s so average.

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