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Flippin’ through Previews – January 2007

Books shipping (supposedly) in March are advertised in this month’s Previews.  Can you handle looking for your comics through a faceless, monopolistic, wrathful entity?  If we had a better option, don’t you think we’d take it?????

This month’s Previews features Buffy on the cover.  For some reason it’s totally freaking me out.  And I don’t know why!!!!!

Let’s pre-order!

Dark Horse:

The big thing is on page 22, where Buffy the Vampire Slayer is offered.  Jeanty’s art should be a draw, but I personally have no interest in this.  I have never liked Buffy.  Do I have to turn in my nerd card?

On page 24 we see a new B.P.R.D. mini-series.  Wizard loves these mini-series, because they love Mignola so much.  Again, I have no interest.  Are these any good?  I mean, I like Guy Davis, but I don’t love his work.  And the movie didn’t make me want to delve into the comics all that much.  (True fans of Hellboy may hate the movie, I know.)

Page 29 has the Grendel Archive Edition.  I’m a bit puzzled by this.  In October Dark Horse solicited Devil by the Deed, and this, I thought, is the same thing.  So what’s the deal, long-time Grendel fans?  I want to get this if it’s something I don’t have, but I have Devil by the Deed, so I’m confused.  Confused!!!!!

Fear Agent vol. 2 (collecting issues #5-10) is offered on page 35.  I got the first trade, back when it was an Image book, and thought it was okay.  Cronin could probably tell me if this second group is any good.  Are you out there, Dread Lord and Master?

Guy pointed out that Star Wars: Legacy is a good book, and issue #10 is solicited on page 43.  Ostrander writes, Colin Wilson draws, and it sounds kind of cool.  Damn you, Gonzalez, for pointing it out!  I may have to track down the first nine issues.  Sheesh – I didn’t want to be one of those people who buys Star Wars comics.

DC:

If you have been waiting for Batman and the Mad Monk to show up in trade, here it is!  It’s on page 66.  I haven’t even read it all and I know it’s excellent.

3-D Action Comics (page 68)?  Really?

I like Shawn McManus, but is he the best choice as the artist on Aquaman (page 77)?  I don’t know.  It just seems like an odd choice.

I’m confused about the cover to Hawkgirl #62 (page 81).  I mean, it’s Transformer Hawkgirl, okay, but couldn’t Chaykin still have given her nipples?  Realism is no obstacle when there are nipples to draw!!!!

Wouldn’t Star Sapphire catch a cold with that outfit (page 82)?

Justice League of America #7 (page 83): “The new JLA roster makes its debut!”  And people are still buying this?  I forgot to mention the letter page of the latest issue of She-Hulk: someone was whining about Rick Burchett on art and actually offered some choices  of his own, the first of which was … Ed Benes.  Jesus.  That would actually make me drop the book.  Please stay on a shitty title like JLA, Ed, and stay away from books that are actually, you know, good.

There’s a Fourth World Omnibus hardcover offered on page 85.  As you may or may not know, I’m not the biggest Kirby fan, but if you’re interested, this might be for you!

Was Martian Manhunter supposed to be a mini-series?  I’m just wondering, because it’s over with issue #8 (page 86).

Wildcats #2 is resolicited for 28 March (page 107).  Why should I buy this?  I liked issue #1, but should I have to wait six months between issues?  Really?

On page 109, the J. Scott Campbell “spotlight” issue is solicited.  I know Brian pointed out that the actual cover is from 1996 (well, he said 1995, but the date on it is clearly ’96), but my problem is with the solicitation text: “J. Scott Campbell’s talents have grown at an incredible pace since joining WildStorm in the early ’90s.”  Then why does his art today look the same as his art from a decade ago?  The same!!!!!

I’m sure Andy Diggle will do a fine job on Hellblazer (page 121), and I might even get it.  But why is every creative team change on a title heralded as a “new era”?  What is Diggle doing on the book?  Will John lose the trench coat and start wearing a sweater vest?  Now that would be a new era!

Sandman Mystery Theatre vol. 5 (issues #21-28) comes out on page 122.  SMT is a wildly underrated title, even though it fell off in quality a bit in the later issues.  But it’s still good, so check it out!

Image:

Dynamo 5 makes its debut on pae 138.  Jay Faerber is writing it, and since he writes Noble Causes, one of the best superhero books around, this is tempting.  It’s the tale of Captain Dynamo, who’s dead (okay, so maybe it’s not his tale specifically).  His widow rounds up his five illegitimate children (the Captain fooled around a lot), each of whom have inherited one of his superpowers, and forms a superteam!  It sounds goofy enough to work, and the art looks pretty good.

On page 140, After the Cape #1 is offered.  It’s a three-issue mini-series, so it will probably come out on time – a problem with Image books, as you well know.  It’s about Ethan Falls, an alcoholic superhero who needs to provide for his family and thinks about turning to crime.  Sounds neat.

If you’re interested in not killing comics, the third Bomb Queen mini-series is offered on page 142.  I did not enjoy the first one at all, so I’ll be passing on this.

There’s a trade on page 146 of Bucky O’Hare and the Toad Menace, which I’ve never heard of.  I doubt if I’ll get it, but the talent involved is strange: Larry Hama writes and Michael Golden draws.  That’s one of those pairings that makes me weep, because I think Hama is a lousy writer, but Golden is an excellent artist.  Plus, it’s a kid’s book, which makes it even weirder.  Just a strange book all around.

On page 147, the trade paperback for Common Foe is offered.  I like this series, but considering that a year passed between issues #3 and 4, and issue #5 isn’t out yet, I’m not holding my breath that the trade will be out on 14 March, when Image says it will be.

Page 148 has the trade for the first seven issues of Elephantmen.  Richard Starkings keeps sending these to me, which is nice, and the trade is definitely worth checking out.

The Phonogram trade is solicited on page 149.  Another fine series, but I have difficulty believing it will be out on 21 March, because the individual issues might not have been published by then!  Let’s hope Kieron Gillen will come by and let us know what’s what.

Damn, I love Gødland (page 152).  I’m just saying.

Paul Jenkins is writing The Darkness on page 169.  Whatever happened to Paul Jenkins?  Wasn’t he supposed to be the next big thing for a while? 

This is strange.  Wedged in on pages 175-176 are three books from “Platinum Studios.”  Is this an imprint of Image, like Top Cow?  I assume so, because it’s not in the back with the other, loser publishers.  I only say this because Unique #1, written by Dean Motter and drawn by Dennis Calero, looks kind of cool.  Parallel worlds can always hook me!  So I’m just wondering what the deal is.

Marvel:

The cover of the Marvel Previews has the Mighty Avengers looking mean.  The text says, seriously, “Enemies beware!  They’re through fighting their friends!”  Well, shit, it’s about fucking time!  What a novel concept: superheroes fighting bad guys.  That Bendis – always thinking outside the box!

Amazing Spider-Man #540 (page 13) has this text: “Get on board, True Believer, as we gear up for an event that will forever change the life of your favorite web-slinger.  There IS no going back.”  Again?  Hasn’t he experienced something like six of those over the past year?  Hasn’t Marvel ever heard of the boy who cried fucking wolf?  Shit.  Do you see why I have become disillusioned with mainstream superheroes?  I want to like them, I really do!

I know Cronin likes it, but that cover of The Dark Spider-Man Returns – whoops, I mean Spider-Man: Reign – is just awful (page 20).  I mean, it’s a nice drawing and all, but do we really need to see a giant Venom eating Spidey’s head?  We do?  Okay then.

Fantastic Four #544 (page 27) asks who will be in the new line-up.  Why does Marvel make such a big deal about things like this when they know it won’t be a secret for very long?  I suppose they’re being coy in that press release, but come on!

Is it just me an my cynical, icky ways, but is anyone else creeped out by the way Colleen is caressing that sword on the Heroes for Hire cover (page 28) and the way Doom’s eyes are really wide as he stares at it?  Plus, they’re all sitting directly on his fingers!  Paging Dr. Wertham!

I think that the term “March Madness” has been copyrighted by the NCAA, and therefore Marvel might get in trouble for using it (page 29).  I assume they got all the legalities out of the way beforehand, but maybe not.  Is trouble a-brewing for Franklin Richards?

I wonder which porn actress Greg Land traced for the cover of Man-Thing (page 32).  Should Marvel just let him draw monsters from now on so his tracery isn’t as blatant?

Irredeemable Ant-Man reaches issue #6 (page 36).  Apparently the only people buying this are me and possibly the creators’ relatives.  So you might want to savor each issue, because it might be gone soon.

On page 48, New Avengers is solicited and “a new team is formed …”  If Marvel changed the name to New New Avengers, I might actually buy it.

The only thing I have to say about Wolverine: Origins #12 (page 65) is that Daniel Way does not seem like a nice person at all.

You’ll note that Trevor Hairsine is not drawing Wisdom #4 (page 73).  Why does Marvel insist on releasing mini-series that the artist can’t finish?

Let’s get to the back of the book, where stranger things abound!

AiT/Planet Lar has Warren Ellis’s Come in Alone collection on page 214.  It’s very good.  I wonder if the columns are still on this site somewhere.  Interesting insights from the crazy old man.

There’s another Athena Voltaire mini-series beginning on page 222 from Ape Entertainment.  I’m busy hunting down the trade of the first series, but you might be interested in getting the individual issues.  I still don’t know if it’s any good beyond the fact that Warren Ellis likes it.  But he’s, you know, crazy.

On page 234, tucked away past all of Avatar’s crazy naked chick stuff, is a solicitation for Scars, by Warren Ellis and Jacen Burrows.  This is an excellent trade paperback about a cop who is tracking a child killer but doesn’t think he can do anything to actually arrest him.  It’s a brutal book, but brilliant nonetheless.

Boom! Studios offers Hero Squared #6 (page 236), where we learn what happened to turn Stephie into the evil Lord Caliginous.  Don’t you want to know????

If you’ve been thinking about buying The Lone Ranger but don’t like to get individual issues, Dynamite Entertainment has a hardcover edition for you on page 251.  Or you could wait for the softcover version!  It’s a very good retelling of the Ranger’s origin.

On page 277, you can get American Born Chinese from First Second Books, as it is offered again.  If you’re too lazy to order it online, that is.  It deserves all the accolades it’s been getting.

The Salon on page 281 from Griffin Books looks interesting.  A murder mystery set among the modern art movement of early 20th-century Paris?  Who wouldn’t like that?

Another book you may have been waiting to buy in trade format is Wasteland, which gets the treatment on page 306 from Oni Press.  This is another comic that is getting better each issue, and even though it’s not perfect, it’s a good read.

Speaking of Oni, on the same page they offer Stephen Colbert’s Tek Jansen #1.  You know, I like The Colbert Report, but the animated shorts with Tek Jansen are the worst parts of the program.  But if you like them, here’s your chance to buy the comic!

And speaking of Christopher Mitten (who draws Wasteland), The Tomb is offered on page 308 (also from Oni).  DeFilippis, Weir, and Mitten collaborated on Past Lies, which was pretty good, and this sounds interesting: an archaeologist leads a team into the booby-trapped estate of a member of the Tutankhamen expedition of 1922, who stole a bunch of artifacts from the dig.  Sign me up!

For me, Andy Diggle is the draw for Gamekeeper #1, about a man who cares for an English estate and whose violent past catches up with him.  It’s from Virgin Comics and is offered on page 340.  The ad on the next page puts Guy Ritchie at the top, calling him “England’s coolest director.”  Is that based on Swept Away?  I’m just wondering.

Let’s finish with me picking on Madonna’s husband.  Because both of them could probably kick my ass with one hand tied behind their backs.  Their kids could, too, after I make fun of their names.  But that’s not why we’re here!  Remember, there are a ton of good comic book stuff out there, and a lot of them that don’t show up even in bookstores!  So dig deep, good people!  DIG!!!!

21 Comments

“Should Marvel just let [Greg Land] draw monsters from now on so his tracery isn’t as blatant?”

Also, nobody’s going to file a suit saying “The monster’s hideous fungoid head is clearly drawn verbatim from screen captures of my client, Donald Trump, and is thus a violation of my client’s image rights.”

“Whatever happened to Paul Jenkins? Wasn’t he supposed to be the next big thing for a while? ”

Amazing enough, Sally Floyd failed to be the Sensational Character find of 2005.

In non-snark related news, Dynamo 5 looks great. Jay Faerber in a superhero comic with scandalous family dynamics? Sign me up. You know, again.

Captain Qwert Jr

December 27, 2006 at 9:05 pm

Looking over all this reveals the true horror of decompressed storytelling.

When your stuck in a bad storyline, your stuck there for years.

I have not dropped this many books since the 90s, and it looks like it will be a long, long time before I pick them up again. If ever.

No Buffy and no drooling over the Kirby Omnibus?

Give me your nerd card. I’ll burn it and eat the ashes myself.

“There’s a trade on page 146 of Bucky O’Hare and the Toad Menace, which I’ve never heard of. I doubt if I’ll get it, but the talent involved is strange: Larry Hama writes and Michael Golden draws. That’s one of those pairings that makes me weep, because I think Hama is a lousy writer, but Golden is an excellent artist. Plus, it’s a kid’s book, which makes it even weirder. Just a strange book all around.”

Hama created Bucky O’Hare who was a cartoon/toy/video game thing in the 90s. I still love his 80s GI Joe comic so it’s nice to see him succeeding with something creator owned.

Justice League might actually be an OK comic if somebody other than Benes drew it. I mean, yeah, I know, we’d still have Meltzer writing it … but lookit how good Rags made Identity Crisis seem (until it all fell apart with Meltzer’s concluding issue). Anyway, I like the line-up and look forward to whatever creative team takes over. Umm, by which I mean: Benes IS leaving with Meltzer after #12, right?

You know, all of the references to new creative teams has me thinking about some things.

Runs on books used to be longer. Sometimes interminably long, like Chris Claremont on X-Men after he stopped being Chris Claremont and started trying to be one of the many Marvel writers trying to rip Chris Claremont off. Occasionally there are still long runs on books, usually because someone is perceived to be ‘hot’ and that’s what they want to write, but all too often someone starts to build something interesting and then they’re gone and someone else comes in to build their own castle.

DC made a big deal about Meltzer taking over Justice League and about Denise de Mina taking over Hellblazer. Meltzer will be gone after 12 issues, de Mina is already effectively gone at the end of her current arc. Both are novelists. Real novelists who make real money writing. There’s no incentive for them to stay and no reason for their successors to care about what they wrote when they take over. I realize that isn’t the point, the point is publicity and advertising in the hopes of snagging these writers’ mainsteam fans. But history has shown that any mainstream fans of Brad Meltzer or Denise de Mina who /did/ buy a comic book because a novelist they liked was writing (which history also shows is /tiny/ number) will drop the book like a bad habit the second someone else starts writing it. So any sales boost from a famous name is purely temporary and is generally ruined by the succeeding writer.

That said, the temporary nature of the assignments of novelists to write comic books is likely the reason for referring to the ‘Andy Diggle Era’ before it begins. Denise de Mina was a temporary writer for a couple of arcs, with a specific story to tell, and with it and her gone it’s time for the next actual Hellblazer writer to take over the book. Referring to Andy Diggle’s ‘era’ is meant to demonstrate that he’s sticking around, not on for two arcs and a single issue connecting them and gone again. Pretentious? Yes. But also a sign of creative stability on the book for the foreseeable future.

I feel I must defend BPRD a bit. Just because Wizard likes it doesn’t make it bad. Even a stopped watch is right twice a day, after all. Oddly enough, since Hellboy left the series, his supporting cast has become far more interesting, the stories actually flow from one another, and seem to be going somewhere. I think this may also have to do with John Arcudi coming on as co-writer. Seriously, give it a chance. You might be surprised.

And even though I’ve never read the work of Daniel Way, he seems like a colossal jerk.

^I agree completely with Jesse. On BPRD that is, I haven’t checked out the Daniel Way link yet. But that Wolverine series sucks anyway.

Guy Davis is a perfect fit for BPRD too, he can draw both believable emotions and horrible monsters.

Runs on books used to be longer? Like Bendis’ run on Dardevil? Morrison’s run on X-Men? Azarello’s run on Hellblazer? Those are all pretty recent.

“Page 29 has the Grendel Archive Edition. I’m a bit puzzled by this. In October Dark Horse solicited Devil by the Deed, and this, I thought, is the same thing. So what’s the deal, long-time Grendel fans? I want to get this if it’s something I don’t have, but I have Devil by the Deed, so I’m confused. Confused!!!!!”

Don’t be frightened, man. That’s easy.

This is a collection of the first Hunter Rose Grendel B&W
stories published by Comico. Matt Wagner didn’t like much
of the way the series came out, so he later did a story
retelling the character’s entire life (published as a
backup of his Mage series, in color), that is Devil by
the Deed.

So, those are different books, but tell pretty much the
same story and Devil by the Deed is newer, more complete
and probably better (I haven’t read the Archive stories).
So buy it, not this.

Best,
Hunter (Pedro Bouça)

Jesse – I wasn’t picking on BPRD because Wizard likes it, I just find it humorous that Wizard’s “go-to” indy book is always this or Hellboy because that appears to be the only thing they know about. I may have to check it out, since it’s only a mini-series. I’ve heard good things about it, and not only from Wizard.

Good to know, Pedro. That makes it easy!

Actually, I’m kinda shocked that Robo-Hawkgirl doesn’t have missles for breasts.

The first miniseries for Athena Voltaire hasn’t been collected in a trade yet. I think issue # 3 just came out, as did a collection of the webcomics; good luck finding them though. After picking up issue #1 at the Ape booth at WWC (which, by the way, the creators of the series are two of the nicest comic book guys I’ve ever met), I’ve been mail ordering the others and I can’t find #3 or the webcomics book. Great read though!

This month’s Previews features Buffy on the cover. For some reason it’s totally freaking me out. And I don’t know why!

Because that’s not Sarah Michelle Gellar, but Elle MacPherson wearing a fake nose.

Seriously.

//\Oo/\\

“The first miniseries for Athena Voltaire hasn’t been collected in a trade yet. I think issue # 3 just came out, as did a collection of the webcomics; good luck finding them though. After picking up issue #1 at the Ape booth at WWC (which, by the way, the creators of the series are two of the nicest comic book guys I’ve ever met), I’ve been mail ordering the others and I can’t find #3 or the webcomics book. Great read though! ”

Yeah, Athena Voltaire has been a really well done series, with some beautiful art. I’m so glad APE decided to pick it up after the Speakeasy implosion.

Issue #3 and the Web-comic trade both just came out in the last few weeks. I haven’t checked on their availability online because I ordered mine through my comic store, but they’re both well worth tracking down. I think APE has a store on their website, so you may be able to get them there. I’m hoping #4 of the mini comes out soon, it’s already a couple months late… :(

Re:Phonogram.

Hopefully!

More seriously, yes, we are serious about hitting that date. The delays on Phonogram’s production have been annoying to say the least, but I’ll be surprised if the issues weren’t all out by then, with a swift turn around for the collected edition.

(The collected edition doesn’t include the vast majority of the back-matter, ala Demo, Casanova, etc. So we hopefully won’t be canabilising the single issue sales too much.)

Issue 4 we hear should be out Jan 4th*. Since Kitten Needs To Eat problem have lessened due to cheques starting to arrive**, we should be able to do one a month down the home straight. Especially as I’m not asking Kitten to draw anything as (er) difficult as the stuff in Issue 4.

KG

*That depends on distribution and such, obv. That the first date we were told an issue was going to be on the shelves has been a week early for #1-3, which means maybe a guess of the 11th would be more accurate.
**The biggest delay in Phonogram’s production has been him occasionally having to stop to do some other stuff so he can eat. Now we’re getting the money from the sales of Issue 1 means that Kitten can use that rather than whoring his talents on the streets.

Thanks for the info, sir. I didn’t know you guys had to eat! Holy crap, that’s good to know.

Not very much though. We are very skinny.

KG

I hate Kieron for issue 4.

FunkyGreenJerusalem

January 9, 2007 at 2:10 am

“(The collected edition doesn’t include the vast majority of the back-matter, ala Demo, Casanova, etc. So we hopefully won’t be canabilising the single issue sales too much.)”

This is my least favourite new trend in comics (lets say least favourite since ‘arc’came to mean a single issue story dragged into several).
Like the fanboy I deny being, I’ll still read the trades, but I don’t like the trend.

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