CSBG Archive
What I bought – 13 June 2007
Is it …? Could it be …? Why yes, it is! It is!
The Black Diamond #1 by Larry Young and Jon Proctor. $2.95, AiT/Planet Lar.
I know this book hasn’t been anticipated as much as, say, the last issue of Civil War was, but it’s been a while since it was supposed to out (at least a year, I think, if not more), so it’s really nice to see it. The good thing is, of course, that it’s a first issue, so it’s not like Larry left us hanging in the middle of a story (Superpatriot #4 came out today, and it’s been probably two years since the last issue). Still, it’s nice to see it. Now let’s hope the rest of the series comes out in at least a regular fashion!
The question is, of course, Is it worth it? Well, it’s a very nice-looking book. Proctor has kind of a low-rent Tony Harris vibe going on, and we get a good sense of the characters. There’s virtually no action, so he doesn’t get to cut loose all that much, but the Mercury Cougar looks neat. The colors are nice, too (I’m going to assume Proctor colored it, too, since he and Young are the only ones credited) – they give a laid-back, California feel to the whole thing (the issue takes place in San Francisco) that will presumably contrast with the high-octane world of the Black Diamond. The art isn’t spectacular, but it gets the job done. We’ll see if Proctor does well when the action heats up.
The story is certainly interesting. The Black Diamond is an eight-lane transcontinental highway built 150 feet above the ground. It’s a lawless world, with its own subculture. It was built to allow people to drive fast and crazy and leave the rest of the world alone, but now (the story takes place after 2016, when the highway was built) the Army is reclaiming it and doing so with extreme prejudice. Our hero, Dr. Don McLaughlin, is married to Kate Maddox, the daughter of the original architect, and her brother tells Don that radical elements who don’t want to see the highway “reclaimed” have kidnapped Kate in the hopes that the government will cease. So Don has to drive to Baltimore, where his wife was, while his brother-in-law figures out a plan to get her back. He hops in his 1973 Cougar and he’s off! The entire issue is set-up, and we leave off with Don hitting the on-ramp to the highway.
Young has an intriguing idea here, and all he has to do is get a mild-mannered dentist onto a crazy highway. That doesn’t work as well, because it seems there would be better ways to get to Baltimore quickly (are there no airplanes in the future?). Still, it’s all just an excuse anyway so there can be high-speed hijinks on a road high in the air. That’s what we’re here for, right? Young does a decent job giving us a quick character sketch of Dr. Don, and I assume his penchant for wanting to reach the end of the story (it’s why he doesn’t read the newspaper, just checks the box scores in the sports section) will be important later on. His brother-in-law, R. J., can’t drive the highway because he’s a cop, and he’s another person who is at least intriguing, as he thinks of a way to get his sister while Don drives the Black Diamond.
So yes, it’s all set-up, but it’s an interesting set-up. I have a feeling it might have worked better if we had joined Dr. Don mid-drive and maybe given him a flashback, because of the lack of action in this issue, but the premise, for this issue, is enough. But there better be some high-octane wackiness next time, I tells ya!
Fables #62 by Bill Willingham, Mark Buckingham, and Andrew Pepoy. $2.99, DC/Vertigo.
I haven’t read whether this is the last Fables storyline, but it certainly feels that way, doesn’t it? Ambrose hears Lancelot’s story of how he became the Hanged Knight, and then Lancelot prepares him for battle and knights him (in a nice panel that shows Arthur, Aslan, and Prester John in a golden haze behind the two). Then they jump into the Wishing Well, which is very cool, as I’ve been waiting a long time to see what happens down there. Meanwhile, Prince Charming gives an ultimatum to Hansel, which freaks him out. It’s handled very nicely, and it’s cool to see Charming doing his political mayoral thing. As usual, Willingham has done a wonderful job with these characters, allowing them to grow into roles that they seemed unfit for, and Charming is a prime example.
It’s a great book. You know the drill. Does anyone know if it’s ending soon?
Hulk, World War #1 (of 5) by Greg Pak, John Romita, Jr., and Klaus Janson. $3.99, Marvel.
I’m not entirely sure if this will end well, but it certainly starts off extremely well. This is just a very cool big fight to the death. Yes, some things irk me, like Hulk taking out Black Bolt off-panel. My thought is that Bolt will recover somehow and the finale will be the rematch, with it taking up many panels, but that’s just me. And I’m still trying to figure out why everyone in the Marvel world (the real Marvel world, that is, as in the offices of the company) loves the Sentry so much. I admit, I know nothing about him, but he’s tougher than the Hulk? Really? He’s tougher than, I don’t know, Gladiator? I guess Spider-Man might not know about Gladiator, but still. The Sentry is the most powerful dude in the galaxy? Yeah, that doesn’t compute. Oh well.
I’m not sure why Brian didn’t want to spoil the fight between the Jolly Green Giant and Iron Man. Guess what: I have no such qualms. Look no further if you don’t want to know what happens!!!!!
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Hulk kicks his ass. I mean, come on, how could Iron Man stop him in the first issue? The fight is glorious, but did ANYONE really think Tony Stark could go toe-to-toe with Hulk? Please.
This was a big fun trashy comic with lots of explosions and shit. Romita draws the heck out of it, too, and it’s amazing to look at. Practically worth the price of the book alone, because the story, while fun, is nothing more than a rehash of why the Hulk wants to kill everyone. And so he does. How neat.
JLA: Classified #39 by Peter Milligan and Carlos D’Anda. $2.99, DC.
Milligan isn’t really going all out nuts with this story, but he’s not stinking up the joint either. This is a perfectly solid superhero story. Frank struggles against his programming and fights crime, which pisses off Amazo, who then fights him but can’t bring himself to deliver a coup de grace. Wonder Woman tells Sara what Frank is, and Sara dumps him. That’s kind of awesome, because it’s somewhat unexpected. The Justice League stands around making sure Frank doesn’t turn all evil.
There are some clever “Milligan-esque” moments, such as the gang of punks Frank beats up calling themselves the Bin Ladens and Batman smiling as he explains why they shouldn’t intervene in the Amazo/Kid Amazo brawl, but basically it’s the middle of a story, so there’s not much going on that is going to be too shocking. It’s a story with decent art, some interesting ideas, and some good action. But it’s nothing to run out and purchase right now because you must have it! We’ll see what it looks like when it all shakes out.
Noble Causes #30 by Jay Faerber and Yildiray Cinar. $3.50, Image.
Meanwhile, over in Jay Faerber’s universe, things keep on keeping on. Seriously – Noble Causes is so good that it seems effortless on Faerber and Cinar’s part. The wonky art of the past is just that, a relic from another time, and although Cinar isn’t as good as Asrar on Dynamo 5, his people all look like actual people, there are nice clean lines and uncluttered panels, and the two-page spread of Rusty fighting every prisoner in the prison is suitably impressive. The story does what it does – Rusty gets acquitted and decides that maybe his dad building him a girlfriend isn’t that evil a thing, while Liz continues to regain her memory, slowly but surely. Of course, this means that she will remember what Gaia did, which indirectly led to the deaths of innocent people, so Gaia’s not too happy about her regaining her memory. As usual with such an excellent book, it’s tough to really get into things too deeply, because it’s just a good comic. Faerber continues to show why he’s one of the best in the business at writing superhero comics. He has the soap opera down perfectly, and he knows when to put in some good action. So everything hums along nicely.
This and Invincible continue to show what a good superhero comic is like. DC and Marvel should take notes.
Star Wars: Legacy #13 by John Ostrander, Jan Duursema, and Colin Wilson. $2.99, Dark Horse.
Ostrander does single-issue stories within the context of the larger story very well, and in this issue, with excellent guest art by Colin Wilson, we get a Sith lord attempting to assassinate the rogue Emperor. It’s a break from Cade and his quest, but it still fits into the overall story. We see how the Sith attempt to take over other planets in the first part of the book, which leads to a very nice lightsaber fight, and then Darth Kruhl heads off on his mission to kill Emperor Roan Fel. Fel is ready for him, however, and we get an even better lightsaber fight. In the end, the story takes another turn, as the Sith has plenty of contingencies for dealing with the Emperor.
I’m still not completely sold on this title, but it’s entertaining, certainly. Ostrander is very good at creating characters that we care about in a very short time, and occasionally pulling the rug completely out from under us. We think this issue is going to be about the planet of Munto Codru, but it turns out that’s just a way to introduce Darth Kruhl, and not the great warrior Rikkar-Du. Similarly, just when we think Roan Fel is safe, we learn that there is yet another plot against him. It’s interesting to read an Ostrander comic, because you honestly can’t predict where the story is going, yet it doesn’t feel forced.
Wilson is a better artist than Duursema, and he gives the space opera a more gritty feel, which I think suits this book better than Duursema’s painted look. His fight scenes are extremely impressive, and the figures look more fluid and moving than when Duursema does the art. I don’t suppose Wilson is staying, but I wouldn’t mind at all.
I’m still buying it for a while until I make up my mind about it. It’s not something that I absolutely love, but it’s good enough to keep me coming back. And I’m patient enough with Ostrander to know that giving him a while to explore the story will usually pay dividends.
Well, that’s all for this week. Short and sweet! I did get some nice trade paperbacks, though, so I have plenty to read. Shed no tears for me! (As I know you do when you think I might be without comic goodness for a day or two.)






20 Comments
Jesse
June 13, 2007 at 10:10 pm
Fables isn’t ending any time soon. On Willingham’s website he says he’ll keep the series going as long as he has ideas, which he indicates should be for some time. He says he has it planned through at least issue 100 at this point.
Jesse
June 13, 2007 at 10:13 pm
Also, doesn’t the guy on the cover of that Star Wars book remind you of Grimjack? With Ostrander writing, I’m sure that’s no coincidence.
acespot
June 14, 2007 at 12:58 am
Why haven’t you been asking us to help you buy your comics lately?
This week’s Cable & Deadpool is VERY GOOD, as is this week’s Green Arrow #75.
Stephane Savoie
June 14, 2007 at 6:32 am
Yes, Sentry IS that strong. In the initial Sentry series, it’s established he’s the counterpart to Superman, just head and shoulder above everyone else in the Marvel U. In the second series, he takes down Terrax the Tamer (a seriously cosmically powered badass) effortlessly.
That said, yeah, the issue was lackluster.
Dave
June 14, 2007 at 7:09 am
Going with Stephane, The Sentry’s tagline is that he has “the power of a million exploding suns.” It’s pretty convenient that The Sentry was established as one of the Hulk’s greatest friends in the original Sentry miniseries, because otherwise the fight between them in WWH would consist of Sentry picking Hulk up and throwing him into the sun.
sean
June 14, 2007 at 7:26 am
I believe Spider-Man said he was the most powerful human being in the galaxy, which could, technically, leave Gladiator stronger, as Gladiator is a Shi’ar.
And I totally agree that Marvel has a hard-on for Sentry that seems unmatched by the fans. They use him in these crossovers as if he’s Wolverine, or the Hulk, or any other character that people actually want to see in crossovers. And they always use him the same way; I think it’s funny that he’s uber-insecure, but why is that the only thing they ever write? Is it because he’s the only character who acts that way?
What happens when Sentry fights The Molecule Man (who, I believe, was already established as the most powerful human being in the Marvel Universe when some other writer or editor had a hard-on for him)?
I hope Galactus eats Sentry. He seems really boring, above all else.
Jesse
June 14, 2007 at 8:01 am
I don’t know why everyone hates the Sentry so much. If you read the original series he was written for, it was clearly designed to be self-contained and it was actually really good, and kind of sad. That said, it was a horrible blunder to bring him back into the mainstream universe. I suppose we can all thank Bendis for that one.
Patent Dragon
June 14, 2007 at 8:07 am
Ah yes, the Sentry – I remember when he sounded like an interesting character, back when he seemed to be a comic-book character living in the real world – for about half an issue. After that… oh dear; all that tedious Void stuff, and not a lot else – he’s rapidly getting known for being “that guy who throws people into the sun”.
I found the “Sentry makes the Hulk act like a lonely puppy” stuff entertaining, but I imagine that won’t work this time…
The art in the limited series was just a warm-up for “Eternals”, wasn’t it? And quite right too.
Greg Burgas
June 14, 2007 at 8:20 am
Acespot: to be honest, since the kid got out of school, my schedule has been thrown into a bit of turmoil, and I’ve simply forgotten to ask which comics I should buy this week. I usually remember when I’m writing these posts, and smack my forehead like Homer Simpson and say “Doh!” It’s fun to do, so I’ll try to remember next week.
Spider-Man used the generic term “guy.” I’d count Gladiator (plus a bunch of other cosmic people who may or may not be more powerful, but it’s possible) as “guys.” I really don’t have that big a problem with the Sentry, as I’m pretty sure this is the first comic I’ve read with him in it, but it’s curious how he suddenly became the baddest dude around. It’s just weird how both Marvel and DC do this, become enamoured with a character when the public’s response doesn’t seem to warrant it.
That’s interesting to know about Fables, Jesse. It makes this “apocalyptic” feel to this storyline neat, because what will happen afterward?
brian lockhart
June 14, 2007 at 11:03 am
As a big fan of the first Sentry limited series, I will say that I don’t necessarily have an issue with the character being brought back into the Marvel Universe.
The problem, however, is that even his own creator, Paul Jenkins, complicated how it was done.
The original mini clearly mapped out the character’s origins and why no one remembered him. And at the end returned everything to the status quo.
I read Bendis’ re-introduction of the character in New Avengers. What struck me as so bizarre about it was that he kept the concept that everyone had been forced to forget the Sentry. But then he decides to change WHO forced them to forget the Sentry. Basically it was a retcon of a four or five year old mini series which didn’t need to be retconned.
I didn’t buy Jenkins second Sentry miniseries, but from what I could figure out from reviews and glimpses of it at the comic story, Jenkins retconned his OWN miniseries and made the Sentry’s origin even more complicated. But at the same time his retcon was different from Bendis’, which had only come out in New Avengers a few months earlier.
Side note: It always bugged me that reviewers never appeared to pick-up on the fact that Jenkins and Bendis were messing with a character that was only five or so years old. We get critics all the time complaining about retcons of 20-year-old stories, like New Avengers: The Illuminati. But when it’s done to stories from not very long ago, and when one of the original writers is involved, there’s not a peep.
Anyway, my opinion of the Sentry – Brilliant character concept that was, for no really good reason, horribly mucked up by both his own creator and other writers.
Ian
June 14, 2007 at 12:01 pm
He has the power of Superman but he is paranoid-schizophrenic… How is that not a great idea?
John Seavey
June 14, 2007 at 1:35 pm
Personally, I find the Sentry to be the least interesting character ever; if I ever wrote the Avengers, he’d just disappear in the very first issue I wrote, and someone would find a little note on the refridgerator saying, “Attention Avengers: You have a member called the Sentry whose existence everyone in the world periodically forgets. If you read this note and don’t remember who it’s talking about, go look for him!” And they read the note, say, “Pffh. I think I’d remember if we had a guy like that on the team,” crumple it up, and throw it in the trash.
And on reading the issue, I think it’s pretty clear as to why the Hulk could beat Black Bolt–the madder Hulk gets, the stronger Hulk gets, and I think it’s pretty safe to say that the Hulk has never been this angry at anyone, ever. So he’s shrugging off shots that hurt him before.
sean
June 14, 2007 at 2:28 pm
“He has the power of Superman but he is paranoid-schizophrenic… How is that not a great idea?”
Is he? I don’t mean to be snarky but, honestly, based on every appearance of him I’ve seen [full-disclosure: I was more or less out of comics when they introduced him, so I've only seen random later stuff, not his initial appearance] he just seems to suffer from poor self-esteem. They always have to talk him up about how great he is, then he becomes the hero and is great.
If he were a genuine paranoid schizophrenic, a la ‘Clean, Shaven’ or something, that would be a great idea. It seems more like he’s vaguely neurotic.
clmcshane
June 14, 2007 at 2:54 pm
Bill Willingham has also mentioned that the next two storylines after “The Good Prince” finishes will likely be a Cinderella-centric arc and a Baghdad-centered arc whose events will happen concurrently. Which order the arcs will appear in had not been decided at the time he mentioned this.
sean
June 14, 2007 at 4:18 pm
“Spider-Man used the generic term “guy.—
Yeah, I was thinking of Mr. Fantastic, but Spider-Man actually said “guy in the galaxy”; Gladiator is in another galaxy, unless that changed in that crazy X-Men story that just finished (I didn’t read it).
J To The AAP
June 15, 2007 at 1:29 am
No, Ian is right. I haven’t read the original mini-series but in the arc that established him as a New Avenger he had an arch-nemesis called ‘The Void’. Everytime he used his powers to help soemeone it would call The Void in existence who would then proceed to do some evil stuff. He was manically afraid to use his powers because it would always lead to death and destruction at the hand of The Void.
Turned out he was a schizophrenic and he himself was The Void as well. Even though he knows this now (and is probably getting treatment), that’s why he’s so afraid to use his powers.
s1rude
June 15, 2007 at 9:07 am
I only have a passing knowledge of the Sentry’s origin & retcon, but schizophrenia rarely manifests itself as the “multiple personality disorder” that seems to be described here. That’s more the realm of soap opera, and since this is it’s cousin superheroic fantasy, that’s cool. I’m just sayin’. See “Clean, Shaven” or Cronenberg’s “Spider” for fictional representations of real schizophrenia.
Changing the subject, I was really excited for Black Diamond. I’m a big fan of Astronauts in Trouble and like Young’s work alot when he’s in that mode. The premise is tres sweet – perfect fodder for Mad Max-style high adventure and social/political comment. And Greg, it’s stated elsewhere (the flip-book preview maybe?) that planes are illegal in this future due to being too easy of prey for terrorists. But that’s the only defense of this that I can give. I thought the art was bad to terrible – the face work oftened looked like I was tracing a Tony Moore comic, and something went wrong in the finishing & coloring that caused things like characters becoming cross-eyed for a panel. Storywise, this is all set-up. But the set-up doesn’t hold up to much thought (why does Dr. Don just agree to this so quickly? if the Diamond is so lawless, why is the brother-in-law restricted from going up there? can’t he go undercover?). And the change to the overall premise made in the text piece on the inside cover (that the government wanted the Diamond to be lawless from day 1) seems implausible and lessens any real-world metaphor Lar was shooting for. $2.95 is too much to pay for weak set-up, bad art & no action. Why break away from the OGN business model to give us a comic that’s only chance of working is as the first chapter of an OGN? So, yeah, I was excited about the idea, but the execution? Boo.
Greg Burgas
June 15, 2007 at 9:35 am
I agree with the criticism that Black Diamond would work much better as an OGN. I’m not sure why it’s not. I’m willing to see what happens when Dr. Don hits the road, however, to see if it’s worth buying the rest of the series. I’m sure Larry has a reason for releasing it in singles.
I had forgotten about the airplanes thing. I’ll have to find the preview and see if it’s in there.
s1rude
June 16, 2007 at 4:50 am
I can’t find the preview right now either, but did find this article on the main site that lays out the premise of commercial aircraft being banned and the Diamond “becoming” lawless after it was created as an alternative:
http://www.comicbookresources.com/news/newsitem.cgi?id=10289
Let us know what you think of the rest. I’ll probably pick it up when it’s collected if reviews are positive.
A related aside: what happened to “Mini-Series I Bought But Did Not Read”. Change in philosophy?
Greg Burgas
June 16, 2007 at 8:46 am
Yeah, I decided to try reading them as they come out. I figure if I can’t follow what’s going on, that’s their fault!