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CBR Live! Archive

Comic Book Questions Answered #6

If you have a nagging comic book question that you'd like to know the answer (or at least AN answer) to, just ask me, and I'll see if I can't answer it (and if I can't, then hopefully I can find an expert on the subject who CAN). Sounds cool, right? Remember my e-mail contact info here.

Enjoy!

Comics Should Be Good Comic Con correspondent, Kelson, wrote in with the following question:

A few weeks ago, an online discussion of the Flash story arc "Wonderland" (the start of Geoff Johns' run on the book, finally getting a TPB) turned to the question: whatever happened to the artist Angel Unzueta? I did some digging, and the most recent thing I could find was "Flash: Our Worlds At War" back in 2001. He did a handful of other books (mostly Flash, Impulse, and Young Justice) in the late 1990s, but seems to disappear after 2001.

This question has a funny answer - the Spanish artist Angel Unzueta drew half of Green Lantern Corps #14, which came out...THIS WEEK!

Pretty funny, huh?

Reader Scott wrote in with the following:

Why did the concept of 'Hypertime' in the DC Universe never take off? Was it too complicated? Did DC not plan it out well enough? Was it not well-received by fans? By other creators?

I thought it was a neat concept worth exploring, but apart from a few issues of Superboy it never happened.

I'll break from the usual format a bit here, as I'm pretty sure I know the answer without looking it up or checking with anyone.

While perhaps the project that was the launchpad for Hypertime, "The Kingdom," did not do as well as one would expect as the sequel to Kingdom Come, I think that the "problem" with Hypertime was simply a manpower one.

The inventor of Hypertime was writer Mark Waid, who was aided in the creation by writer Grant Morrison. Both men were big figures at DC when Hypertime was developed. However, soon afterwards, both writers left DC to work for different companies (Marvel for Morrison and Crossgen for Waid). Therefore, without the popular writers around who created the idea, the idea lost force, and by the time DC once again addressed their continuity, it was with a new group of writers, primarily Geoff Johns. And by this point in time, they had a new idea for explaining continuity other than Hypertime, and in fact, in 2005, Dan DiDio specifically said that Hypertime was basically dead as a concept at DC Comics.

If anyone has any information that they can fill in to address this one better, let me know!

That's it for this week!

Please feel feel free to send in any more questions you have wanted an answer to!

  • Posted on July 26, 2007 @ 06:49 AM

14 Comments

I just reread The Kingdom last weekend, and the fact that nobody at DC could figure out what to do with Hypertime - a concept so simple it was basically, "It's all fiction, meaning it can all be true, so don't get bent out of shape about continuity!" - is mindblowing to me. That it got put away in favor of "Superboy Punches The Timestream" is probably what made me start wondering about Dan Didio.

Hypertime. The Speed Force. Does it seem like Waid's great at coming up with big ideas, but not so hot on naming them?

Mark_Lucas_TBP

July 26, 2007 at 8:33 am

I think "Speed Force" is exactly the kind of name a realistic person, like Wally West or Max Mercury would have come up with. Now Bart Allen would have called it something crazy and Booster Gold would have made it sound like a floor cleaner and copyrighted it.

That is an awfully good point. And I do love that the characters are all aware of how underwhelming "speed force" sounds. But "Hypertime" actually does sound like Booster Gold's time-saving floorwax that's also a dessert topping.

Wow!
It does all that for just $19.95?

That's not all. Order five bottles of Hypertime now, and you'll also get a this streak-free buffering pad that opens strange passageways to other dimensions where Superman's a Russian!

Is the origin we got for Grant Morrison's Prometheus (in the New Year's Evil one-shot) the origin we were intended to get? I thought, at the time, the clues were pointing to him really being the time-displaced Batman from "Rock of Ages." Maybe it was just that Howard Porter's people all looked the same, and having two muscular guys with white hair was just too much to process...

I'll bite. Can anyone explain Hypertime? I've heard it mentioned but never know what it referred to.

http://en.wikipedia.org/wiki/Hypertime is a pretty good explanation.

Oh I see, it's another name for the concept "fiction".

I first bumped into it in Batman/Planetary.

Yeah, Eric, that's basically it - it is Waid and Morrison saying, "Why can't we just attribute the basic concepts of fiction to the actual DC Universe continuity?"

It's a very simple concept.

Brian-

Thanks for answering my Hypertime question! (I'm Scott)

I accept your answer, (it makes sense) but I think I was hoping for some behind-the-scenes machinations. Oh well...

Bring on the gossip!

Thanks again!

Joe Gualtieri

July 27, 2007 at 1:01 am

The River analogy is not how Hypertime was supposed to work.

From a (presumably drunken Grant Morrison to a drunken Warren Ellis to you:

http://forums.delphiforums.com/ellis/messages/?msg=1990.28

Take a glass sphere studded all over with holes, and then drive a long stick right through the middle of it, passing exactly through the center of the volume. That's the base DC timeline. Jab another stick through right next to it, but at a different angle, so that they're touching at one point. That's an Elseworlds story. Another stick, this one rippled, placed close in so that it touches the first stick at two or three points. That's the base Marvel timeline. Perhaps others follow the line of the DC stick for a while before diverging, a slow diagonal collision along it before peeling off. This sphere contains the timeline of all comic-book realities, and they theoretically all have access to each other. In high time, at the top of the sphere, is OUR reality, and we can look down on the totality of Hypertime, the entire volume.

Thanks for answering my question! And just think, if I'd waited a few weeks...

Glad to know he's still in the business!

I started working at a baseball card comic book store a few weeks ago. Eventually, I got around to cracking open the Overstreet Guide To Comics and while glancing through the book, I started to think of a childhood(50's) comic I used to purchase, but did not see it listed. I then went to this internet and had no luck either. The comic book was called Benjamin Brain, and he was a Rube Gldberg-type kid. Do I have a "false memory", or did it actually exist? Thanks.

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