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CBI Archive

Aqua Leung Graphic Novel Review

Wednesday, April 2nd, 2008 at 7:06 PM EST

Updated: Wednesday, April 2nd, 2008 at 10:46 PM EST

Mark Smith (co-creator of the Amazing Joy Buzzards, which was a really fun book) is coming out with a brand-new, all-color graphic novel next week from Image, called Aqua Leung. The artwork is being done by Paul Maybury. It is basically a riff on the idea of an Aquaman or a Namor, you know, an Atlantean baby raised as a human being brought back into the war of the seas. Trying out an indie graphic novel all in color is an extremely risky endeavor, and you have to give Smith a lot of credit for having the guts to go through with it. Ultimately, I think that the book is a good read, but it appears as though it was written with the intent of being a long form work, which I think was a significant detriment to the story at times.

When I say that the long form was detrimental, I will admit that I am construing Smith’s intent based solely on my reading of the comic, and I fully cop that I might be totally off-base here. Aqua Leung might have been intended to be a series at first, and then re-purposed as an original graphic novel, but it sure looks like it was written as a graphic novel. At times, the use of the long form is brilliant, like a scene where Aqua Leung is swallowed by a giant monster - with the amount of space available to them, Smith and Maybury use a goodly amount of pages just showing how big the monster’s jaw is. It is an awesome scene.

Later in the comic, there is a similar beautiful use of page space (that perhaps would have seemed out of place in a short form comic, where each individual page is that much more valuable) - check it out (Click on all images to enlarge):

Pretty darn cool, right?

However, writing for a long form often results in an attempt to, you know, FILL all those pages, and boy, does Aqua Leung feel like it has a lot of filler material. The whole framing sequence with the Millennium Tortoise was so booooooring. I was reading it, just thinking, “Okay, are we going to see the star of the book any time soon?” But once we actually get to Aqua Leung’s story, the book picks up tremendously.

Aqua is, as mentioned, is lost royalty of Atlantis, but first grows up in America, until his adoptive parents are murdered and he is caught up in the wars of Atlantis. Under the tutelage of Sonny, the fighting fish, Aqua defeats each of the various Atlantis rulers, and capturing their scepters of power, until Aqua is the king of all Atlantis (and, because he’s so powerful, basically the king of the world).

The story is filled with madcap action, and a lot of interesting visuals. Paul Maybury does a very nice job capturing all the energy Smith infuses into the script, and there are some crazy visuals in this book, but Maybury never misses a beat.

Here are a few sample pages from the story (from various points in the story)….

It’s an interesting story also because of how DARK the whole story is. As we open the story, we see that Aqua has become this despotic tyrant, and rules the world via the seas. So seeing him get to that point is interesting, because his early adventures are fairly light, but it slowly darkens and darkens, and this character that we’ve come to root for becomes someone perhaps we should not be rooting for, ya know? But that is for later volumes - we still definitely like Aqua Leung at the end of this volume.

I believe Smith has compared the story to Star Wars, and I think that’s a fine comparison, as it is a lot like Anakin becoming Darth Vador. I think a great way to look at it is also to think of a little kid wearing an oversized suit of armor - it’d look pretty silly, right? Well, what if that little kid then stabs you with a sword? That’s sorta like Aqua Leung is like - it is a kid who looks like everything is too big for him, but soon he will be, well, stabbing you with a sword. It’ll be interesting to see what Smith and Maybury have in store for future volumes.

By the by, a lot of the complaints I have about the “filler” materials is mostly at the beginning of the book, so it could also be a case of the creators getting more used to the format as they went along, as the book is stronger as it goes on.

All in all, I’d recommend you give this book a try. I think it was good enough to say…

Recommended.

11 Comments

FunkyGreenJerusalem

April 2, 2008 at 10:25 pm

I like the art, but the cover art looks much stronger than the interior.

Was it by a different artist?

Looks like Pope to me.

I got a Paul Pope vibe from the cover as well, the interior art is defintely to my liking though. Who’s publishing this?

^Uhm, not that Pope isn’t to my liking. Interiors look good to me even though they’re less ‘Popey’ is what I meant.

Who’s publishing this?

Check the first sentence. ;)

I have only been able to read your reviews and some interviews on the web, but I can’t wait to get my hands on this book. The glimpse of art I have seen is amazing and the “slow start” confined to the first 10 pages won’t worry me a bit. It takes me 10 pages to get my flow going…and I love the concept of a comic novel on what is too often treated with short teaser stories. Thanks for writing such a thoughtful review.

it’s published by image, the intro story for it was in the giant Popgun anthology.

Check the first sentence.

Uhm. Yeah, thanks. Don’t know how I missed that…

Ha, it’s all good. It WAS tucked away a bit in there.

this looks really cool…
hmm….

i’ll have to hunt it down.

I just got this book and read it and it was indeed awesome.
The humor in the “Search for the Deep Blue Sea Flame” chapter really kept me going.
There were some small grammar quirks, and like you said, it got off to a somewhat slow start, but I think it was totally worth it.
However, I wanted to let you know, seeing as you were so excited for more, that there will in fact be no more Aqua Leung.
The two creators had a very humiliating public falling out on Paul Maybury’s livejournal (paulmay) in September, and it would seem they went their separate ways, never to pick up Aqua Leung again.
The series will be sorely missed, but it really is their own fault for not being adults and settling their childish disputes.

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