CBR Live! Archive
Scott's Classic Comics Corner: Grand Finales and Quick Exits (pt. 3)
Here the 3rd and last look at some notable final issues.
Silver Surfer #18 proved that while you can go home again, it may be too late to do much good. The Silver Surfer series was Marvel's most ambitious project of the late 60s. It was a larger book targeted at a more mature audience. Stan Lee and John Buscema were trying to do something different and while it seemed quite novel at first, the leaden dialogue and 'villain of the month' storylines quickly sapped much of the energy out of the series. In an attempt to bring back some of the old magic, Jack Kirby was parachuted in for a showdown between two of his finest contributions to the Marvel Universe - the Surfer and the Inhumans. It's a decent issue, but nothing truly groundbreaking. I'm not sure what the overall gameplan was at Marvel with regard to this series as while a "Next Issue" was announced, so was Kirby's departure. A quick exit if I've ever seen one.
Unknown Soldier #268 ends up being one of those "Everybody Dies" issues (oops, did I spoil anything?). This is one of my all-time favourite series, but the stories did have a bit of a recycled feel toward the end of the run. This was the only real way to go out, and Haney, Ayers and Talaoc did it perfectly. Much as I said that Weird War Tales #124 cames across as Kanigher's farewell to the war genre, this seems to be Haney's. Although G.I. Combat and Sgt. Rock continued for another few years, I like to consider this to be the final DC war book.
Daredevil Comics #134 from 1956 is the final issue to this title with a long, strange history. To think that it all began with Daredevil battling Hitler, and somehow continued through the years, surviving the premature exits of the chief villain and even the title character. Hitler was gone in 1945, the Claw was killed that same year and Daredevil vacated the premises in 1950. Still, this title kept rolling along. The main story in this issue has the Little Wise Guys mistakenly thinking that some police trainees are up to no good. Ultimately, they help a rather bumbling candidate pass the test. It's typical post-Code fun - but not exactly a battle against Hitler. Much has been said about the impact of the Comics Code Authority on EC, but it could be argued that Gleason was hit even harder. They relied heavily on their crime comics but their one-time 'superhero' books such as this title and Boy Comics, stayed on the racks much longer than most would realize. In the end, they departed with far less fanfare than that which announced their arrival. This is a tough book to track down but a nice piece for your historical oddity shortbox.
Many, many jokes have been made about the last few years of the original Justice League of America title. Many of those are funny because they are true. That being said, I truly believe that the 'End of the Justice League' storyline, which culminated with Justice League of America #261, is pretty fine reading. It's technically a tie-in to the terrible 'Legends' crossover event, but it works quite well as a standalone story arc. It's obvious that this is a pretty lame JLA (and a lame-duck one considering the re-launch had already been announced), but with the right words and pictures almost anyone can be the subject of a compelling story. If the fans are calling out for Vibe's head, you can give it to them - but do it in such a way to make them realize a little too late that he may have had a place in the DCU. Steel's death is handle even more deftly, as it is hard not to feel a mixture of sorrow, pity and relief for him. This stuff is far from perfect, but it's a pretty damned good read and seems to be an appropriate way to brings and end to this tile that had enjoyed a 25-year run. My admiration for J.M. DeMatteis continues to grow. He was obviously giving the marching orders to shut down the JLA, and he fought off the temptation to avoid write something too nihilistic or, even worse, too sentimental. In the end, it's a decent, quiet story and the loss of life serves as an act of cleansing. A fitting end.
That's it for now, folks. I may return to this territory in the future. My brain tends to drift from topic to topic on an hourly basis, so it's hard to maintain focus for too long. There are a lot of great classic comics out there and a lot of topics to discuss.
For more classic comics talk, drop by my blog at Seduction of the Indifferent
Please send any comments or questions to scottshouldbegood (at) yahoo.ca
- Posted on December 11, 2008 @ 09:04 AM










19 Comments
Jeff R
December 11, 2008 at 9:52 am
Surely you mean "the mediocre Legends crossover", since if you draw the line for 'terrible' there, what adjectives will be left for things like War of the Gods, Bloodlines, or Amazons Attack?
Scott
December 11, 2008 at 9:59 am
Well, I'm only aware of one of three so what's a good word to use for something so bad that it hasn't even hit a lifelong geek's radar?
To me, Secret Wars sets the bar for mediocrity. Anything below that has to be at least 'bad', but many will fall to 'terrible' or lower.
Jeff Ryan
December 11, 2008 at 10:19 am
As bad as Bloodlines was, it gave us Hitman...
I nomainte Marvel's immediately-forgotten Starblast as the all-time worst crossover. I may be the only person to have read it all. I'll match anyone else plot point for plot point for badness.
Jeff R
December 11, 2008 at 10:39 am
Bloodlines gave us Hitman, sure, but Legends gave us the Giffen Justice League and the Suicide Squad. (And the Perez Womnder Woman run, if that floats your particular boat.) That plus "tells a coherent story" and "all issues came out on time and in order" puts it at least at the middle of the pack...
GarBut
December 11, 2008 at 10:43 am
When we say LEGENDS, do we not mean FINAL CRISIS, first draft? (INVASION! being FINAL CRISIS, second draft.)
Talk about mediocrity. I have read LEGENDS three times in 20-or-so years and aside from that fact that Byrne's linework will always be purty, I can't remember a damn thing that happened, it's THAT forgettable. At the end of the day, I remember it only as the springboard for Gif/DeM's JLA, and of course Ostrander's SUICIDE SQUAD.
Still, I have always wanted to read those final JLA issues; call it semi-morbid curiosity. Scott, you may have just convinced me.
sgt rawk
December 11, 2008 at 10:46 am
Worst Crossover? Millenium. Absolutely horrible. Even the Guardians want to forget it. Plus, it was shot through with well-meaning liberalism that came off racist, sexist AND homophobic without ever wanting to.
Legends was bad but not terrible. Millenium was totally without merit.
Jim Kosmicki
December 11, 2008 at 10:52 am
Well, the end of the Silver Surfer announces that the title will now be about the new SAVAGE Silver Surfer. I know I've read interviews and/or articles that indicated that Kirby's take was to have the Surfer angry and attacking the stupidity of humanity. This was simply the transition to that new status quo. It was never meant to be a final, final issue. While it's common knowledge that the Surfer's first series never sold well, re-assigning it to Kirby and only giving him one issue just doesn't fly with how the business was done then. They'd have cancelled it before the sales data on his first issue was even starting to come in. I've always felt that it was cancelled because the savage Silver Surfer was simply so far away from what Stan wanted the Surfer to be. (and I've always felt that Kirby deliberately went as far from Stan's vision as he could -- remember that this is right before he moves to DC, and definitely at the same time that he was refusing to use any new characters in a Marvel book because he felt slighted by Stan and the upper-level folks).
RM
December 11, 2008 at 11:55 am
the final issue of Automatic Kafka has to be my favorite final issue ever.
Andrew-TLA
December 11, 2008 at 12:43 pm
Legends was competent for what it was, an attempt to set forth the new post-Crisis status quo, introducing the new League, the Suicide Squad, the new Wonder Woman, and, oh yeah, Wally West as the Flash. If you want really bad, look to Genesis.
Stephen
December 11, 2008 at 1:37 pm
"I can’t remember a damn thing that happened, it’s THAT forgettable."
Oh, c'mon, Guy Gardner dropping a tanker truck on Jim Shooter was certainly memorable.
Blackjack
December 11, 2008 at 2:45 pm
I have to agree. The "End of the JLA" storyline definitely works. I only have a couple of issues from that era of JLA, but that last arc came across as "death that made sense in the context of the story" rather "death because we need to kill off second rate characters".
Plus Vibe and Steel, despite being in poor storylines, were still around for a number of years before buying it, so it's not like the deaths had a feeling of being inconsequential.
Then again, we did get in DC for a while the "major character dying when his/her series ends at the end of the big annual/summer event" for a while in the '90s, which I wondered if this contributed along with Crisis (Eclipso, Armageddon 2001, Underworld Unleashed...can't remember if anyone died in Bloodlines...but good god...you want to talk about awful...).
danjack
December 11, 2008 at 4:52 pm
i enjoyed the 'End of the JLA' story, but the Luke McDonald artwork was really hard for me to look at.
As for bad crossovers, Millenium was really bad, Genisis was awful, and i never read any of the Bloodlines stuff, although it ended in a two-part 'BloodBath'! Blech......
Pedro Bouça
December 11, 2008 at 5:03 pm
Legends was quite a decent story as far as megacrossovers go. I remember it well, thank you very much.
That Kirby Silver Surfer, though, was easily the worst issue in the run. I love that series, but that issue was a complete departure from what came before - and NOT in a good way!
Best,
Hunter (Pedro Bouça)
Ricardo
December 11, 2008 at 7:10 pm
Legends is almost a masterpiece when compared to something like Zero Hour or Bloodlines. I never felt Legends to be overpromising, much less stupid. It's premises were quite fine, in fact - to the point of being re-used in many other situations (X-Men and most super-hero movies) - should superheroes run amok?
And, as some other elses pointed out, it was a springboard for the 2 best DC books of the late 80s: JLI and Suicide Squad.
Brad Curran
December 11, 2008 at 7:24 pm
I've read the Surfer and JLA finales. The JLA one was in a weird mixed lot I got. Just that one issue was pretty well done, I thought. Kirby's issue of SS was a really weird capper for the serie, but I do remember liking it, and would have liked to see what Jack could have done with him.
Dave Lane
December 11, 2008 at 8:16 pm
At the time, the big thing about Legends was John Byrne, who had come to DC to revamp Superman, was going to draw...everybody else. With inks by Karl Kesel, Byrne's DC Universe did look kinda cool. But really, that's all it had going for it. It was a shame, really: Darkseid vs. the DC Universe should've been really awesome. But it lost a lot from the get go when Darkseid's agent Brimstone (he's big! he's on fire!) takes out that awesome DC Legend...Blockbuster? Yep, Blockbuster. A long, looong way from "worlds will live, worlds will die" in Crisis on Infinite Earths. Speaking of Crisis (and getting back on topic of final issues), how about the last issues of The Flash (#350--Wake up! The endless "Trial of the Flash" is over. And look!...Barry gets mushy with a middle aged man! Don't worry, it's really Iris, she gets female again by the end and "they lived happily ever after....for a while...") and Wonder Woman (#329; Diana and Stever Trevor get married after a lot of forgettable something or another by Gerry Conway--nice Jose Luis Garcia Lopez cover but some seriously rushed Don Heck interiors)?
KMFPL
December 11, 2008 at 11:03 pm
I liked ZERO HOUR when it was coming out, especially the completely out-of-continuity stuff they did (having the 40's Alfred showing up in the Batcave).
After the fact, I thought it became the first warning sign that COIE had failed big time. The simultaneous need to have a coherent continuity and still not throw away their history has been the biggest problem facing DC for the last twenty years. ZERO HOUR was the first attempt to fix COIE, and was doomed to fail. How many more attempts have followed?
Richard
December 11, 2008 at 11:43 pm
The Surfer was intended to go on, with Herb Trimpe as the artist of the new fighting mad version of the character set up by what ended up being the final issue. Stan's plans for the Surfer were derailed by publisher Martin Goodman, who made the decision to cancel the book.
Andy
December 12, 2008 at 7:04 am
The best thing about that Surfer issue is that Lockjaw at one point starts using the Surfer's board as a chew toy, and when the Surfer tries to yank it away from him they get into a superpowered game of tug-of-war. I thought it was hilarious.