CBR Live! Archive
Comic Critics #76!
- by Brian Cronin
- in Comic Critics
Here is the latest installment of the Comic Critics strip, courtesy of Sean Whitmore (writer) and Brandon Hanvey (artist)! You can check out the first seventy-five strips at the archive here and you can read more about Sean and Brandon at the Comic Critics blog.
Enjoy!

Let us know what you think, either here or at the ComicCritics blog!
- Posted on July 1, 2009 @ 03:15 PM






23 Comments
Bill Reed
July 1, 2009 at 3:20 pm
Missing an 'e' in the last panel there.
But this is my face-kick of the week, for sure.
Stephen
July 1, 2009 at 3:21 pm
... this gag was funnier when it was the closer of Jay and Silent Bob Strike Back.
MagnoliaFan
July 1, 2009 at 3:47 pm
Jay and Silent Bob Strike Back was a terrible movie.
Morrrg
July 1, 2009 at 3:53 pm
all the faces look like this: :^U
Agent_Torpor
July 1, 2009 at 3:58 pm
This was great until that menstruating a-hole ended up in the last panel.
T.
July 1, 2009 at 4:01 pm
Who's a menstruating a-hole? Downey? Why?
Sean Whitmore
July 1, 2009 at 4:24 pm
Why does Downey menstruate?
Cause he's from Hollywood, that's why.
Chris Jones
July 1, 2009 at 5:11 pm
What's this in reference to?
Omar Karindu, with the power of SUPER-hypocrisy!
July 1, 2009 at 6:15 pm
Torpor's been posting about the female lead character "menstruating" for a while now, which I'm assuming is the world's least clever PMS joke...or a disturbing insight into the mind of a serial killer-to-be.
Joe
July 1, 2009 at 6:56 pm
I'm sure $1200 Italian loafers taste better than $50 loafers from JCPenny.
Rob
July 1, 2009 at 7:50 pm
Was the last panel needed?
Ha! I had to say it.
Brad Curran
July 1, 2009 at 7:56 pm
I want the last panel as a t-shirt. Like, right now. Get on that, guys, well, once the menstruating (didn't know it was spelled that way) is over with.
Sean Whitmore
July 1, 2009 at 8:47 pm
The best part is, if we spell his name that way on the T-shirt, I don't think we can even be sued.
Omar Karindu, with the power of SUPER-hypocrisy!
July 1, 2009 at 9:21 pm
So is Downey, Jr., gonna kick the crap out of...well, everyone involved in writing Dark Reign the storyline that's designed to Blame Tony Stark?
Actually, since Iron Man keep blaming himself in his own comics these days, are we gonna see reality explode after Robert Downey Jr. defends Iron Man by kicking Iron Man in the face?
FunkyGreenJerusalem
July 1, 2009 at 9:32 pm
Bit all over the place and with some pacing issues - but surely a 'MagnoliaFan' can appreciate that.
JackKing
July 2, 2009 at 12:42 am
"MagnoliaFan" was one of the guys beat up at the end of Jay & Silent Bob. It's a joke.
jazzbo
July 2, 2009 at 1:35 am
I want to be friends with the face-kicking comic strip version of Robert Downey Jr, even if I disagree with him. He seems like a fun guy.
Roquefort Raider
July 2, 2009 at 5:25 am
"Method all the way"!!! That was brilliant!!!
Chris Bloom
July 2, 2009 at 6:02 am
Somewhere a Marvel editor is trying to figure out a way to squeeze a summer event series out of this strip. And damn his eyes, he'll probably succeed.
Carl
July 2, 2009 at 6:28 am
Do the people calling Stark a Nazi realize he was just enforcing the superhero equivalent of gun control?
Jeff Holland
July 2, 2009 at 6:49 am
@Carl: I think a lot of the stress over Stark is over editorial inconsistencies in his portrayal. For instance, if you read Civil War, Captain America, Iron Man, Avengers or a couple other books, you see a determined Stark who fully believes in what he's doing but still hates how out of control this whole mess got and wonders if there was something different he could've done.
But if you were to read, say, Amazing Spider-Man or Frontline, you'd see a borderline Fascist maniac Stark who was beating the shit out of Spider-Man, engaging in war profiteering, taking a hardline "If you're not with me you're against me" stance, and building secret prisons to house fairly harmless c-level heroes like Prodigy. (You'd also get to see a rookie reporter berating Cap for not knowing about MySpace or following NASCAR! That book had everything.)
It was one thing to show different reactions to Iron Man's actions, but there were some alarming screwups in how events were interpreted between books (in "Civil War," Peter's planning on leaving Avengers Tower and Stark tries to talk him out of it; in "Amazing Spider-Man" the same scene has Stark hurling him through a wall).
So...that's why a lot of people still nurse a grudge against Tony Stark.
Omar Karindu, with the power of SUPER-hypocrisy!
July 2, 2009 at 9:02 am
Do the people calling Stark a Nazi realize he was just enforcing the superhero equivalent of gun control?
I think the salient point is that his methods of enforcement involved indefinite detention and forced conscription. As with so many legal matters, the method of enforcement can be a problem even when the law itself is valid in its aims.
Omar Karindu, with the power of SUPER-hypocrisy!
July 2, 2009 at 9:07 am
As tot he other bit of it..the problem with Civil War at the level of publishing is that the heroes who resisted it still had to be good guys in their own books, especially when Spider-Man was made into a resister. That's essentially going to force the writer of the anti-SHRA books to make the SHRA seem illegitimate, because the readers and writer are going to like Spider-Man -- whose book they're buying --0 more than Iron Man -- whose book they're not.
The deeper problem, of course, is that taking the SHRA seriously as a premise means that much of the previous 40 years of Marvel comics were actually horrible stories of vigilantes risking the public good, rather than heroic tales of Spider-Man defeating the Sinister Six and other such things that Stan Lee, Steve Ditko, Jack Kirby, and the actual creators and readers wanted, enjoyed, and produced.
Civil War was, at bottom, an extended example of Mark Millar not fucking getting it. And that makes the in-universe inconsistencies an inevitable result of a flawed premise, or at least a premise that's flawed if it's imposed on a whole publishing line about 45 years into perfectly workable genre conceits.