CBR Live! Archive
A Year of Cool Comic Book Moments - Day 193
Here is the latest cool comic book moment in our year-long look at one cool comic book moment a day (in no particular order whatsoever)! Here's the archive of the moments posted so far!
Today starts SCALPED WEEK!!! All cool comic book moments from Jason Aaron and R. M. Guéra's awesome series, Scalped!
Enjoy!
Okay, the basic gist of the story is that Dashiell Bad Horse had come back to the reservation he grew up on (and ran away from as a young teen) as an undercover FBI agent, trying to take down the head of the tribe, Chief Lincoln Red Crow, for murder.
He gets hired on as a member of the tribal police force, and here, he has to deal with Diesel, who has been causing some trouble at the newly opened casino on the reservation (this is in issue #8 of the series, written by Jason Aaron and drawn by R. M. Guéra).
Diesel has some issues with being called a "White boy," as seen here, earlier in the issue...

Dash comes to bring him in, and things get ugly, as the two have a long, dragged out fight that goes on for many pages and involves a stolen horse, leading to right now...





"The" moment is probably the end, but the "I'm a real Indian" speech is good, too.
Tomorrow we'll look at a nice scene at the end of this issue...
- Posted on July 12, 2009 @ 02:54 PM






19 Comments
Bill Reed
July 12, 2009 at 3:03 pm
The second Scalped trade will be in my box of comics this month. I am looking forward to it.
Ian A.
July 12, 2009 at 3:35 pm
I'm all caught up on the Scalped trades, and the wait for the next one is grueling. That book is so ridiculously good. I should probably switch to the singles at some point, to get a more frequent hit.
Hrm...
Brian Cronin
July 12, 2009 at 3:59 pm
You really should, Ian.
The singles are great.
DubipR
July 12, 2009 at 6:29 pm
Month in and Month out... still Vertigo's best title.
I'm looking forward to more Scalped Week. Great choice
sgt rawk
July 12, 2009 at 6:37 pm
Vertigo's only GOOD title...
FunkyGreenJerusalem
July 12, 2009 at 7:15 pm
YEAH!
Oh, except for DMZ, The Unwritten, Northlanders, Fables, Hellblazer, and Young Liars (for one more month).
Da Fug
July 12, 2009 at 8:50 pm
Scalped is really as good as everyone says it is. Chock full of good stuff and cool moments though I hope Bad Horse comes back into the focus of the story in the next trade. And Scalped might be the originator of Burgas' current pet peeve with all the jumps in time.
FunkyGreenJerusalem
July 12, 2009 at 9:15 pm
Does Scalped jump in time that much?
It will spend a lot of time on one particular day, and then the next issue covers weeks, but apart from the storyline where it told the same night from different characters points of views, when has it played with time?
(Apart from the probable mistake of the main characters age changing, and a seemingly - for the moment - contradictory version of how Bad Horse became an FBI undercover, it hasn't really played with time at all).
Brian Cronin
July 12, 2009 at 9:20 pm
It jumps in time often.
This issue jumps into Diesel's past frequently, and it also tells a non-sequential plot in the main story.
chad
July 12, 2009 at 9:26 pm
i would go with the two still fighting and being so stubborn to try to one up each other they they just let the bull charge them instead of getting out of the area and also liked the i am a real idian crack made to really tick off disel
Enero
July 13, 2009 at 6:25 am
Scalped really isn’t as good as I hoped. I check out the new issues when they come out and even gave the first trade a chance but it just isn’t as good as the hype. A few cool moments aside, I find it unnecessarily gratuitous and I’m surprised I haven’t heard some sort of outrage about the portrayal of Native Americans.
That said, I like the character of Diesel (issue 26 was awesome) and maybe more of these cool moments will turn me around.
Da Fug
July 13, 2009 at 9:56 am
Funky, I have the worst memory for the specifics of such things and I get everything out of the library, so I can't really argue my point effectively. But in addition to the story you mention, I think there's a time jump at least once an issue or at the very least, several times a storyline. Even Gravel in Your Guts starts with several people arriving at the bar and gunshots but doesn't actually show the scene until the end of the trade. So then even the entire storyline of the kid becoming a drug runner takes place in the past even if it's told sequentially. The time jumps may have been reduced since the initial issues but I think they're one of the reasons the story-telling is so effective. And when I say time jumps, I'm including flashbacks as well just to be clear. And while these instances aren't as egregious as "20 seconds from now", they could still be the reason other people at DC are playing with time.
Jeff Ryan
July 13, 2009 at 10:42 am
Anyone know if Bad Horse from Dr. Horrible had his name come from Scalped?
Callum
July 13, 2009 at 11:31 am
Yeah Scalped! I buy the monthlies because based on it's sales (in non-tpb form anyway) this comic looks dangerously close to getting cancelled. And that would suck because it's always one of my absolute favorites, though this arc that just passed about the casino robbery suffered from some odd momentum shifts. But no matter what, Guera on art is just great to look at.
FunkyGreenJerusalem
July 13, 2009 at 5:57 pm
Yeah, all true - I just don't think anyone could see it as intrusive, Scalped has had a lot more thought put into it than the issue Greg was complaining about.
It's a cumulative thing - I think if you'd stuck with it sequentially, you'd be a lot more impressed. The first trade is good, but it takes a big leap forwards after that.
It's not really about Native Americans though - it's using that as a setting for a story about living life on the bottom of the bottom.
If it was saying 'this is a story about Native Americans and all Native Americans are like this' then there'd be justified outrage, but it's just using a reserve as a setting for a story about sad and desperate people doing bad things to survive.
Rob Schmidt
July 15, 2009 at 9:25 am
Two Indians beating on each other...a typical SCALPED comic.
Why would a Lakota in South Dakota care whether someone from Oklahoma was 1/16 or 15/16 Kickapoo? Either way, the Kickapoo is an outsider from another part of the country. I doubt Diesel would fit into a "foreign" tribe any better than Jason Aaron or I would.
Rob Schmidt
July 15, 2009 at 9:29 am
Actually, several Natives have expressed outrage over SCALPED's stereotypical portrayals. Others like the comic because it presents the harsh realities of (some of) today's reservations, even if it grossly exaggerates the problems.
Some Natives also root for the Washington Redskins and Cleveland Indians because they like to see "their" names in the win column. Some Natives don't think much about how stereotyping affects their people.
Re "If it was saying 'this is a story about Native Americans and all Native Americans are like this' then there’d be justified outrage": The outrage is justified because Aaron has said he's researched Indians and wants people to learn from SCALPED. In other words, he's positioned his work at an authentic look at Indian life today. If Aaron had said his stories bear little relationship to reality, he'd be right, but he hasn't said that.
See http://www.bluecorncomics.com/scalped.htm for more on the Native stereotypes in SCALPED.
FunkyGreenJerusalem
July 16, 2009 at 4:21 pm
And some Italian-Americans hated the Sopranos for it's ignorant portrayal of the Italian-Americans, whilst apparently the FBI have recordings of mobsters discussing which characters are based on which associate of theirs...
I think if you step back, you'd find that bits such as the diabetes, and abundance of drug and alcohol problems are the 'authentic' look at Native Americans, whilst the crime bits aren't meant to be.
So yeah, sure, if you want to get outraged, go for it - but as with most good fiction that causes people to get their knickers in a knot, if you step back and THINK, you'll see there's no point.
I mean, you don't see too many Brits complaining that Hellblazer provides a negative stereotype of working class England, and yet it story after story of people doing horrible stuff to each other.
Rob Schmidt
July 17, 2009 at 8:18 am
So Italian mobsters love the "Sopranos" portrayals of them indulging in wine, women, and wanton violence without fear of repercussions from the police or FBI. In other words, the glorification of the mob lifestyle. And the 99.99% of Italians who aren't mobsters think the portrayals are stereotypical. Hmm...I think I'll go with the vast majority over the tiny minority on that one.
The Indians' poverty-related problems are real, but Aaron hasn't distinguished between these and his portrayals of Indians as criminals, thugs, and lowlifes. He's implied everything in his stories is based on research. Naive readers who know nothing about today's Indians will have no way to tell what's real and what isn't. They'll swallow it all.
Oh, and it's another fiction that every tribe is opening a casino and that casinos inevitably lead to corruption and crime. In reality, South Dakota's tribes don't have mega-casinos because they're too far from population centers to make money. But on Aaron's prototypical reservation, large-scale Indian gaming is a given.
More to the point, the Prairie Rose casino is all about enriching the few at the expense of the many. This is one of the most pernicious Native stereotypes in existence and Aaron is exploiting it to the hilt. If you think the typical SCALPED reader understands Indian gaming and knows Aaron is falsifying it, you may be as naïve as the readers I mentioned.
In short, I've stepped back and thought about Native stereotypes a lot more than you have, friend. You're kidding yourself if you think the media's portrayal of Indians as crooks, losers, and victims doesn't harm them. Check out "The Harm of Native Stereotyping: Facts and Evidence" (http://www.bluecorncomics.com/stharm.htm) and educate yourself on the issue.