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Danielle Leigh’s Reading Diary — Bamboo Blade vol 1 & 2

Bamboo Blade, by Masashiro Totsuka and Aguri Igarashi, is a not-quite-manic sports comedy, light on the fan service (it is almost nonexistent actually) with plenty of character humor.  The series also features a mixed-gender after school kendo club which means you shouldn’t expect a traditional shonen sports narrative.

bamboo_1

Bamboo Blade opens with a life-less kendo club led by the fairly unmotivated instructor, Kojiro.  Kojiro was once a pretty great kendo player himself but as an adult he is pretty much concerned entirely with paying the bills and managing to scrounge up enough extra cash to feed himself on a regular basis.  An old classmate — and former kendo opponent — makes a bet with Kojiro which vaults him out his boredom.  If Kojiro’s girl’s kendo team can defeat his old classmates’ team in a match, Kojiro’s prize will be a year of free sushi.

Now, this is an incredibly weak reason to set the plot of a manga serialization into motion, but this part of what makes Bamboo Blade pretty hilarious.  Everyone has incredibly random and often bizarre reasons for deciding to join the kendo team.  Kojiro is a terrible teacher who seems to have very little investment in his “calling,” which means students who bother to show up only want to mess around and look cool.  However, they are usually scared off once they learn that kendo equipment is really very “smelly.”  But with his new goal in mind, Kojiro’s suddenly fired up enough to cajole, manipulate, or even blackmail talented female players into joining his club.

Kojiro’s efforts to get a real kendo team together only works because everyone in this manga is a bit of a headcase in their special way.  Take Tamaki, who is a real a monster at kendo.  Her father — who has his own dojo — has raised her on kendo since she could walk it seems, and because of that, she is both scary strong and completely lacking in motivation.  To her kendo is a household chore, sort of like doing dishes or sweeping the walk.  However, Tamaki loves anime and has always dreamed of becoming a hero who saves the world.  Enter two shit-heads from the school’s kendo team who like to use their powers to abuse weaker kids and suddenly Tamaki now has her reason — she’s going to save the club from evil!

And pretty much every other person has this kind of reason for joining — bamboo_2-200x300Miya, who joins the club to keep her useless boyfriend company, discovers she really, really likes hitting people with blunt objects.  Meanwhile, Saya has a manic personality that swerves between passionate devotion to something and then complete despair at her inability to master her current obsession.  Therefore, she can only be bothered to show up to club after she’s given up on writing her novel or learning guitar (or threatening to commit suicide).  Only the team captain seems to love the sport, but I’m sure her weirdness will be outed eventually.

Everyone’s motives seem impure, but in spite of that, they all seem to be enjoying themselves.  While once in a while references are made to the honor associated with the practice and study of the sport of kendo, the driving force of the story is how these folks are coming together to work toward some goal — even if that goal is utterly ridiculous.  At the end of the second volume, the first team match begins and unlike a lot of other sport manga, this one moves at a smart clip as personality and not raw talent carry the girls through their first match.

The humor of the book never devolves into stupidity, and the big laughs are almost always supported by interesting (although not partiuclarly deep) characterization.  The kendo matches themselves are usually represented by blurs of motion — partiuclarly when the resident kendo genius Tamaki is involved — but for the most part the art is hilariously evocative.  When Miya gets her hand on a shinai (or the “bamboo blade”) for the first time, the entire team shivers instinctively in fear thanks to the look of pure evil ecstasy on her face.  It is a perfect moment that entirely encapsulates the fun of Bamboo Blade as we can’t help but wonder what kind of kendo player this true sadist will make.  One of the real joys of the book is seeing how exactly each girl makes kendo entirely her own, as the traditional weight conferred upon the sport is blown away by their kooky practice of it.

Review Copy of volume 2 provided by Yen Press.

7 Comments

Wow, this sounds much better than I was expecting. The premise has always been somewhat intriguing, but that cover to volume one looked too moe for me.

I almost discussed how Tamaki is actually anti-moe (girl on cover #1) since while she looks small and cute she actually is the strongest person in the entire manga (she’s the one who is the kendo monster). I think this is why I emphasized the lack of fan-service in the intro so people wouldn’t get confused by the covers. :-)

Only seen the anime, but from your words, it’s completely loyal to the source.

While you could say Tamaki is not moe due to her proficiency in kenjutsu, I would differ. Sure, she isn’t the “can’t do a thing, must protect” moe, but she at the same time is petite, cute, and extremely shy when not fighting; all of these are the makings of a moe character, though one you would want to run away from if she had her b?gu on.

Of course, your point that it’s not a fanservice or “just moe” series stands. It’s pretty high on action and characterization. Particularly impressed with how they handle the teacher and how the plot itself develops. A really good slice of life, that’s for sure.

I liked this a lot, just a nice perfect blend of action, comedy, and drama. So much fun in a package.

I also agree with Denmad. There’s no way you can’t label Tamaki as moe. She’s very very moe, despite her being the best at kendo.

I actually don’t like the art, and I’m not even sure why. Technically it looks fine, but eh, it just turns me off. Maybe I think the art’s too busy or the character designs are just plain pedestrian. Despite that, still pretty good stuff.

This sounds waycool. Why doesn’t the library have it? Stupid the library.

Denmad & Okman — I guess I see Tamaki as commentary on moe than an actual example of it (“anti-moe” was just a clumsy way of putting it I suppose).

I look forward to seeing how the plot develops as well….

Okman — I feel like a lot of the Yen Press titles have this generic “manga art” thing going on (Maybe it is a Square Enix thing, which is where a lot of their manga titles come from I believe).

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