Comic-Con Trailers: The Best of the Best, Ranked
Here is the latest in our year-long look at one cool comic (whether it be a self-contained work, an ongoing comic or a run on a long-running title that featured multiple creative teams on it over the years) a day (in no particular order whatsoever)! Here‘s the archive of the moments posted so far!
Today we look at one of the comics on Mark Waid’s personal list of his greatest stories ever told, the tie-in to the Kingdom, Kingdom: Offspring #1, drawn by Frank Quitely!
This comic came out soon before Frank Quitely became known as Frank Quitely, superstar artist. Back in 1999, Quitely was just an amazing artist who had not yet gotten that big mainstream hit (which is now pretty much all his does – mainstream hit comics).
This issue, titled “Flexibility,” spotlights not only Quitely’s great artwork, but some excellent characterization work by Mark Waid on Offspring, who is the son of Plastic Man in the future (the Kingdom Come future, that is).
Set against the backdrop of the Kingdom event (which introduced Hypertime to the DC Universe, but more specifically involved Gog threatening the very fabric of the Kingdom Come reality), we see Offspring try to make it as a hero even though no one takes him seriously.
Here he is in an excellent introductory sequence by Waid and Quitely…
Quitely’s inventiveness really shines in the above pages.
When Offspring comes home to his girlfriend, Quitely once again sparkles…
but it is Waid’s story that really grips the reader, as he examines the strain Offspring’s relationship with his father (and their clowning reputation) has on their relationship…
Waid does an excellent job showing a young man balancing between what his father wants him to do, what his girlfriend wants him to do and what HE wants to do, which is, unsurprisingly, somewhere in the middle.
There’s an especially brilliant two-page sequence (that is so good that I don’t want to blow the experience of reading it for you here) where Offspring’s girlfriend explains to Offspring why she specifically has a problem with Plastic Man.
The ending of the book is strong, as well, as father and son interact – and the whole thing even manages to tie-in with the overall Kingdom storyline at the end, even while still basically drawing the story to a close.
This is a textbook example of how to write a tie-in to a major company event and, of course, Quitely’s artwork is textbook great comic book art, as well.
This one-shot is collected in the Kingdom trade paperback. Go get it!
Comics Should Be Good accepts review copies. Anything sent to us will (for better or for worse) end up reviewed on the blog. See where to send the review copies.