web stats

CSBG Archive

Cross-Hatchings for May 2014

This and that. A few short items that I thought were worth mentioning, but not to the point where any one of them rates its own column. A little bit of bookbindery, some thoughts on TV and movies, some cool books that arrived in the mail… and oh, yeah, comics.

Gotham Thoughts: Well, I saw the Gotham trailer that everyone on my news feed is talking about, and I was… underwhelmed.

Don’t get me wrong; it was a great trailer and it made me want to see the show. But here’s the thing. The premise itself seems completely unworkable in terms of telling any kind of satisfying story over a series of episodes

Think about it. This is a show where, like Smallville, the engine that drives the whole enterprise is the idea that we know more than the characters in the show: we know what role everyone is destined to assume, we know who Bruce Wayne becomes. Just in the trailer we saw James Gordon’s arrival at the Gotham City P.D., we saw the murder of Thomas and Martha Wayne, we saw a series of shots of supervillains before they became supervillains–Penguin, Riddler, Poison Ivy. They are really pushing the idea that this is a show about what will become the story of Batman and his city, the roots of where that all came from.

Okay. That’s an interesting movie, maybe. But a series? A cop show built around the idea of a cop facing a series of criminals that are such super-geniuses that it takes a Batman to put them away, when there’s no Batman yet to do that? The story of a cop that slowly becomes disenchanted with the police force he has sworn to serve, to the point where– we all already know this, remember– he decides working with a costumed vigilante is a better bet to stop crime in his city?

A movie, sure, Maybe even a mini-series, or, hell, a twelve or thirteen-episode maxi-series. But how do you sustain that downward spiral for a hundred episodes? Which is still the goal for ongoing network TV series in this country, as far as I know. Week after week, season after season, of Jim Gordon’s increasing disillusionment and failing to stop crime in Gotham City. Doesn’t that seem… I dunno, futile and depressing?

The trouble with these “we know their destiny” prequels is that the only way to generate dramatic tension of any kind is to make changes in the lore we all know. But at the same time, if they want us to watch, they have to give us the old familiar story, or at least acknowledge it. That was Smallville‘s big problem and they pretty much gave up after the first year and a half and created their own internal mythology. Which annoyed old grumps like me but it worked for them, they hung in there for ten years.

But Gotham strikes me as an even heavier lift. As far as I can tell from the trailer, the whole pitch for the show is that this is Batman’s backstory.

And Batman’s backstory is that Gotham City became so horrible, so overrun with crime and corruption, that it took Batman and Jim Gordon learning to work together just to fight a holding action. So everything leading up to Batman is about the slide downhill.

I’m reserving judgement– I have to assume the showrunners have thought this through, it’s THE problem they have to solve if they’re going to sustain this as a TV series– but my hunch is that it may prove insurmountable, especially since they probably aren’t going to be allowed to do anything to screw up the Batman movie franchise. Which is the other needle they have to thread to make this work– not only are they saddled with an inherently negative and depressing arc for their series, but they aren’t allowed to tell any truly significant stories about it, either.

But on the plus side, we’re finally getting that companion volume to Gotham Central I was hoping for a couple of years ago. Gordon of Gotham reprints not only the Batman: Gordon of Gotham mini-series by Denny O’Neil and Dick Giordano but also Batman: GCPD and Batman: Gordon’s Law, the two excellent minis written by Chuck Dixon and illustrated by Jim Aparo and Klaus Janson, respectively.

Story continues below

Twelve issues of really good comics collected in paperback for less than twenty dollars. That follows on the heels of the Lansdale-Truman Jonah Hex and the Ostrander-Mandrake Spectre collections of similar size and price. I’m liking this trend. The Gordon of Gotham trade is supposed to be out in September– just in time for the TV show, I imagine.

And who knows? The TV show might be good. Arrow surprised a lot of us, after all.


Just For Fun: I have no idea where this is from, but it showed up on Twitter a few days ago and I thought I’d pass it on to all of you that are grieving over the cancellation of Community or whatever. Some wise words from David Letterman.

Although, just for the record, The Fall Guy in no way made up for losing The Six Million Dollar Man in OUR household. But I’m mostly over it now.


Home bookbindery: This is just a little something for the book people out there; I figure I can’t be the only one out there who’s run into this problem, and I found a really elegant solution for it.

As regular readers know, we like old books here. We can’t afford to be true antiquarians, but I like having reading copies of older editions at least; I’m not a true collector so much as a reader, though we do love books just as artifacts here, especially the illustrated ones. The trouble is that a lot of the vintage juveniles we like weren’t built to last, and they were kids’ books anyway which means they took a lot of abuse.

Lately I’ve been on a Burroughs kick again and I’ve found a lot of older hardcovers offered as ‘reading copies’ for a buck or so that are just falling apart.

For example, this copy of Tarzan and the Golden Lion.

I love the old hardcover editions with the stunning J. Allen St. John illustrations, but the only ones we can afford are these beat-up old copies with the spines separating and pages falling out.

However, I’ve been working in and around commercial printing for a number of years, and there’s an easy solution to this. It’s what we in the trade call ‘padding glue,’ it’s what you use for the gummed part at the top of a note pad that holds the sheets together.

You use a small brush to dab the stuff on to wherever your problem area is– the spine separating from the hinges is the usual one, but if you have a light touch and are patient you can put individual loose pages back in place too. The stuff dries clear and it’s rubbery and flexible, which makes it way better for the purpose than craft glue or whatever they sell to the scrapbook people. If you are too busy or too lazy to make your own personal craft project out of this kind of book repair (I enjoy doing my own, but I’m weird that way) you can take your disintegrating volume down to any copy shop and they’ll be happy to do a simple spine fix at least, probably for five or ten dollars. But be sure to explain that you want them to use the rubber padding glue and put it in their note-pad clamp, or they’ll just say “we don’t do book repair” and refer you to some expensive bindery firm… who will do pretty much the same thing but charge ten times as much.

It’s also a really good fix for all those crappy 1990s trade paperbacks from Marvel that had the worst bindery in the history of paperbacks, they fell apart practically on first reading. Again, it takes patience, but you end up with a better bind on the book than they sold you in the first place. And it’s almost invisible, it’s much nicer than library tape or other fixes.


From the Review Pile: I’ve said this before, but I think my favorite perk of writing this thing every week, apart from all the lovely people we’ve met, is getting to be on the review list for Hard Case Crime… which is where a lot of Max Allan Collins books seem to come from. If I can’t have new Ms. Tree or Mike Danger comics, well, this is not a bad compromise.

Story continues below

And somehow that put me on the list for the new collaborative Mike Hammer novels that Collins has been putting together from old Mickey Spillane manuscripts. I interviewed Mr. Collins about those here a while ago– well, not so much interviewed as ‘geeked out at’ — and I continue to be delighted at the craft Collins brings to each one.

All this is by way of telling you that there’s a new one out.

King of the Weeds was originally planned to be the final Mike Hammer novel, and as such it has an interesting “last hurrah” feeling about it– even though Spillane put it aside in favor of The Goliath Bone, which technically takes place after this story, but that one doesn’t have the feeling of closure that King of the Weeds does. Here’s the blurb–

It should be a mellow time for America’s toughest PI, Mike Hammer. He and Velda are planning their overdue nuptials, and his friend Captain of Homicide Pat Chambers is nearing retirement. Then an assassin’s bullet almost brings him down on his office doorstep. Could the attempted hit have anything to do with the impending release of a serial killer put away by Mike and Pat, decades ago? And how to explain the sudden rash of “accidental” deaths that has hit the NYPD?

There’s also the small matter of the $89 billion in Mafia money stashed in a cave, in a location known only to Hammer. With everyone from wiseguys to the US Government on his tail, not to mention the malign influence of convict mastermind “The King of the Weeds”, Mike has to prove that he is just as sharp, and deadly, as ever.
In what Mickey Spillane had planned to be the final Mike Hammer novel–begun in the late 1990s and completed recently by Max Allan Collins–the iconic tough guy has not dimmed with age. He is just as sharp, and deadly, as ever.

King of the Weeds is one of the strongest of these collaborations; I found it to be tremendously engaging and impossible to put down. I don’t know if Collins saved the best for last or what, but I think this one and the one that preceded it, Complex 90, are the best ones yet. If you like tough crime stories and especially if you like Mike Hammer, this is very much recommended.


And that’s all I’ve got, this time out. Except that I was reminded myself, and now I am reminding all of you, that CSBG has its own message board here at CBR. Right now I’m taking suggestions for the theme of our next trivia contest, so feel free to drop by and weigh in on that.

My hope is to have it figured out by next week… so I’ll see you then.


While I, too, enjoy that they are reprinting stories like the Gordon comics and the Spectre, it kind of gets me in the sense that it’s like, “Hey, everybody, check out these awesome comics – they’re completely different from anything we produce right now, but, well, enjoy!”

While I, too, enjoy that they are reprinting stories like the Gordon comics and the Spectre, it kind of gets me in the sense that it’s like, “Hey, everybody, check out these awesome comics – they’re completely different from anything we produce right now, but, well, enjoy!”

I know. There’s actually a whole rant to be made about how DC staff clearly all know what the good stuff looks like and yet somehow get really huffy if you suggest that they maybe go back and figure out how to do more books like that. Or even phrasing it as “successful” instead of “good” — i.e., why are you idiots leaving money on the table? That was mostly what Janelle’s TITANS piece was about and look what that exploded into.

But beating up on DC is so easy any more that sometimes I feel like it’s kicking a cripple, and they ARE doing these nice reprint books, after all, and deserve credit not just for doing them but also for keeping the price down.

Thats the difference between quality and quantity … the quality comes in smal measure… and to make money, they need quantity ;)

That’s right, gloat over the fact that you’re on Hard Case Crime’s review list yet again….

Anyway, thanks for the interesting bookbindery suggestion. However, a few years back I found a bookbindery shop here in downtown Zagreb that does repairs like that for really cheap. I took in a few old, falling-to-pieces American paperbacks that I found at local flea markets and they glued them back together, good as new (or better than new actually) and never charged me more than the equivalent of about $4 for it.

Brian may have a good point about DC, but I’m totally on board for that Gordon book – I’ve been intrigued by those minis since you praised them in one of your columns. And based on his many Elseworlds stories among other things, I’ve found I really like Chuck Dixon’s writing.

And finally: trivia contest! Yay!

Travis Pelkie

May 11, 2014 at 1:34 am

ah, man, forgot about the dreaded 4 AM EST site down stuff, and it appears my comment disappeared. Argh!

If it did disappear, I’ll reiterate later. DC trades, the Letterman thing, the book binding thing. blahblah like usual from me.

Travis, thanks for clearing that up for me: I always wondered why I often have problems posting comments here on Sundays between about 10 and 11 a.m. (my time).

Travis Pelkie

May 11, 2014 at 2:44 am

Yeah, Edo, Sunday morning the blog tends to go funky between about 4AM EST and then again sometimes about 5 to 6AM, and every night about 4AM it’s down for maybe 5-15 minutes, presumably for some maintenance.

If this is too “behind the scenes”, Brian, feel free to hide or edit these comments.

Your column always makes me feel guilty for not having more time to read. I need to get around to reading more Hard Case stuff – a nearby library has tons of them!

Another great column as usual, Greg.
The thing from David Letterman was from the Late Night With David Letterman trade paperback that came out back in the 80s. It was from a skit satirizing After School Specials called “They Cancelled My Favorite TV Show”. Dave urges young Jimmy to watch some TV when he finds out “Voyagers” is cancelled. Jimmy runs away and Dave goes to look for him. He finds him and stops him from tearing up a TV Guide and they have a heart to heart talk that’s in the excerpt making the rounds. Note the classic After School Special line “Don’t ever say that. Not even as a joke.” They peruse the new Fall schedule and find one of the new shows is the talking orangutan show that NBC had, and Jimmy realizes everything will be all right.

nice colum greg agree with gotham for its like fox saw smallville and went oh lets do that about batman. for the tricky part is going to be for the creators to make the show last before we finaly get bruce grown up and in the bat suit. but if nothing else it has dc reprinting a good story about gordon that just like ostrades spectre has surely been stuck in dc arrchive out of the hands of deserving fans. and look forward to see what type of triva you come up with . and what the subject is

Travis Pelkie

May 11, 2014 at 4:48 pm

OK, Tony confirmed what I thought about the Letterman thing.

Book binding — I needs to try me that.

DC trades — I don’t even remember what I was going to say. Just that with other media exposure, maybe they’ll finally reprint the whole Ostrander 80s Suicide Squad. Even though I’ve back issue dove for a lot of the run now.

Next time I’ll watch the clock and not try to post at that dead zone time!

You’ve hit the nail on the head as to why I’m skeptical about the Gotham TV show. In addition to what you’ve said, I feel like this show is trying to have its cake and eat it too. I think we could have a GREAT Batman show, if they wanted to (although, to be fair, we kinda already have that with Arrow). Heck, they could even do a YOUNG Batman show, with Bruce in the latter days of his training, and then building his persona as Batman, etc. Lord knows there’s enough stories about Batman’s early years that it wouldn’t take much to cobble all of that together into a series bible. And on the other hand, I wouldn’t mind seeing a GCPD type show where the focus is much more on the characters instead of the crimes (I’ll be honest, I’ve never cared for the Law and Order, CSI, NCIS, Criminal Minds type shows, and before this trailer came out, I almost feared that was what we’d get with this show). But my big problem with the Gotham show, aside from what you said already, is that it seems like they’re trying to do TWO shows at once. They want to do the Young Bruce Wayne show (it wasn’t even a year ago that some big wig at the network said they wanted the show to begin with the death of the Waynes and end with Bruce putting on the costume) AND do a Young Jim Gordon learning the ropes show. I don’t know how well that will work.

Andrew Collins

May 12, 2014 at 1:37 pm

Got my copy of King Of The Weeds sitting right here, waiting for me to find the time to read it. Spillane’s books are always a “read in one sitting” type of book for me, so I’m waiting to get 2-3 solid free hours to be able to do just that. I can’t wait, though I’m sad about it being the “last” one.

I still need to read a couple of the late 60’s Mike Hammer novels Spillane did. I keep hoping they’ll put out another of those 3-in-1 collections like they did for the first 9 novels…

Andrew, my Hammers are mostly in this volume and this one — the second one is most of the later 50s and 60s books, except for THE GIRL HUNTERS. Both collections are long out of print but you can get them cheap used.

Not sure if that helps you or not. The later ones like BLACK ALLEY and THE KILLING MAN I picked up when they came out, I was hooked hard by then.

Andrew Collins

May 26, 2014 at 12:18 pm

Greg, thanks for the links. I’ll have to look into picking those up. Taking a break from reading King Of The Weeds right now and so far, 2/3 through, it is fantastic and looking to be a wonderful send-off for the characters.

Leave a Comment



Review Copies

Comics Should Be Good accepts review copies. Anything sent to us will (for better or for worse) end up reviewed on the blog. See where to send the review copies.

Browse the Archives