web stats

CSBG Archive

1987 And All That: Hawkman #11-17

A column in which Matt Derman (Comics Matter) reads & reviews comics from 1987, because that’s the year he was born.

Hawkman #11-17 (DC) by Dan Mishkin, Richard Howell (#11-16), Ed Hannigan (#17), Carlos Garzon (#11-16), Don Heck (#17), Michelle Wolfman, and Agustin Mas

Hawkman1Despite his old-school style, Hawkman has never been my thing. Whenever I encountered him as a guest star or in the pages of a team book, he seemed overly serious in his personality and approach to crime-fighting, which didn’t quite fit with the way he looked or the little bit I knew about his backstory. A shirtless alien with detachable bird wings ought to have a sense of humor about himself, is what I’m saying, and as far as I could ever determine, Hawkman was missing that. And reading these old issues Hawkman the series hasn’t changed that perception of Hawkman the character in the slightest. But I mind him a great deal less now, mostly because of the awesomeness that is Hawkwoman. Without her presence, I think this run might’ve met my worst fears of being a dreary, heavy superhero melodrama. Instead, it’s a zany superhero adventure, still plenty melodramatic due to Hawkman’s slow and steady nervous breakdown, but with bursts of levity thanks to Hawkwoman’s high spirits and genuinely funny battle quips. They’re a strong duo, and even though only one of their names is on the covers, they share this comic equally, and without either of them it would be a highly imbalanced story. Not only does Hawkwoman provide the laughs, she is the voice of reason when Hawkman goes off the rails. She can play absurd to his straight man or calm to his crazy with equal skill, which is a dynamic that has a lot of room for all kinds of fun stuff to go down.

There are several smaller arcs contained in these issues, but the unifying throughline centers on Hawkman falling apart at the emotional seems little by little until he freaks out fully and tries to defeat a hurricane on his own. Which is an awesome scene, by the way, really demonstrating the potential of a stoic, excessively stern character like Hawkman in a way I don’t see often enough. Long before that, though, Hawkman’s decline begins when he and Hawkwoman return to their homeworld of Thanagar, only to discover it’s been irrevocably corrupted in their absence. They do manage to oust the current ruling tyrants, but come to the conclusion in the aftermath that the citizens of Thanagar are too used to and dependent on dictators now to be ruled by anything else. It’s a bit of a hand-waving explanation for why Hawkwoman and Hawkman return to Earth and leave Thanagar in the hands of a military general (so that it’s kind of a police state now). But to be fair, I don’t know enough about what Thanagarians used to be like to say for sure whether or not any conclusions were reached too hastily.

Hawkman2What matters is that Hawkman believes Thanagar is wrecked beyond repair, and having to walk away from his home is the first trauma he suffers on his road to full-on meltdown. He reacts by overcompensating on Earth, telling Hawkwoman never to call him Katar, his given name, but only Hawkman, because that’s his name here in their new home. She doesn’t listen to this insane request, partly because she can’t help but call her husband by his name, but also because she recognizes right away that this is unhealthy behavior, and tries to convince him of the same. He stubbornly refuses to hear it, so she focuses instead on watching his back and keeping her cool for both their sakes, which mitigates things for a while. The two of them successfully help their cop friend Captain Stewart Frazier solve his ex-wife’s murder, a nice classic mystery story to follow the epic battle for the fate of Thanagar. At the end of the case, though, Hawkwoman is suddenly tricked into another dimension by some nameless, faceless evil entity that wants her soul in exchange for that of Frazier’s wife, Lorraine. It’s a bizarre twist, introducing a powerful supernatural/magical element so late it the game, but it works because Hawkwoman doesn’t let it rattle her. She keeps her wits and gets to work on an escape plan immediately, with help from Lorraine and The Gentleman Ghost (another fine source of comic relief, whose name pretty much says it all). At the same time that Hawkwoman’s keeping her shit together, Hawkman is finally losing the rest of his. Having spent the entire murder investigation mourning the loss of his planet, he then loses his wife, and it is more than he’s able to bare. A hurricane shows up and, as I said, he fights it, flying all over the city to save as many people and prevent as much damage as he possibly can. He actually does an impressive amount of good, considering his state of mind.

In the end, Hawkman only snaps out of it after nearly killing himself by flying right into a burning building. It explodes and he pulls away at just the right time, and the force of the blast knocks enough sense into him to make him realize that the whole battle-a-natural-disaster thing was really just a cry for help and/or misguided suicide attempt. Then, because he’s the luckiest, right when he regains his sanity Hawkman hears Hawkwoman calling to him from the nightmarish world where she’s trapped, which she’d been doing unheard for most of his rampage, too, since she’s the one with the level head. He quickly figures out how to bridge the gap between them, and they’re reunited just in time for the series to be canceled. It’s a tight narrative, only seven issues for Hawkman to go from normal to batshit to normal again. Yet with the possible exception of the somewhat hurried departure from Thanagar, everything is paced quite well in that relatively small space. There’s room for a handful of B-plots, Frazier gets his own meaty character arc, Hawkwoman has several solid jokes thrown into every issue, and nothing major is left hanging when it all wraps up. The words themselves didn’t ever blow me away, but the timing of everything was superb, which is rarer than it ought to be.

Hawkman3It should also be mentioned that, in addition to being a good pair by bringing complementary points of view to the story, the Hawks are a couple worth reading about and investing in on a romantic level, too. Their chemistry was natural and their affection was sincere but never saccharine. They had mutual respect and concern for each other, each working to protect the other while at the same time trusting them with their own lives. The strength of their relationship added loads of credibility to Hawkman’s ultimate tantrum, and, as corny as it sounds, their love was key to bringing them back together across dimensions. It’s essential to everything that happens, and it makes them both more likable and relatable as leads to see their genuine romance in action.

Am I a huge Hawkfan* now? No. I’m not going to track down all the back issues of all the volumes and become an expert in the history and mythology of the characters. This was an unexpectedly enjoyable read, but not my new favorite comic by any stretch. I may try to get all the 1986 issues eventually—I have the 1987 issues that came out before #11 but they tell other stories and are for another time—just for the sake of completing the volume I already have, but beyond that I think I’ll continue to mostly keep my distance. Hawkman didn’t convert me, but it did make me appreciate the incessant seriousness of its title character. And better than that, it gave me my first proper taste of Hawkwoman, who won me over right away and only got better each issue. She’s the energetic goofball I always thought should be under that garish hawk helmet, and I’m glad I finally looked in the right place to find her.

*Do Hawkman/Hawkwoman enthusiasts call themselves Hawkfans? If not, they definitely should. Feel free to use that, everyone.

12 Comments

Be sure to go back and read Tony Isabella’s great Shadow War mini– 1985, I think– that sets up the story you’re reading now.

It’s interesting to see these issues discussed, since it’s usually the earlier stuff by Tony Isabella and Mishkin that gets attention in this period.

The Silver Age Hawks have an interesting premise, an adult married couple without the Loy-Powell cutesiness of the Dibnys and without the weird power dynamic of the Richardses or the Pyms at Marvel. On the one hand, it’s unfortunate that this was eventually replaced with a “star-crossed lovers” take on the characters; on the other, it may be that their relationship didn’t generate the kind of reader interest that more gimmicky or melodramatic couples do.

Hawkman and Hawkwoman (sometimes Hawkgirl) really haven’t had much luck since the 1940s, though. Their Silver Age series was one of the first to be cancelled in DC’s late1950s-1960s revival period, most efforts to revive or revamp the Thanagarian hawks revolve around making Thanagar into a dystopia and the Hawks into exiles (it had happened in the 1970s in the Justice League, and then again with the later issues of the Hawkworld revamp), and even the briefly popular Geoff Johns revival of the 1940s premise didn’t survive its second writer changeover and bombed again int he New 52 era.

Like their frequent co-star, the Atom, the Hawks are grounded much more in the lower end of the Golden Age of Science Fiction beloved of Gardner Fox and Julius Schwartz, and like him, they’ve had trouble finding a working niche in later eras. The Carter Hall version has gotten some traction because he belongs to earlier, pulpier archetypes that more successfully merged with the superheroes, but in general Hawkman and Hawkgirl/woman always look rather out of place fighting supervillains and hanging out with Superman. Quite why Green Lantern works and the Hawks don’t, I’m not entirely sure; perhaps it’s the oddly retro image of the Hawks, perhaps it’s the general lack of success of winged heroes (see also Marvel’s Angel from the X-Men), and peraps it’s simply that they don’t have a sufficiently coherent motif and concept — wings AND magic metal AND ancient weaponry AND either an alien world or reincarnation gimmick.

I found it funny that one of the most successful Hawk-adaptations– Hawkgirl on the JLU cartoon– involved making fun of another of most successful adaptations– the Johns mash-up of Thanagarian and Egyptian-reincarnation elements (since the Hawkman character’s embrace of that mash-up was depicted as being unhinged, *even if he was right about it.*)

Everything Omar says is right, but we’ve still had lots of really *good* Hawk-comics. They never burn up the sales charts, there’s always something goofy about them, and they’ve been unstable longer than they’ve been stable in their backstory and genre (remember that the post-Crisis era is now a lot longer than the Silver Age was). But still– the Hawkworld mini, the Ostrander series, Isabella, the Johns series… lots of great stuff in there over the years.

Funny, I am a Spiritualist and a real believer in reincarnation, yet I never liked the one superhero who is a posterboy for my spiritual beliefs.

But I loved the Hawkworld version. It was one of my favorite comics of the post-Crisis era. A really intelligent, literate, dramatic look at alien/Earth relations, idealism, vigilantism, social inequality, and more. And there is nothing “goofy” about it.

The problem that the Hawks have is that their lone superpower (flying) is absurdly common and their reliance on wings makes them seem worse at it than characters who get the necessary lift and thrust by … well … don’t think about it.

It is a shame.

There are bits and pieces of a great comic scattered across the various failed versions of those characters.

Mike Loughlin

May 14, 2014 at 11:24 am

Hawkworld (mini & ongoing) made me like the Hawks after years of utter indifference. I love how Katar’ & Shayera’s relationship grew while they tried to make their lives on Earth work. If onlyfans and DC embraced it instead of crying “wah! Continuity!!!” just because it didn’t fit perfectly…

Yes, I usually am a defender of continuity. But HAWKWORLD was so good that it was the first time that my reaction was one of “continuity can go to hell, this is a great story, if it doesn’t fit, it’s because the other stories that are wrong, period.”

Back in the day, I had the Shadow War mini and the entire 17 issue run plus Annual…

12 year old me loved it…

This right here is why I love getting to write for CSBG—y’all are considerably better informed than I. There’s a lot of good context and history and recommendations for further Hawk-reading in these here comments, so thanks! I’ve clearly got some homework to do…

“The problem that the Hawks have is that their lone superpower (flying) is absurdly common and their reliance on wings makes them seem worse at it than characters who get the necessary lift and thrust by … well … don’t think about it.”

I think this wasn’t a problem when conceived, the problem is integrating them into the DC Universe that developed and grew into a singular thing. It wouldn’t be a problem — well, as *big* a problem, anyway — if Hawkman didn’t actually exist in the same universe as Superman.

Except that int he 1940s, Hawkman already co-starred in a comic with Green Lantern and Doctor Fate, both of whom were flyers, too, and didn’t have this problem.

AverageJoeEveryman

May 15, 2014 at 12:28 pm

What Hawkman comics need is more mace to face meetings.

Leave a Comment

 

Categories

Review Copies

Comics Should Be Good accepts review copies. Anything sent to us will (for better or for worse) end up reviewed on the blog. See where to send the review copies.

Browse the Archives