Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
In honor of the seventy-fifth anniversary of Batman, we’re doing four straight months of polls having to do with Batman, culminating with the official celebration of Batman’s anniversary at the end of July. The last installment will deal with Batman stories, but this month will be about Batman’s writers and artists (40 artists and 35 writers).
You all voted, now here are the results! Here is a master list of all the writers and artists featured so far. We continue with Batman writers #30-26.
NOTE: Don’t be a jerk about creators in the comments section. If you are not a fan of a particular creator, that’s fine, but be respectful about it. No insulting creators or otherwise being a jerk about creators. Specifically, no “Creator X better not be in the top ten!” or variations of that idea (“Creator X better not be ahead of Creator Y,” etc.) I’ll be deleting any comments like that and, depending on how jerky the comment was, banning commenters.
NOTE #2: Due to an error, Neil Gaiman was originally in this section. Now he is in a previous section. So keep that in mind when you see comments referencing Gaiman.
30. Brian Azzarello
Brian Azzarello wrote a series set in the past that starred Batman, the Spirit and Doc Savage. He also wrote a great original graphic novel starring the Joker. However, he’s probably best known, Bat-universe-wise, for his stint on Batman directly following Jeph Loeb and Jim Lee’s blockbuster “Hush.” Azarello’s “Broken City” turned Batman’s world into a crime noir tale, complete with a uniquely descriptive take on the awfulness of Gotham City…
Azzarello has also written a number of Batman sort Black and White stories, as well as a Batman/Deathblow mini-series and an awesome alternate reality series where Thomas Wayne becomes Batman and Martha Wayne becomes the Joker as each reacts to the death of their young son, Bruce, in a mugging gone wrong.
29. Bruce Timm
Bruce Timm essentially co-wrote all of the notable Batman Adventures comics that he did with Paul Dini, most famously the Batman classic Mad Love, which spotlights the relationship between the Joker and Harley Quinn. But I figured I’d spotlight a tale he wrote all by himself, which appeared in Batman: Black and White #1. The concept of the story is that Harvey Dent’s injuries have been cured and he has gone back to work and re-entered polite society. He’s even become engaged to a beautiful, sweet woman. However, she has a twin who is baaaad news and the twin is obsessed with Harvey, leading to some bad stuff…
One of the all-time great Two-Face stories.
28. Peter Tomasi
Peter Tomasi’s first involvement in the Bat-Universe came when he took over Nightwing’s ongoing series. He did a fine job, but Nightwing’s series soon came to an end as Dick Grayson took over as Batman (even as Tomasi had firmly established Dick’s bona fides as an independent hero). After Grant Morrison finished Batman and Robin and transitioned to Batman Incorporated, Tomasi eventually took over the title. When the New 52 debuted, Tomasi (and artists Patrick Gleason and Mick Gray) were some of the very few creative teams to make the transition from before the New 52 to the new relaunch. He is still the writer on Batman and Robin, making him one of a very small handful of writers to still be on a New 52 title right from the start.
Tomasi’s work is exemplified by a desire to get to the heart of each character’s personality – his work tends to be heartfelt and character-driven. A great example of this approach is found in his first issue of Batman and Robin, where Bruce Wayne and his “kids” all get together to watch a movie quite familiar to the Bat-mythos…
Go to the next page to see #27-26!
Comics Should Be Good accepts review copies. Anything sent to us will (for better or for worse) end up reviewed on the blog. See where to send the review copies.