Alec Berry, Author at Comics Should Be Good! @ Comic Book Resources
It’s not me this week. Instead, it’s Greg Hunter. Greg writes about comics for THE COMICS JOURNAL and THE RUMPUS, so please know you’re safely in the hands of someone who can do this. The best part? Greg’s one of those writers who brings a fresh explanation to well-worn topics. I read his stuff and come away newly interested in things I’d already buried. Like Scott Snyder’s BATMAN, even.
With the following piece, Greg provides this loose sentiment for Sam Alden’s drawing approach. Alden is a young cartoonist who’s already inspired much writing, but I like what Greg does here. He nails Alden’s soft pencils into a well-described package and tumbles with the intentions behind the work. It’s a quick piece, but it says what there is to say.
Where am I? Still here, driving trucks through the Twin Cities for money. I’ve read a pile of things I’m excited to write about. You’ll know what they are next week.
In the mean time, hang out with Greg, and tell your mother you forgive her.
P.S. Full disclosure: I intern with Uncivilized Books, but I asked Greg to write about whatever he wanted, and he chose this book. This is not intended as a sleazy plug to impress the boss. Sam Alden is just really fucking good.
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Just as there’s something romantic of the lone cartoonist hacking away, chasing a high, there’s something fruitful of the collaborative writer/artist pair achieving unison.
This thing, Danny-boy … it’s all one cult of ego. Shout as much as ya’ like.
Mardou produced one of my favorite comics of 2013, The Sky in Stereo #2 (which you can read about in this column). I’d describe it as warmly tactical, servicing the story at every angle, with a inevitable sense of damage guiding its tone. This interview should shed a little more light on this cartoonist, who’s been producing work since the early 00’s. We begin out conversation, by phone, on the subject of Manchester, her place of origin.