Committed Archives - Page 2 of 16 - Comics Should Be Good! @ Comic Book Resources
Committed: A Job in the Arts (or “Comics are actually really easy if you’re willing to work your balls off.”)
It has only recently become obvious to me that designing for comic books has absolutely changed my life in a number of unexpected ways. While I always hoped the work would be enjoyable, I didn’t expect to find out so much about my own taste and style. I’d always thought of myself as a cautious, rule-driven designer, somewhat trapped by my visually obsessive tendencies, in fact I once met a famous graphic designer who admired tremendously, but when I showed him my sketchbook he couldn’t stop laughing. “Everything you do is in a grid, even your rough sketches. You’ve got to loosen up!” he exclaimed. It wasn’t intentional, I just couldn’t bring myself to break the grid back then…
Life is a tricky thing, it is so easy to fall into a certain way of living that we hardly need to make any choices to do so. Even the tiniest action can result in a huge life shift. In tidying up my email recently, I discovered a hidden inbox of messages from a comic book company who had offered me a job 8 years ago. I’d completely forgotten about it, but at the time I nearly took a job doing production design (i.e. I would have been designing titles, ad copy, and sound effect too). At the time I was offered a job earning twice as much in a sports and commerce advertising agency, and I elected to take that one. My logic was that graphic design was graphic design, and it didn’t really matter where I was designing, so I might as well take the job which would make me more money. Now here I am, 8 years later, happily taking on comic book graphic design work because it is infinitely more fun for me. I’ve learned a lot in the intervening years, and for all I know, the job in the comic book company might not have been much fun… Back then I didn’t know what it would be like and how it would impact my own feelings about the world. But 8 years later I can say that for me, personally, I am a much better designer in this field than I was able to be in ad agencies, and when I do create advertising designs for my clients, I am far more excited and driven, because it isn’t what I do all day, ever day. The variety of working with comic book designs has revitalized and renewed my love of design. Continue Reading »
I’m just back from San Diego and I would like nothing more than to write you some fun things about Comic-Con International, but they’ll have to wait because when I was asked (by an intelligent and well-educated friend) if sexism is a “real” problem, I had no choice but to drop everything and write about the very real abuse women in the world contend with, simply because “they’re women”. A world with these kind of prejudices impacts the quality of life for us ALL, male and female and it is in ALL of our interests to be aware of it and combat it. This is a lot of information, but it really is just the tip of the iceberg. Unfortunately there is still a long way to go before sexism is a thing of the past.
With Comic-Con International beginning today, I thought I’d recommend a few new books for you to look out for, specifically Moonhead and the Music Machine by Andrew Rae, Street Angel by Jim Rugg and Brian Maruca, and The Shadow Hero by Gene Luen Yang and Sonny Liew. These are all books which might appeal to new comic book readers, so if you’re attending the convention you might consider bringing one back as a gift to get your loved ones excited about the medium… Or if you’re stuck at home, these should impart a little of the variety and excitement in new comic books coming out now.
As much as I enjoyed the last X-Men film (Days of Future Past), when Wolverine jumped out of bed in the 1970’s, his entirely hairless body came as something of a shock. Naturally I was happy enough to get a look at Wolverine’s bottom (seems fair, we see enough girl-butt in movies), but I found his complete lack of body hair incongruous, to say the least.
Now first of all, the 1970’s was definitely one of the hairiest aesthetics the world has ever seen. Secondly this is Wolverine we’re talking about, a man who’s mutant healing ability causes his bones to knit and skin to heal in front of our eyes. Does it not also ‘cause his waxed back to immediately regrow as well. Thirdly, most adult men simply don’t bother to wax or shave their bodies, particularly not men like Logan. Continue Reading »
Last week I went to see the opening of an exhibition of William Wray’s paintings. Having a passing acquaintance with his wild cartoon style I wasn’t sure what to expect, and the last thing I anticipated was a deeply touching commentary on the human condition through the medium of the California landscape and popular American superheroes.
William Wray’s paints portraits of superheroes in the context of the real world. They are heartbreakingly human, depicted in simple moments looking lost, alone, and bone-tired. Whether slouched in a corner or simply walking down a dilapidated street, Wray’s superheroes are anything but super, their bright suits standing out garishly against the faded colors of their surroundings. His perverse sense of humor and affection for the subject matter allows Wray to depict this pathos without it becoming unbearable to look at, it is as if he has taken the sting out of the reality he is forcing us to acknowledge. Continue Reading »
Below are the results of last week’s survey and thank you all for taking part, I do know how silly it was but I had fun designing the results. Overall the votes were kind of an avalanche, (I guess you know what you like), and the only interesting thing I’d note is how divided opinions were on who the worst superhero casting was, it seems like everyone has someone they love to hate! (Click the image to enlarge.)
This weekend I got together with a group of old friends and asked which superhero had been cast most egregiously, and which were the best embodiment of the heroes and villains depicted. The impassioned discussion went on all evening, everyone had their own nominations for the title but no one was able to agree, and so I’m opening the voting up for you. We put together our 15 top choices (in no particular order) for the best superhero casting, best super villain casting, worst superhero casting, and worst super villain casting. Please choose and rank your top three choices out of each of the four sections.
Take the quick, 4 question survey here https://www.surveymonkey.com/s/XYDPPQT and please share it with your friends!
Note: The rules we came up with are as follows;
- We only considered actors in live-action superhero movies (as opposed to television specials or cartoons).
- The only movies which count are ones which have been made and released (rather than movies which were cast but then never actually produced, or movies which haven’t been released yet, even though there are some juicy ones coming).
- And finally, this is only choosing the best and worst superhero and super villain casting choices (because if we expand this to cover all of the casting in superhero movies this survey would never be finished).
Check Comics Should Be Good in a week or two I’ll post the results.
Note: These nominations are clearly personal and you’re welcome to discuss your own thoughts in the comment section below.
With Tony Stark doing a “I AM IRON MAN” all over the place, it’s hard to remember a time when a threat to reveal a secret identity could be the entire plot of a comic book. Nowadays no one seems to want to deal with secret identities, maybe it’s too implausible (sure, because otherwise super powered heroes are everywhere, *ahem*), or unfashionable as reality shows and social networks blur the line between public and private lives. On some level there is seems to be assumption that fame is desirable for everyone, even if the cost is a person’s privacy (or in the case of a superhero; the safety of loved ones).
Whatever the reason, the secret identity aspect of superheroes just isn’t a very big deal right now, but the superhero secret identity is a powerful metaphor on many levels, and one which ought to become an important device again soon. Primarily, the secret identity is an excellent metaphor for our own dual lives on and offline. There is increasing interest in reserving our privacy as we lose more and more of it to voluntarily to social networks, to (hopefully benign) NSA information mining, and to smart phone location-sharing. Moving on from these obvious correlations between online privacy and a secret identity, it is also a potent metaphor for the way a large proportion of people deal with an “invisible” long-term disease, like mental illnesses or chronic pain management. Continue Reading »
As regular readers will know, I’ve long been a proponent of super heroic fashions. So I was excited to hear that Sina Grace was inviting guest artists Kris Anka, W. Scott Forbes, Fiona Staples, and Ming Doyle to design new costumes for the women of his comic Burn the Orphanage. I jumped on the chance to get a sneak peek at those outfits (appearing in the July 3rd issue) and thought you’d probably like a look too. But before we get to the artwork, Grace opened up about the process behind the restyling. Continue Reading »
Ever since the “new 52 thing” happened a couple of years ago I felt a bit squeezed out of reading the superhero titles which I used to enjoy. It just wasn’t a good transition for me and as things progressed I moved further and further away from DC and Marvel until the only superhero comic books I was reading were Hawkeye and Daredevil. But no matter how disenfranchised I felt, I have always been drawn to the concept of superheroes and I was still jonesing for some super powered action, so I went to the comic shop just to see what was out there about superheroes from different publishers… Continue Reading »
Recently I’ve been revisiting the surrealist comic book authors who have successfully conveyed the kind of disruption of reality which I experience in dreams. I want to pinpoint the ways in which they have been able to successfully communicate and provoke a kind of emotional dissonance with their work.
Neil Gaiman (and by extension, artist Dave McKean) immediately comes to mind, specifically on his long-running and groundbreaking series; The Sandman, but also in works like Black Orchid and The Books of Magic. In many ways this is the most linear representation of truly surreal environments that I can think of. He provides us with entire universes of insane, nonsensical, mythical imagery and logic, but he presents each story in a very direct, linear manner. His way of telling a story in this context is very much like a fairytale, with one event leading inevitably to the next, it is deceptively comfortable, almost hiding the craziness inside. When he does move the storyline towards something more evocative of chaos (i.e. towards the end of the books) he still lays all of the elements out carefully so that by the end the reader can happily piece together a logical continuity (that is to say it is logical within the context of the universe he has created). Continue Reading »
Genesis, by Nathan Edmondson, Alison Sampson, and Jason Wordie came out a few weeks ago. A rare one-shot comic book, it tells the story of a man who craves the ultimate power to create, control, and alter his reality. Upon receiving this gift he quickly begins to see that without limits, he will quickly begins to lose touch with the very substance of all life.
Lest we forget that comic books have always tended towards some socially awkward and sexually embarrassing behavior, I present the following “Bullpen Bulletin” found in the back of a 1985 issue of New Mutants (#23, which I scored at WonderCon the other week for only $1, proving that you can still buy great comic books cheap!) Anyway, we’ve come a long way since then… I’m not sure where, but we’ve come a long way to get here!
Last weekend I attended WonderCon in Anaheim and took a few photos. Nothing like previous years (regular readers know I can get a little nuts taking photos), but I wanted to take my time experiencing the convention and documenting that as simply as possible. Here are some key things which stood out for me (and as always, you can enlarge each photo by clicking on it):
Growing up I was lucky, unlike most British children I had a lot of access to a broad variety of comic books. My mum and dad (practically still kid themselves at the time) left all kinds around the house; There were the comic books specifically for me, like Dandy and The Beano (which my dad would read too), then there were American superhero comic books my parents bought because of their interest in Pop Art (which I would read too), there were Peanuts paperbacks (which my mum brought over from America and I read them insatiably), and later there were all sorts of weird, so-called “head comix” (which I wasn’t supposed to read, but I still did… Robert Crumb might draw some crazy stuff, but he draws it well). Like Obelix from the French Asterix books (which I discovered in my parents’ friends’ houses when we drove all over Europe), I fell into a proverbial cauldron as a baby and so I grew up with comic books as part of me.