Committed Archives - Page 3 of 16 - Comics Should Be Good! @ Comic Book Resources
Happy new year! It’s time for the first survey of 2014 and this time I want to know if you gave or got any comic book gifts. There are only 8 questions, (and then for each “yes” there are a couple of questions about whether the gift worked or not). You’ll see, it’s pretty basic and should only take about a minute to fill out.
The survey closes at the end of the day on Tuesday the 7th of January (in 6 days) so that there is time to collect the results and design an infographic based on them. (Check out previous infographics based on reader surveys here and here.)
It’d be great to find out how many of us are spreading and getting the comic book love, so please share this with as many people as you can.
Here is a link to the survey: https://www.surveymonkey.com/s/FB2BR37
Since it’s Christmas (whether celebrating it or not) I thought I’d forego my usual Wednesday column for something to do instead. So here are five snowflake templates to print and cut out, each based on a different superhero; Batman, Storm (I used her old headdress, who knows if she’s still wearing that), Iron Man (both the old circular chest reactor and the triangular one incorporated), Wonder Woman, and the Punisher (I wanted to make the knives serrated, but my paper was too thick and it was too fiddly).
Committed: In Love with Art – Françoise Mouly’s Adventures in Comics with Art Spiegelman by Jeet Heer
Jeet Heer’s delightful little book about Françoise Mouly’s journey from comic book-loving girlhood through to editor of The New Yorker is absolutely marvelous. It’s such a fun, easy read that I had to forcibly slow myself down so that I could savor it, and the only complaint I really have about the book is that I wish it were longer, because I would love to have read more anecdotes about all of the adventures Mouly had on her path to publishing.
Working with Brad Simpson over the last couple of years has allowed me to see the diversity of his coloring choices, most recently on Sex and Gødland (the finale of which is out today), and he has gradually transformed my own personal preference for black and white comic books. Previously I thought that black and white comic books were always superior, with a more stark and aggressive look than the messily colored art I associated with comic books.
Luckily, designing comic books with Simpson has allowed me to see his tremendous capacity to transform and create a broad range of moods and environments. He uses color as a storytelling tool and it has enhanced my enjoyment of the books he works on, as well as my interest in bolder, more directional color palettes in my own design work. Brad agreed to answer a few questions about his work for us.
I was surprised today when an outspoken friend expressed embarrassment about liking something. I suppose I’m so used to people openly lambasting the comic books, movies and TV shows which they don’t like, that I didn’t know that they felt inhibited to share their positive opinions. Personally I like all kinds of ridiculous things and I’m used to people laughing at me for it (if you read this column you’re probably used to me agreeing that comic books or movies are flawed and still finding a way to enjoy them). I hope that you feel comfortable to come out and share your joy, no matter how ridiculous or dorky it might feel… after all, there was a time when everything comic book-related was deemed embarrassing and we were all in this together.
This being the day before Thanksgiving, you’re all going to be far too busy to read this today and so I’m going to write whatever I feel like (even more so than usual). I was brought up as British and we don’t exactly celebrate losing you guys, however, I do appreciate the little pre-Xmas steam valve the holiday provides as well as the opportunity to take a moment to express gratitude for all of the good things in our lives. With that in mind, and feeling the weirdly liberating effects of knowing none of you are really looking, I’m going to give thanks for a few things that are really working for me.
Growing up, I didn’t always have access to comic books but if I looked hard enough, even the most boring adult’s book cases or magazine racks contained at least one classic book, packed full of strange illustrations. Works like Alice’s Adventures in Wonderland, Salome, and Fear and Loathing in Las Vegas are still as well-known for their art as for their stories, and the writers’ words have become inextricably linked with their illustrating collaborators’ imagery. While they weren’t comic books, they used pictures to develop and enhance the stories to such an extent that they transformed them. Those drawings shaped the way the world perceives and celebrates these stories. Continue Reading »
One great thing about watching dorky, ancient reruns of The Addams Family on some forgotten TV channel at 3am is the commercials. (Aside: I’m sure it’ll come as no surprise that Morticia Addams was one of my earliest female role models.) Very few of these cheapo late night commercials are for anything very good, mostly for gadgets no one wants or needs. However, when I was decompressing from working too late and thoroughly enjoying The Addams Family in all it’s monochrome glory, I caught a commercial for the library and I suddenly realized that in over a year of living in LA I’d forgotten all about the incredible resource of the library.
As a (supposedly) lightweight medium, over the years comic books have managed to provide us with a safe space to look at some very difficult aspects of human existence. One of our most fundamental fears is death, the fear of our own and of the loss of people we love. It is tough to say which is the worst or most complicated to confront, but suffice to say that dealing with death isn’t really at the top of the list of accepted smalltalk. It is a difficult experience to broach or express, and exploring the broad range of experiences of death isn’t something we generally choose to discuss or share in our daily life. But within comic books, the mourning ritual has been dealt with in some very personal, evocative stories, often providing us with unexpected opportunities to meditate on loss and impermanence. In the instances below, (picked at random out of the many comic book funerals which have touched me), there are three very different depictions of the fall-out of loss, from the very intimate moments of mourning to the actions which spur change and growth. Continue Reading »
According to this show I’m trying to watch, S.H.I.E.L.D. is “a giant bureaucratic organization that is tracking your every move.” This is interesting, (or rather it isn’t), because we already have the NSA. This most recent comic book inspired television show is unfortunately less exciting or exhilarating than the comic book and worse – it is even more tedious than real life. Like most comic book readers, I’m constantly asked by friends and family who (meaning well) think the television and movie adaptations of superhero comics will appeal to me, operating under the assumption that this is the “kind of thing I like”. It is frustrating and embarrassing to be associated with this endless parade of mediocrity, and I’m finding it increasingly difficult not to lecture them about how little these disappointing offerings have to do with the power and potential of comic books.
It’s hard for me to describe my excitement about Peter Bagge’s newest offering Woman Rebel: The Margaret Sanger Story (published by Drawn & Quarterly) without underplaying it somehow. For months I anticipated it, wondering if it would be as good as it promised, as good as I hoped. I had no way of knowing how Bagge would handle or approach telling the story of this pioneer of women’s rights and birth control, or if he would be up to the task, but I dearly hoped he would. Today I was finally able to read it and it does not disappoint. I am absolutely delighted to be able to write about this book and grateful to Peter Bagge for providing a fantastic depiction of a female (and human) role model, and an excellent example of the kind of complexity and excitement which the comic book genre is so very suited to. Continue Reading »
As part of my job as a graphic designer, I created a infographic for comiXology based on information gathered in their recent reader survey. Some of the results were quite surprising (and others weren’t), enjoy!
Over the last month, I embarked on a mission to find some great new comic books aimed very specifically at children (but still engaging for my adult self). The books I chose were Greg Ruth’s The Lost Boy, Gene Luen Yang’s Boxers & Saints, Paul Pope’s Battling Boy, Steve Niles and Dave Wachter’s Breath of Bones: A Tale of the Golem, and the ongoing anthology Cartozia Tales. I wanted to find works which would be effective at entertaining both young children and adults (no small feat), drawing in a young audience to enjoy the medium, without alienating existing readers. While all of the books I chose do function very effectively as all-ages books, there is absolutely nothing childish about them, these are great comic books by any standard. Continue Reading »
Rian Hughes is arguably one of the most multi-talented men currently working in communication design. His comic books are just the tip of the iceberg, with his current redesign of the Valiant logo making comic shop shelves a little sleeker, and his recent work organizing the Image Duplicator exhibition displaying his passion for original comic book art. When I was in London, I was lucky enough to a get a glimpse at the projects currently cluttering Rian Hughes’ desk and it proved an enlightening afternoon.
A lot of the time, people who work in comic books and design are self-employed, working alone in our offices and communicating with our teams via email, phone, chat, and skype. As a result of this, the camaraderie of colleagues and peers can become a distant, virtual experience. Outside of conventions once or twice a year, we rarely actually manage to see each other in meat space, making do instead with sending files back and forth. That’s why, when I went to London last month I had to make sure to meet up with comic book author and groundbreaking graphic designer; Rian Hughes. Hughes is one of the most interesting and engaging graphic designers working with comic books today and I am always inspired and excited by his take on things. When he invited me to visit him at his studio in Kew Gardens, I leapt at the chance to get a sneak peek at where the design magic happens. Hughes shares his bright and sunny studio with a group of freelance designers and a small graphic design company, which combines to create a quietly bustling creative atmosphere. Initially, my intention was to conduct some sort of interview, but instead we jumped right in to chatting about all of the interesting things lying about on his desk, and it proved to be quite the treasure trove… Continue Reading »
Earlier this week I was asked to take part in a group discussion on Huffington Post Live about whether there is a market for a female superhero movie. It was a short conversation, but in the pre-interview I was asked to refute practically every possible reason why someone might feel that a female superhero movie can’t be made. I thought you might be interested, so here are the arguments for making a female superhero movie.
Arguing Against the Classic Arguments Against a Female Superhero Movie
(sorry about the confusing title, but it seemed the most accurate description).
1. Female superhero costumes are too revealing.
So are men’s costumes. Skin tight is a universal problem in comic books. Nudity is only equated with vulnerability when the subject is a normal human. No one looks at a lion and asks why it has no pants, and in fact putting clothing on an animal is a way to make it appear less threatening. Similarly there is a certain kind of woman who could never be perceived as a merely ornamentation, no matter how she dresses. While implausible costumes have long been an excuse for not making a film about a female superhero, this never held back any of their male counterparts. In the end, it didn’t matter that Spider-Man and Superman wore bright colors, that Thor dressed like a pro-wrestler, or that Batman was dressed like a giant rodent, they still kicked ass and they still got people to watch. Continue Reading »