Ape Entertainment Archives - Comics Should Be Good! @ Comic Book Resources
Every day this year, I will be examining the artwork on a single comic book story. Today’s artist is Francesco Francavilla, and the issue is The Black Coat: A Call to Arms #1, which was published by Ape Entertainment and is cover dated April 2006. Enjoy!
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Man, it’s the 300th issue of Previews! Where were you when you bought that first issue of Previews, 25 years ago, and breathlessly realized you could order comics from the monopoly itself? Oh, those crazy days of 1988! But let’s live in the here and now and see what’s going on this month!
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Hey, look at that! I’m back in Arizona and I picked up almost two months’ worth of comics! Yeah, I’m not going to review them properly here – that would take waaaaaaaay too long. This is more of a “What I bought and the random thoughts I have about the issues and, why not, what I did in Pennsylvania for seven-and-a-half weeks.” Can you handle that??????
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Welcome to Part Three of The Ladies Comics Project Phase II in which a handful of my colleagues, family, and friends – both new and old – and both those familiar with comics and not – read and reviewed a graphic novel or trade from my own personal library. For more details about this project and more ladies reviews and feedback, go here to read Part One and Part Two. You can also read about the original Ladies Comics Project here, here, and here.
So a week later and with emails now totaling 670 plus a handful of gchats, texts, and phone calls later, here were are: The Ladies Comics Project, Phase II: Part Three
For if the sun is at the center and not the earth, then there are no crystal spheres to hold us in; we have only and always fooled ourselves, we men, kept ourselves within the spheres which our own flawed and insufficient senses perceived, but which were never there at all. The way to ascend through the spheres that hem us in was to know that we had already so ascended, and were on our way, in motion unstoppably. (John Crowley, from Aegypt)
“It is something so monstrous it is past sin and becomes necessity,” he said. (Greg Bear, from “Petra”)
You stay in prison, what your time calls duty, honor, self-respect, and you are comfortably safe. Or you are free and crucified. Your only companions the stones, the thorns, the turning backs; the silence of cities, and their hate. (John Fowles, from The French Lieutenant’s Woman)
Ah, villains, hath that Mortimer escap’d?
With him is Edmund gone associate?
And will Sir John of Hainault lead the round?
Welcome, o’ God’s name, madam, and your son!
England shall welcome you and all your rout.
Gallop apace, bright Phoebus, through the sky;
And, dusky Night, in rusty iron car,
Between you both shorten the time, I pray,
That I may see that most desired day,
When we may meet these traitors in the field!
Ah, nothing grieves me, but my little boy
Is thus misled to countenance their ills!
Come, friends, to Bristow, there to make us strong:
And, winds, as equal be to bring them in,
As you injurious were to bear them forth!
Since my dear soul was mistress of her choice
And could of men distinguish her election,
Sh’ hath seal’d thee for herself, for thou hast been
As one in suff’ring all that suffers nothing,
A man that Fortune’s buffets and rewards
Hast ta’en with equal thanks; and blest are those
Whose blood and judgment are so well co-meddled,
That they are not a pipe for Fortune’s finger
To sound what stop she please.
“I love my dead gay son!”
The Anchor #2 (“Five Furies Part Two: Bark and Hide, Bone and Root”) by Phil Hester (writer), Brian Churilla (artist), Matthew Wilson (colorist), and Johnny Lowe (letterer). $3.99, 22 pgs, FC, Boom! Studios.