Last night I picked up Charles Burn’s Black Hole to read in bed. There are two reasons why this is a bad idea. First, the book is so good that there is absolutely no way that I could put it down without finishing it, so I was up half the night (and it is good enough so that I really can’t rush it, even if I have already read it before.) Second, Black Hole is creepy, not in a generic horror movie way, where I get all twitchy and have to keep looking over my shoulder because I’m so on edge, but in an insidious, creep-into-my-subconscious-and-screw-with-my-dreams way. After I finished reading I lay awake for what felt like hours staring into the darkness and trying not to imagine that I could see anything in it. When I did finally fall asleep, I dreamt about impersonal dismemberment and important shaving rituals which lingered upon waking even though them made no sense. Waking up itself was a shock too, because my eyes were crossed, which has never happened. I couldn’t get them to uncross, and eventually I succumbed to my body and surrendered to sleep for another half hour so that I could wake up in a slightly less physically confused state. It was impressive.
In case you hadn’t noticed, today is Halloween. It can be hard for me to understand how I can love some horror comic books, yet hold such an aversion to horror movies, so I asked acclaimed horror comic book writer – Steve Niles – if he would to talk about what it is that makes horror comic books so appealing, how he writes, and what we can look forward to from him in the future.
Sonia Harris: It is ironic that horror is probably my most hated genre, yet in comics it is often one I gravitate towards. Perhaps it is because elsewhere there is such a lack of grit.
Steve Niles: There really aren’t many other genres besides superhero in comics. Horror is a great genre. You’re automatically on edge simply because it called horror. The anticipation of being scared is a huge factor.
Popular, successful comic book creators are often accused of being unsuccessful unless they make books for Marvel or DC, but these books are rarely the most lauded. Despite what some readers of the CBR Top 100 Comic Books of 2010 might think, mainstream acceptance of beautifully crafted comic books doesn’t translate to equivalent breakthroughs in the quality of superhero comic books.