X-POSITION: Bennett Talks "Years Of Future Past's" Teenage Mutant Savior Heroes
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Now on to the bit!
So every week, I ask a question here. You reply to it on our Twitter page (just write @csbg with your reply) and our blog sketch artists will each pick one of your suggestions and I will post them here every week. So every week you will have a new question and you will see the choices picked from the previous week. Here is an archive of all the previous editions of The Line It Is Drawn!
To qualify, you have to be following us when you reply – so go follow us and then give your answer to the following question/challenge (All suggestions due by 9:00 AM Pacific on Friday).
The topic is…
In honor of 2013’s Will Eisner Week (read more about it here), you simply have to name a comic book character and our artists will do a pin-up incorporating that character’s name into the piece, a la Will Eisner and the first pages of his famed comic book, The Spirit. Thanks to John Trumbull for the great suggestion!
Read on for the sketches that came about courtesy of the last question/challenge!
Every fifty installments, this will be the theme! Mash-up a comic book character and a famous music album cover!
It may, then, be said with truth that the Hebrews were the first to discover the meaning of history as the epiphany of God. (Mircea Eliade, from The Myth Of The Eternal Return)
“Truth, Vinicius, dwells somewhere so high that the gods themselves cannot see it from the top of Olympus. To you, carissime, your Olympus seems higher still, and, standing there, you call to me, ‘Come, you will see such sights as you have not seen yet!’ I might. But I answer, ‘I do not have feet for the journey.’ And if you read this letter to the end, you will acknowledge, I think, that I am right.” (Henryk Sienkiewicz, from Quo Vadis)
dearest abbie who told me that in a sick society a symbol will always become a commodity (Tommy Trantino, from Lock the Lock)
Later, over cigarettes and coffee, Perry returned to the subject of thievery. “My friend Willie-Jay used to talk about it. He used to say that all crimes were only varieties of theft. Murder included. When you kill a man you steal his life. I guess that makes me a pretty big thief. See, Don – I did kill them. Down there in court, old Dewey made it sound like I was prevaricating – on account of Dick’s mother. Well, I wasn’t. Dick helped me, he held the flashlight and picked up the shells. And it was his idea, too. But Dick didn’t shoot them, he never could’ve – though he’s damn quick when it comes to running down an old dog. I wonder why I did it.” He scowled, as though the problem was new to him, a newly unearthed stone of surprising, unclassified color. “I don’t know why,” he said, as if holding it to the light, and angling it now here, now there. “I was sore at Dick. The tough brass boy. But it wasn’t Dick. Or the fear of being identified. I was willing to take that gamble. And it wasn’t because of anything the Clutters did. They never hurt me. Like other people. Like people have all my life. Maybe it’s just that the Clutters were the ones who had to pay for it.” (Truman Capote, from In Cold Blood)
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She didn’t realize that it was in the blood and not on the skin; she didn’t see that there could be nothing more suburban than suburbanites repudiating themselves. (Hanif Kureishi, from The Buddha of Suburbia)
What we are reluctant to touch often seems the very fabric of our salvation. (Don DeLillo, from White Noise)
“Do you know what it is to throw a child in the air and catch it on a knife in front of its mother? To be tied to a burning log? To have your ass split with an axe so that you beg the Serbs, beg them, to shoot you in the head and they don’t?
“And they go to their church after. They go to their goddamn church. I have no words …”
Ismail shuddered. “There are things that are beyond evil, that you just can’t speak about.” (Robert Kaplan, from Balkan Ghosts)
“You remember those birds that were getting sucked into the jet engines? Sometimes I lie in bed at three or four in the morning and I imagine myself flying miles above the earth, very cold, and one of those black secret spy planes is up there with the huge round engines with the spinning blades in it, the blades that look like the underside of mushrooms? The black plane’s going very fast and I’m going very fast in the opposite direction and we intersect, and I fly right through one of those jet engines, and I exit as this long fog of blood. I’m miles long, and, because it’s so cold, I’m crystalline. Very long arms, you’ll be pleased to hear. And then I recondense in bed, sshhp, as my short warm self. It must have something to do with my estrogen level. But that’s what telephone travel would be like out there, I think. What am I saying, that’s what it is like.” (Nicholson Baker, from Vox)
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