Axel-In-Charge: "Secret Wars" Jam Session Talking "A-Force," "Ultimate End" and More
When examining an adaptation, in any medium, there are two obvious metrics to determine how good it is: 1. How true is it to the source material? and 2. How well does it justify its own existence, i.e. does it work as a standalone piece of entertainment, or is it merely a pale rehash of a story that was done better in its original form? Unfortunately for the Little Shop of Horrors comic, it doesn’t stack up in either area, failing to capture much of what makes the movie so good, and also ending up a subpar comicbook in its own right. It’s not unreadable, and there are a few things it does well, a handful of smart choices that pay off. On the whole, though, it’s boring, thin, and poorly paced, plus it fluctuates between remaining so true to the film that it reads awkwardly and straying so far from the film that it loses some of its core appeal.
Captain America #325-336 (Marvel) by Mark Gruenwald, Paul Neary (#325-329, 331), Tom Morgan (#330, 332-336), John Beatty (#325-327), Kent Williams (#326), Vince Colletta (#328-329, 331), Sam de la Rosa (#330), Bob McLeod (#332), Dave Hunt (#333-336), Ken Feduniewicz (#325-330, 332-334), Bob Sharen (#331, 335-336), Diana Albers (#325-332), Bill Oakley (#333), Ken Lopez (#333-334), Jack Morelli (#335-336), Don Daley (#325-334), Ralph Macchio (#335-336)
In some respects, this is a tricky run of issues to review, because they include the beginning but not the ending of the “Captain America No More” saga in which Steve Rogers turned in his shield, his costume, and the moniker that comes with them, and John Walker was appointed to replace him. Rogers’ retirement occurs in issue #332, and Walker becomes Captain America in #333, so while there are a few issues from 1987 exploring that new status quo, the resolution wouldn’t come until February 1989’s Captain America #350. In that sense, then, the issues I’m covering here represent something incomplete, the start of an epic storyline that doesn’t yet finish. But there is still plenty to discuss in terms of what these issues have in common, and how they lead up to and deliver the rather bold, shocking, and powerful moment of Rogers’ decision to give up his Captain America persona. This is a comicbook about the downside of idealism, the strain that any rigid belief system puts on those who follow it, as well as the dangers and evils which that kind of extreme thinking can engender. It’s not necessarily a cautionary tale, but it does warn against believing in anything too intensely or blindly, and shows the readers and characters alike how impractical and unpleasant it can be to try and live life according to a strict set of rules. The world is not rigid or simple enough for any idealism to be a perfect fit, and that’s a lesson learned many times in many ways over the course of these issues. Continue Reading »
Every day this year, I will be examining the artwork on a single comic book story. Today’s artist is Keith Giffen, and the issues are The Defenders #46 and 49, which were published by Marvel and are cover dated April and June 1977. Enjoy!
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Hey, look! It’s the last of the old posts that I need to move to this blog! That must mean the archives will no longer have dead links! Huzzah!
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Let’s go old school, people, to the days when Greg Hatcher roamed the spinner racks and bought stuff like this and LOVED it! Yes, it’s a flashback to … the Seventies!!!!!
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