5 Major Tips for the "X-Men" Movie Franchise Post-"Apocalypse"
Every day this year, I will be examining the first pages of random comics. Today’s page is from Daytripper #6, which was published by DC/Vertigo and is cover dated July 2010. Enjoy!
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“They were lovers of peace,” Gaudior replied shortly. “Your planet does not deal gently with lovers of peace.” (Madeleine L’Engle, from A Swiftly Tilting Planet)
“Keep away, keep away,” Hungry Joe screamed. “I said keep away, keep away, you goddam stinking lousy son of a bitch.”
“At least we found out what he dreams about,” Dunbar observed wryly. “He dreams about goddam stinking lousy sons of bitches.” (Joseph Heller, from Catch-22)
I have always pitied poor Abraham. Here he had the sword from his sheath, only seconds away from slitting his son’s throat, and he had to sacrific a ram in his son’s place. What a disappointment it must have been. What a damn tragedy. (Jeremy Leven, from Creator)
That woman was the closest thing to himself Achilles had ever come across. But he didn’t find out until a moment after he had killed her. She was hostile, and dead: everything Achilles loved in a woman. (Roberto Calasso, from The Marriage of Cadmus and Harmony)
You go all your life thinking of your parents as these crushing protective monsters with infinite power over you, and then there’s a day when you turn round, catching them unexpectedly, and they’re just weak, nervous people trying to get by with each other. (Hanif Kureishi, from The Buddha of Suburbia)
You stay in prison, what your time calls duty, honor, self-respect, and you are comfortably safe. Or you are free and crucified. Your only companions the stones, the thorns, the turning backs; the silence of cities, and their hate. (John Fowles, from The French Lieutenant’s Woman)
The thousands stand and chant. Around them in the world, people ride escalators going up and sneak secret glances at the faces going down. People dangle teabags over hot water in white cups. Cars run silently on the autobahns, streaks of painted light. People sit at desks and stare at office walls. They smell their shirts and drop them in the hamper. People bind themselves into numbered seats and fly across time zones and high cirrus and deep night, knowing there is something they’ve forgotten to do.
The future belongs to crowds. (Don DeLillo, from Mao II)
“Reading,” he says, “is always this: there is a thing that is there, a thing made of writing, a solid material object, which cannot be changed, and through this thing we measure ourselves against something else that is not present, something else that belongs to the immaterial, invisible world, because it can only be thought, imagined, or because it was once and is no longer, past, lost, unattainable, in the land of the dead …”
“Or that is not present because it does not yet exist, something desired, feared, possible or impossible,” Ludmilla says. “Reading is going toward something that is about to be, and no one yet knows what it will be …” (There, now you see the Other Reader leaning forward to peer beyond the edge of the printed page at the ships of the rescuers or the invaders appearing on the horizon, the storms …) “The book I would like to read now is a novel in which you sense the story arriving like still-vague thunder, the historical story along with the individual’s story, a novel that gives the sense of living through an upheavel that still has no name, has not yet taken shape …” (Italo Calvino, from If on a winter’s night a traveller)
As a rightist professor pontificated, “When democracy gets democratic, it doesn’t work at all.” (Isabel Allende, from My Invented Country)
Ay, I pray, leave me in my patience. You, that
Were ne’er possess’d of wealth, are pleas’d with want.
But give him liberty at least to mourn,
That in a field, amidst his enemies,
Doth see his soldiers slain, himself disarm’d,
And know no means of recovery.
Ay, let me sorrow for this sudden chance;
‘Tis in the trouble of my spirit I speak:
Great injuries are not so soon forgot.
This week: Two books written by Phil Hester, two books written by Kieron Gillen, and THREE books colored by Matthew Wilson! Phew! Plus: Just to drive our pal Apodaca crazy, another installment of “Which song by a band that Dan hates is this comic?” But which band? See below!
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