"Deadpool" Sequel in Motion, Screenwriters to Return
Just an hour before my column about the ladies of the Marvel Studio movies went up, a column that in part lamented our lack of announcements on female-led films, we got an announcement about a female-led superhero film being developed.
But that announcement came not from Marvel Studios but Sony.
MUCH MORE RESTRAINED JOY.
It’s not rocket science. While Marvel Studios have been killing it with their films – and they seem to be getting better and better – The Avengers (2012), Captain America: Winter Soldier (2014), and Guardians of the Galaxy (2014) are their three best films (except perhaps Iron Man (2008) which set us off on this incredible superhero resurgence in the first place) – Sony has been kind of the opposite of killing it.
Last week I opted to talk about the awesomeness that was the new Lumberjanes comic instead of the disgusting madness surrounding a well-reasoned critical piece written by former DC Editor Janelle Asselin about a comic book cover. Frequent commenter Dean Hacker called me Zen. We all had a good chuckle.
Apparently you cats DO. NOT. WANT. ME. TO. BE. ZEN.
Like many this weekend, I saw The Avengers, and was blown away. I had a lot of faith going in, since I have huge confidence in Joss Whedon, but the ensemble superhero movie (hell, even the single superhero movie) is a herculean task to get right…and so I admit to being worried. But those worries were soon put to rest. Whedon delivered on every single level, and while one could complain that there could have been more plot, or more character development, I think in the end he struck the right (and smart) balance. Had he tried to do more (he was already doing so much) I think he would have ended up actually doing less…or at least doing less right.
Most wonderful of all to me (and there was a lot of wonderful) and least surprising was Whedon’s exceptional use of Scarlett Johansson as Black Widow. In a movie with this many “big” superheroes (Iron Man, Hulk, Captain America, and Thor in particular) it would have been easy for a character like Black Widow, with her more subtle power profile to get lost. Not only are her powers not as spectacle driven as those above, but every one of those gents has an introductory superhero movie under their belt already (ahem, some of them have two).
But instead of getting lost, Whedon utilized Black Widow to her best. He knew exactly where to put her for maximum impact, and he let her just be her badass spy self. It worked like gangbusters and Johansson got both amazing scenes, and also a critical role in the story, rather than just some cool one-off scenes. A director less familiar with female characters and with superheroes in general, might not have been able to pull this off but for Whedon it feels effortless – because it is.
And so that leaves us with only one question…when do we get our solo Black Widow film, starring Johansson and directed by Whedon?
Marvel would be fools not to jump on the opportunity to create the first superhero franchise featuring a female character, and I don’t suppose they’d hate the idea of making Whedon and superheroines work, when DC couldn’t make it happen with their star female superhero – Wonder Woman.
So, who else is ripe to lead a film and potentially begin a franchise? And perhaps more importantly as we’ve learned with Whedon and Widow, who would be the director to do it right?
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