Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
As regular readers will know, I’ve long been a proponent of super heroic fashions. So I was excited to hear that Sina Grace was inviting guest artists Kris Anka, W. Scott Forbes, Fiona Staples, and Ming Doyle to design new costumes for the women of his comic Burn the Orphanage. I jumped on the chance to get a sneak peek at those outfits (appearing in the July 3rd issue) and thought you’d probably like a look too. But before we get to the artwork, Grace opened up about the process behind the restyling. Continue Reading »
Some weeks I get to zip around the Internet a lot, but at the end of this week, I got hung up a bit. So there’s plenty from the beginning of the week!
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Next week a new autobiographical comic book comes out from Sina Grace. Unlike so many of its predecessors, this one is about a man with a job. He might not like the job, nor even want it, but he throws himself into it with a totality that nearly undoes him, sucking him into a destructive, corporate, retail abyss and spitting him out the other side, ready to become the artist he was meant to be. Luckily for us, that man is Sina Grace and he shares every aspect of that journey in Not My Bag.
Last week I bought the book Alexander McQueen: Savage Beauty, a retrospective of his most iconic and radical designs. One particular quote gave substance to my own feelings about his work, and really really spoke to his emphasized, supeheroic fashion aesthetic.
“I want to empower women. I want people to be afraid of the women I dress.”
“When you see a woman wearing McQueen, there’s a certain hardness to the clothes that makes her look powerful. It kind of fends people off.”
“It’s almost like putting armor on a woman. It’s a very psychological way of dressing.” Continue Reading »
How surprising to find that the London Fashion Week was awash with strong, solid blocks of color. Deeply reminiscent of the superheroic comic book coloring of previous decades, I had to embrace this trend.
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