INTERVIEW: Spencer Declassifies "Captain America: Steve Rogers'" Hydra Secrets, Cosmic Connections
With intriguing columns about superheroine movies over the past months from io9 and Jezebel to USA Today and The BBC everyone is talking about this issue — that issue being “Where are all the Superheroines in Film?” Readers (or at least writers) cannot get enough of the topic. CSBG’s own Sonia Harris was interviewed last week for a Huffpost video, and I was interviewed last week by both CNN/HNL and SciFi Now Magazine for upcoming pieces on the subject. It feels like we’re hitting a point of no return where the people will simply demand a supeheroine film come hell or high water. We probably can’t call anything a “superheroine age” without some movies (and toys and all that comes with such things) but it does feel like we may finally be headed there.
I wrote over a year ago about why The Avengers got The Black Widow so right, and suggested some superheroine movies I’d like to see on the heels of that (I also wrote about both Catwoman and The Black Widow on Lit Reactor), but I was a bit too early for the rush it seems – and now, unwilling to be left out of the frenzy, since it’s an issue so clearly dear to my heart — here I am again.
Earlier this week I was asked to take part in a group discussion on Huffington Post Live about whether there is a market for a female superhero movie. It was a short conversation, but in the pre-interview I was asked to refute practically every possible reason why someone might feel that a female superhero movie can’t be made. I thought you might be interested, so here are the arguments for making a female superhero movie.
Arguing Against the Classic Arguments Against a Female Superhero Movie
(sorry about the confusing title, but it seemed the most accurate description).
1. Female superhero costumes are too revealing.
So are men’s costumes. Skin tight is a universal problem in comic books. Nudity is only equated with vulnerability when the subject is a normal human. No one looks at a lion and asks why it has no pants, and in fact putting clothing on an animal is a way to make it appear less threatening. Similarly there is a certain kind of woman who could never be perceived as a merely ornamentation, no matter how she dresses. While implausible costumes have long been an excuse for not making a film about a female superhero, this never held back any of their male counterparts. In the end, it didn’t matter that Spider-Man and Superman wore bright colors, that Thor dressed like a pro-wrestler, or that Batman was dressed like a giant rodent, they still kicked ass and they still got people to watch. Continue Reading »
While this weekly column is a space I try to devote to comic books and the graphic arts, I’ve noticed that some of you share my love of science fiction and British comedy and so this Wednesday I thought I’d tell you a bit about a film I saw today, Simon Pegg and Edgar Wright’s latest offering – The World’s End.
First of all, you need to know that I’m not a fan of spoilers. In fact, I despise them with a fiery passion and so I sympathize with those of you who feel similarly and I’ll do my best not to spoil this film for you. There will be no description or synopsis of the story, since that would definitely spoil it for you (but here’s a link to the movie site if you want to spoil it for yourself). Realistically there are some major plot points that must be discussed, even vaguely, which might spoil surprises for you. So please take this as your warning.
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