"Ghostbusters": 11 Things the Sequel Needs to Do to Succeed
It is demonstrably plain that, were the whole matter of victualling the world on a non-national footing taken right out of the hands of the strutting male and handed over to a dozen sensible women who do not want to have their children killed, politics, which are nothing but a glorified form of housekeeping, would long since have been deflated to the problem of running a canteen. (William Gerhardie, from God’s Fifth Column)
“Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules absurd, their perspectives deceitful, and everything conceals something else.” (Italo Calvino, from Invisible Cities)
Every day this year, I will be examining the first pages of random comics. This month I will be doing theme weeks (more or less), with each week devoted to a single writer. This week: Grant “Nukes is scary!” Morrison. Today’s page is from Hellblazer #26, which was published by DC and is cover dated February 1990. Enjoy!
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And so I stood perfectly still with folded arms, allowing my eyes to receive the tracery of apian flight, so like curling silver strings in the air. White butterflies, faint as powder on a mirror, yet imbued with the mysterious force of life, hovered and flitted, half-powered by their own efforts and half-carried by the breeze. That all these creatures, and all these plants and dirt and blossoms, from the earthworms to the dung beetles, to the rhododendrons, catnip, delphinium, clematis, lupine, campanula, and bearded iris should all come together here in this spot to create this wondrous place seemed a fact beyond all possibility of mere formality, betokening some kind of marvelous presence having the sense of an artist and the mechanical persistence of an inventor. (Steve Szilagyi, from Photographing Fairies)
“Usually girls dance together because the boys are too shy to ask. But this boy – I didn’t know him – he asked me to dance, and so we had the first dance and then the next, and by that time we were talking … And you know what it is when you like someone, you know it at once; well, I liked him such a lot. And we kept on talking and then there was a birthday cake. And he took a bit of marzipan and he just gently put it in my mouth – I remember trying to smile, and blushing, and feeling so foolish – and I fell in love with him just for that, for the gentle way he touched my lips with the marzipan.” (Philip Pullman, from The Amber Spyglass)
“I’ve always believed, Josef, that we are more in love with desire than with the desired!” (Irvin D. Yalom, from When Nietzsche Wept)
Was the rise of the radical intelligentsia desirable, was their unchecked progress necessary in order that mankind might be led to the broad uplands of democratic freedom? Or was the very concept of democratic freedom a blind alley, developed to make the world safe for an intelligentsia which is only happy when playing at politics, at no matter what cost in suffering to the multitude? (Edward Crankshaw, from The Fall of the House of Habsburg)
Last week I was finally walking again and able to pick up three weeks of saved comic books! In the haze of ankle sprain and grouchy tiredness, it was incredibly blissful to lie in bed reading the ongoing stories of some comic books that I know I love. Just for fun, and because I’ve been reading a lot of older comic books lately, I thought I’d give you a quick one paragraph synopsis of each book I read. I have to say, it was a very good month. Maybe I’m good at picking out books I like, but I have to say, this was a very entertaining batch and had me rethinking my questions about the quality of the years books…
“A child is born into a world of phenomena all equal in their power to enslave. It sniffs — it sucks — it strokes its eyes over the whole uncomfortable range. Suddenly one strikes. Why? Moments snap together like magnets, forging a chain of shackles. Why? I can trace them. I can even, with time, pull them apart again. But why at the start they were ever magnetized at all — just those particular moments of experience and no others — I don’t know. And nor does anyone else. Yet if I don’t know — if I can never know that — then what am I doing here? I don’t mean clinically doing or socially doing — I mean fundamentally! These questions, these Whys, are fundamental — yet they have no place in a consulting room. So then, do I? … This is the feeling more and more with me — No Place. Displacement … ‘Account for me,’ says staring Equus. ‘First account for Me! …’ ” (Peter Shaffer, from “Equus”)
He had built empires of scientific capability to manipulate the phenomena of nature into enormous manifestations of his own dreams of power and wealth – but for this he had exchanged an empire of understanding of equal magnitude: an understanding of what it is to be a part of the world, and not an enemy of it. (Robert M. Pirsig, from Zen and the Art of Motorcycle Maintenance)
Taking eight flights and traveling something like 14,000 miles in the last two weeks I’ve had some reading time on my hands. Thankfully I had friends with me, including Batwoman, Buffy, Hellblazer, Supergirl, Unwritten, Secret Avengers, and Wolverine. A girlfriend once told me that she loved to fall asleep with a book, it felt like company. Similarly, I was happy to have my comic books with me. The familiar faces were a comfort and a distraction.
My granddaughter Andrea wrote a composition for school in which she said that she liked her “grandmother’s imagination.” I asked her what she was referring to, and without hesitation she replied, “You remember things that never happened.” Don’t we all do that? (Isabel Allende, from My Invented Country)
It’s not enough. I want more. If I’m going to buy a monthly comic book, instead of waiting for a trade paperback compilation, then I want creators to pack in as much story and development as possible. It isn’t enough to just meander delightfully through 20-24 pages without anything much happening, I’m not buying these comics just for a relaxing atmosphere change, I want escapism, story development, progress. I want more.
He lay with a pack of panting dogs on a hill overlooking plains where antelope grazed. He marched with ants, and labored in the rigors of the nest, filing eggs. He danced the mating dance of the bower bird, and slept on a warm rock with his lizard kin. He was a cloud. He was the shadow of a cloud. He was the moon that cast the shadow of a cloud. He was a blind fish; he was a shoal; he was a whale; he was the sea. He was the lord of all he surveyed. He was a worm in the dung of a kite. He did not grieve, knowing his life was a day long, or an hour. He did not wonder who made him. He did not wish to be other. He did not pray. He did not hope. He only was, and was, and was, and that was the joy of it. (Clive Barker, from Sacrament)
dearest abbie who told me that in a sick society a symbol will always become a commodity (Tommy Trantino, from Lock the Lock)
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