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While I was at APE I missed the opening of a very interesting exhibition of art from indie comic book Henry and Glenn Forever and Ever at Los Angeles pop surrealism art gallery La Luz de Jesus. However, on Sunday I was able to attend the closing of the exhibition to take photos and speak to creator Tom Neely about the art, the book, and his work. (Please click on the photographs to see larger versions.)
Sonia Harris: When did you first create Henry and Glenn Forever and Ever? What inspired you?
Tom Neely: Henry & Glenn originally fell out of Gin Stevens beer bottle at a meeting of my art fraternity Igloo Tornado one night while we were having drinks and doodling on napkins at the Bigfoot Lodge. Somewhere around 2005, I think. It was just a silly idea that we started doodling together and we eventually made a little xeroxed zine of it – like 150 copies or so – and it just took off from there. Pretty soon we got an offer to turn it into a book from Microcosm and since the release of that version of Henry & Glenn Forever it has spread like a cult hit throughout the punk/metal/zine world. Continue Reading »
In 2012 a broader variety of author communicated their joy and intensity using the alchemy that is art and literature in comic books. The wealth of great comic books published in nearly every genre made me happier than I can say and when I put in my votes for the CBR Top 100 Comics of 2012 I was hard pressed to pick only 10 comic books to vote for. So for you, I’ve compiled 16 mini-reviews of my favorite comic books published in 2012. These books were enjoyable, intense, personal, and / or an evolution of the the comic book medium (and now I can’t wait to see what we’re going to get this year!) Continue Reading »
The great French revolutionary hero Danton, who will lose his head during the ‘Terror,’ is making a rueful remark. ‘… But Robespierre and the people,’ he observes, ‘are virtuous.’ Danton is on a London stage, not really Danton at all but an actor speaking lines of Georg Büchner in English translation; and the time is not then, but now. I don’t know if the thought originated in French, German, or English, but I do know that it seems astonishingly bleak – because what it means, obviously, is that the people are like Robespierre. Danton may be the hero of the revolution, but he also likes wine, fine clothes, whores; weaknesses which (the audience instantly sees) will enable Robespierre, a good actor in a green coat, to cut him down. When Danton is sent to visit the widow, old Madame Guillotine with her basket of heads, we know it isn’t really on account of any real or trumped-up political crimes. He gets the chop (miraculously staged) because he is too fond of pleasure. Epicureanism is subversive. The people are like Robespierre. They distrust fun. (Salman Rushdie, from Shame)
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