Hotwire
Frantic as a cardiograph scratching out the lines, Day 137: Hotwire: Requiem for the Dead #3
Every day this year, I will be examining the first pages of random comics. Today’s page is from Hotwire: Requiem for the Dead #3, which was published by Radical and is cover dated May 2009. Enjoy!
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What I bought – 9 February 2011
There was no hope for an empire that lost the will to prosecute the grand and awful business of adventure. (Michael Chabon, from Gentlemen of the Road)
What I bought – 27 October 2010
The great French revolutionary hero Danton, who will lose his head during the ‘Terror,’ is making a rueful remark. ‘… But Robespierre and the people,’ he observes, ‘are virtuous.’ Danton is on a London stage, not really Danton at all but an actor speaking lines of Georg Büchner in English translation; and the time is not then, but now. I don’t know if the thought originated in French, German, or English, but I do know that it seems astonishingly bleak – because what it means, obviously, is that the people are like Robespierre. Danton may be the hero of the revolution, but he also likes wine, fine clothes, whores; weaknesses which (the audience instantly sees) will enable Robespierre, a good actor in a green coat, to cut him down. When Danton is sent to visit the widow, old Madame Guillotine with her basket of heads, we know it isn’t really on account of any real or trumped-up political crimes. He gets the chop (miraculously staged) because he is too fond of pleasure. Epicureanism is subversive. The people are like Robespierre. They distrust fun. (Salman Rushdie, from Shame)
What I … okay, what I got for free in the mail – Radical Comics!
Usually, I fold the stuff I get for free into my weekly posts. But the fine folk at Radical Comics (most likely Gianluca Glazer, ’cause he’s swell) sent me a whole bunch o’ comics, so I figured they deserved their own post! So let’s get to ‘em!
A review a day: Hotwire: Requiem for the Dead
Steve Pugh goes nutty. What’s not to love?
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What I bought – 21 April 2010
“It is something so monstrous it is past sin and becomes necessity,” he said. (Greg Bear, from “Petra”)



































