Every week, I will be sharing with you three comic book “easter eggs.” An easter egg is a joke/visual gag/in-joke that a comic book creator (typically the artist) has hidden in the pages of the comic for readers to find (just like an easter egg). They range from the not-so-obscure to the really obscure. So come check ‘em all out and enjoy! Also, click here for an archive of all the easter eggs featured so far! If you want to suggest an easter egg for a future column, e-mail me at firstname.lastname@example.org (do not post your suggestion in the comments section!).
This week, all the easter eggs come courtesy of Robert Kirkman, Cory Walker and Ryan Ottley’s Invincible!
Continue Reading »
Vocabularies are crossing circles and loops. We are defined by the lines we choose to cross or to be defined by. (A. S. Byatt, from Possession)
In the next few days it will not only be Thanksgiving but also my birthday, so I’ve decided to create my own unconventional creator/superhero wishlist. On previous Thanksgivings I have asked diverse comic book creators about what they’re thankful for and discussed my own gratitude for comics, but this year I’m taking a different direction and writing about what I’d like to see.
“Poet? But what do you really do?”
“I write poetry.” (Jerzy Kosinski, from Blind Date)
Last week, I spent time reading comic books which had come highly recommended as books that I would specifically enjoy. Unfortunately none of them hit the mark, and I think I know why. In retrospect, I can see that the books were probably only recommended because they were by authors whose work I’d previously enjoyed. In many ways, this is doing a disservice to the authors, by assuming that all of their work will be the same, and appeal to the same audience. Continue Reading »
“That’s why opera is important, Baron. Because it’s realer than any play! A dramatic poet would have to put all those thoughts down one after another to represent this second of time. The composer can put them all down at once – and still make us hear each one of them. Astonishing device: a Vocal Quartet! … I tell you I want to write a finale lasting half an hour! A quartet becoming a quintet becoming a sextet. On and on, wider and wider – all sounds multiplying and rising together – and the together making a sound entirely new! … I bet you that’s how God hears the world. Millions of sounds ascending at once and mixing in His ear to become an unending music, unimaginable to us! That’s our job! That’s our job, we composers: to combine the inner minds of him and him and him, and her and her – the thoughts of chambermaids and Court Composers – and turn the audience into God.” (Peter Shaffer, from “Amadeus”)