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Peter Parker, the Spectacular Spider-Man #122-130 (Marvel) by Peter David (#122-123, 128-129), Roger McKenzie (#124), Danny Fingeroth (#125-126), Len Kaminski (#127), Bob Layton (#130), Rich Buckler (#122), Malcolm Davis (#122), Dwayne Turner (#123), Greg Larocque (#124), Jim Mooney (#125), Alan Kupperberg (#126-129), Jim Fern (#130), Mike Esposito (#122), Bob McLeod (#122), Art Nichols (#122-126), Vince Colletta (#125, 130), Nel Yomtov (#122-123, 127), Bob Sharen (#124-125, 128, 130), George Roussos (#126), Julianna Ferriter (#129), Rick Parker, Jim Salicrup
I went back and forth a few times while reading these issues, debating with myself about whether or not it would be better to look at this entire run (meaning every issue of this title from 1987 before the “Kraven’s Last Hunt” crossover*) or if I should simply choose a single issue/storyline and zero in on that. Peter Parker, the Spectacular Spider-Man (henceforth referred to as PPSSM) is effectively a collection of Spider-Man short stories, with most of the issues being self-contained one-shots. There is a throughline that connects several of them, but it comes and goes from month to month fairly arbitrarily, separated from itself by stories that have absolutely nothing to do with it and don’t even all take place at the same time. That lack of connective tissue is a big part of why this series leaves me feeling fairly cold, so ultimately I decided it made more sense to look at these nine issues as a whole, because when viewed together they leave a slightly different impression than taken individually. Continue Reading »
A column in which Matt Derman (Comics Matter) reads & reviews comics from 1987, because that’s the year he was born.
Mary Jane Watson and Peter Parker’s marriage is a weirdly divisive subject for some people, but I don’t personally have too strong an opinion on whether or not Spider-Man ought to be married. When it happened in 1987, it was pretty much a gimmick, an editorially mandated special event designed to sell comics based on the novelty, as opposed to being a story that someone felt needed to be told. As such, there’s only the faintest impression of a plot in this comicbook, despite its extra pages and the fact that then editor-in-chief Jim Shooter is credited with the plot and David Michelinie with the actual script. It’s hard to imagine Shooter’s role amounting to very much more than telling Michelinie, “Spider-Man gets married, even though he and Mary Jane both have doubts.” I’d believe he contributed less than that, because that’s about 90% of what the issue contains, and I want to give Michelinie and the artists some credit.
Another week, another pile o’ links.
QUESTION OF THE WEEK: So if Disney and Marvel produce a crossover between their respective “universes,” what match-up are you most itching to see? Me, I’m partial to “Beauty & the Beast and the Beast,” myself.
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