Paul Bettany Talks "Age of Ultron," Working with James Spader & More
Growing up I was lucky, unlike most British children I had a lot of access to a broad variety of comic books. My mum and dad (practically still kid themselves at the time) left all kinds around the house; There were the comic books specifically for me, like Dandy and The Beano (which my dad would read too), then there were American superhero comic books my parents bought because of their interest in Pop Art (which I would read too), there were Peanuts paperbacks (which my mum brought over from America and I read them insatiably), and later there were all sorts of weird, so-called “head comix” (which I wasn’t supposed to read, but I still did… Robert Crumb might draw some crazy stuff, but he draws it well). Like Obelix from the French Asterix books (which I discovered in my parents’ friends’ houses when we drove all over Europe), I fell into a proverbial cauldron as a baby and so I grew up with comic books as part of me.
Maria M. is a movie about a character as acted by her daughter Fritz, the movie is told in the form of a comic book, (and remember, in the world of these comic books Maria M is a real person). Once you’ve got your head around that, you can dive in and fall in love with Gilbert Hernandez’ wonderfully sleazy, exciting film noir about a good girl in a bad world. (And if you can’t get your head around it, it won’t matter in the least because it’s still a marvelous story, beautifully drawn and lovingly told.)
In 2012 a broader variety of author communicated their joy and intensity using the alchemy that is art and literature in comic books. The wealth of great comic books published in nearly every genre made me happier than I can say and when I put in my votes for the CBR Top 100 Comics of 2012 I was hard pressed to pick only 10 comic books to vote for. So for you, I’ve compiled 16 mini-reviews of my favorite comic books published in 2012. These books were enjoyable, intense, personal, and / or an evolution of the the comic book medium (and now I can’t wait to see what we’re going to get this year!) Continue Reading »
Some books simply demand the stark simplicity of no color, the absence of any warmth or hope. Steve Dillon’s stunningly beautiful artwork shines in black and white. Simultaneously, Jason Aaron creates an all-encompassing bleak world view for the inhabitants of the Punisher’s world. The PunisherMAX has little use for color.
While marketing departments say otherwise, I would always rather wait for an incredibly late “monthly” comic book than read below par work or fill-in artists and writers. Increasingly I find myself appreciating the comic book creators who withstand external pressure and take the necessary time for their work.
Gilbert Hernandez’ trilogy of B-movie books is almost a new kind of comic book; Movies from the Love & Rockets world, these are fictions from a fictional world. Each of the three books (Chance in Hell, The Troublemakers and Love from the Shadows) are adaptations of non-existent b-movies that his character Rosalba “Fritz” Martinez acts in. Continue Reading »
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