Yup. Another superheroine on film post. Maybe I’ll just keep writing these until one gets made (probably not, I’m already pretty tired).
If you read this column frequently you guys know that I’m a pretty big fan of io9 in general, but Charlie Jane Anders has been killing it lately on the superheroines on film issue. First with her compilation of Action Movies Starring Women that I linked to in last week’s article and then this past week she proposed 8 ways to get a superheroine movie made, it’s a great piece even if I agree with some of the ideas more than others.
One thing she points out that I think is key, is that NOW is the time to get a superheroine movie made. Waiting two, three, four, or more years to get the ball seriously rolling on a superheroine film is just not an option. Moves need to be made now, or we might just miss our window. There’s sure to be burnout on superhero movies (are we already there?). As long as the movies continue to be good I think people will continue to spend money to see them (even if they complain or pretend to complain that they’re tired of them), but the mainstream audience may get weary, and seeing a bad one (they can’t ALL be good) can put a lot of people who aren’t naturally invested in superhero properties off the concept quickly.
Every day this year, I will be examining the first pages of random comics. Today’s page is from Manhunter #31, which was published by DC and is cover dated August 2008. Enjoy!
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Every day this year, I will be examining the first pages of random comics. This month I will be doing theme weeks, with each week devoted to comics from one decade. This week’s decade: the 1970s! Today’s page is from Detective Comics #439 and was published by DC and is cover dated February/March 1974. This scan is from Archie Goodwin and Walter Simonson’s Manhunter #1, which was published in 1984. Enjoy!
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3 Chicks Review Comics is a podcast featuring me (naturally!) with fellow female comics lovers and bloggers Sue from DC Women Kicking Ass, and Maddy from When Fangirls Attack!. Tune in weekly to CSBG Tuesdays at 2pm as we review comics, and discuss hot topics of the week.
In our second episode…! Was J.H. Williams III’s Batwoman #0 worth the wait…or should we just keep waiting for Batwoman #1 instead? And what’s up with Batman and his silly disguises? Is this really the way the world’s greatest detective detects? Seems unlikely! And while we’re at it…who didn’t tell Bruce that Kate Kane is Batwoman? Someone’s in trouble at the Batcave! What happened to Marc Andreyko’s Manhunter Face Off trade we were supposed to get last week? Low pre-orders apparently means it’s not going to come out as a trade, but it’s still something worth reading. Young Justice premiered on Cartoon Network this weekend didn’t have a single line of female dialogue for about 99.9% of the hour long premiere. Some dudes seem to get mad when we talk about this…but facts are facts and is it really not a bit odd? Plus, everyone’s pick of the week!*
Special thanks to Nik Furious for our awesome 3 Chicks theme song.
*As always beware of spoilers if you haven’t read the books in question!
Some of you who have been paying very close attention to this column might remember that Marc Andreyko offered in the comments section of one my posts to send me the trades of Manhunter so that I could check it out. Well most of the time I’m not a fool, so I took him up on his generous offer, and I’ve been pretty much devouring them since their arrival.
This week seemed like a great week to talk about Andreyko’s Manhunter run as despite their obvious differences I see a lot of similarities between Fables and Madame Xanadu (my last two posts) and Manhunter.
For those not in the know, Manhunter is the story of Kate Spencer, a brilliant district attorney in Los Angeles tired of seeing a broken system unable to bring killers to justice who decides to take justice into her own hands by taking up the mantel of Manhunter. Raiding a secure room full of confiscated superhero and villain gear, Kate arms herself with weapons so that she can kill the villains that have escaped justice in the courtroom.