EXCLUSIVE: Brian Michael Bendis Interviews Chuck Palahniuk on "Fight Club 2"
Film, Comic Books
Captain America #325-336 (Marvel) by Mark Gruenwald, Paul Neary (#325-329, 331), Tom Morgan (#330, 332-336), John Beatty (#325-327), Kent Williams (#326), Vince Colletta (#328-329, 331), Sam de la Rosa (#330), Bob McLeod (#332), Dave Hunt (#333-336), Ken Feduniewicz (#325-330, 332-334), Bob Sharen (#331, 335-336), Diana Albers (#325-332), Bill Oakley (#333), Ken Lopez (#333-334), Jack Morelli (#335-336), Don Daley (#325-334), Ralph Macchio (#335-336)
In some respects, this is a tricky run of issues to review, because they include the beginning but not the ending of the “Captain America No More” saga in which Steve Rogers turned in his shield, his costume, and the moniker that comes with them, and John Walker was appointed to replace him. Rogers’ retirement occurs in issue #332, and Walker becomes Captain America in #333, so while there are a few issues from 1987 exploring that new status quo, the resolution wouldn’t come until February 1989’s Captain America #350. In that sense, then, the issues I’m covering here represent something incomplete, the start of an epic storyline that doesn’t yet finish. But there is still plenty to discuss in terms of what these issues have in common, and how they lead up to and deliver the rather bold, shocking, and powerful moment of Rogers’ decision to give up his Captain America persona. This is a comicbook about the downside of idealism, the strain that any rigid belief system puts on those who follow it, as well as the dangers and evils which that kind of extreme thinking can engender. It’s not necessarily a cautionary tale, but it does warn against believing in anything too intensely or blindly, and shows the readers and characters alike how impractical and unpleasant it can be to try and live life according to a strict set of rules. The world is not rigid or simple enough for any idealism to be a perfect fit, and that’s a lesson learned many times in many ways over the course of these issues. Continue Reading »
Every week, I will be sharing with you three comic book “easter eggs.” An easter egg is a joke/visual gag/in-joke that a comic book creator (typically the artist) has hidden in the pages of the comic for readers to find (just like an easter egg). They range from the not-so-obscure to the really obscure. So come check ‘em all out and enjoy! Also, click here for an archive of all the easter eggs featured so far! If you want to suggest an easter egg for a future column, e-mail me at email@example.com (do not post your suggestion in the comments section!).
Today we look at an issue of Captain America by Mark Gruenwald, Rik Levins and Danny Bulanadi where Captain America, Hawkeye and Iron Man visit a bar that is packed to the gills with easter egg cameos.
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