Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
Sipping drinks on the porch in the sunset, Farsheed Shomloo, an immigration lawyer, pointed to a book on the patio table and told Jim, “You should read this new book about Iran, it’s really interesting.” Jim replied:
“I don’t want to read it. I know the outcome already. In Iran, there is beautiful poetry and everything turns out a disaster. Here the poetry is not so beautiful, but people are free to discover the best in themselves; that’s why America has happy endings. Here it’s a negative system: there is no entrenched despotism, no will to dominate. We immigrants can remake the whole country if we want to. It’s ours for the taking, as if there is a perpetual clean slate where nobody is ever owed anything. I’ll tell you, the Iranian revolution was a disaster for Iran and a success for America, because it brought a lot of talented, ambitious Iranians here. Every time there is a disaster in the Third World, it’s a good thing for America, since the best of the middle class finds its way here.” (Robert Kaplan, from An Empire Wilderness)
She said, “In every age, there must be truths people can’t fight – whether or not they want to, whether or not they will go on being truths in the future. We live in the truth of what Freud discovered. Whether or not we like it. However we’ve modified it. We aren’t really free to suppose – to imagine – he could possibly have been wrong about human nature. In particulars, surely – but not in the large plan –” (A. S. Byatt, from Possession)
And all the time, like pipes dripping, weakening and preparing to burst in the attic, around the house hearts were slowly breaking while nothing was being said. (Hanif Kureishi, from The Buddha of Suburbia)
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