Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
Realism in superhero comics is an interesting struggle. Because there is an inherently fantastical element to any story involving people with impossible powers, finding a way to keep them grounded is not always an easy or obvious task. Typically, these are narratives about grown men and women who make up secret names for themselves and throw on outlandish, bright, skintight costumes every time there’s someone evil to punch. This is not exactly a genre that lends itself to a believable narrative. And it’s not that every superhero story needs realism, but those that do strive for it often go the “grim and gritty” route, seeing brutality and depression as the only means of bringing their demigod-like characters back down to Earth. To keep things exciting and intense without always relying on larger-than-life, city-block-devastating action, creators will turn to the ugliest, darkest aspects of human nature and heighten them to superheroic levels. And certainly many great things have come from this strategy, but more and more often it feels like current creators are piling on the darkness without any rhyme or reason, and the results are just as unrealistic as anything, only bleaker and more violent. D.P. 7 offers a different approach, realistic not because of any darkness in tone but because of its pacing, telling its story in as close to real time as it can. At its best, this tactic makes the series better and smarter than your average comic book by far. But at its worst, it’s incredibly boring. As boring as real life. Continue Reading »
A column in which Matt Derman (Comics Matter) reads & reviews comics from 1987, because that’s the year he was born.
Mary Jane Watson and Peter Parker’s marriage is a weirdly divisive subject for some people, but I don’t personally have too strong an opinion on whether or not Spider-Man ought to be married. When it happened in 1987, it was pretty much a gimmick, an editorially mandated special event designed to sell comics based on the novelty, as opposed to being a story that someone felt needed to be told. As such, there’s only the faintest impression of a plot in this comicbook, despite its extra pages and the fact that then editor-in-chief Jim Shooter is credited with the plot and David Michelinie with the actual script. It’s hard to imagine Shooter’s role amounting to very much more than telling Michelinie, “Spider-Man gets married, even though he and Mary Jane both have doubts.” I’d believe he contributed less than that, because that’s about 90% of what the issue contains, and I want to give Michelinie and the artists some credit.
Every day this year, I will be examining the first pages of random comics. Today’s page is from Avengers West Coast #57, which was published by Marvel and is cover dated April 1990. This scan is from Avengers West Coast: Darker Than Scarlet, the trade that was published in 2008. Enjoy!
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