I’ve been thinking about superhero redesigns, in part thanks to our awesome interview with Kris Anka on 3 Chicks Review Comics. We talked a lot about the difference between good artists and good designers, and how important getting an artist that knows about design and fashion is to having a modern and functional looking costume. Any time you change a costume, no matter how necessary the change is, or how great the new design might be, it tends to ruffle fan feathers as there is surprising emotional attachment to things like this. And when you change design as fundamental as a superhero costume you’re changing brand identity and recognition. It’s kind of a huge deal, and not something that should be undertaken all willy-nilly.
For this column I decided to focus on 6 recent redesigns that are actual canon (i.e. you can actually see them in comics – or will – and they have been embraced by the publisher) but because I hate actually sticking to the limits I set for myself, I added a couple brilliant redesigns that are “unofficial” or considered “fan art”, because honestly, there is A LOT of great design being done on the fringes. Skilled artists that know a lot about design and fashion and perhaps more importantly, care about characters, and the resigns for said characters are killing it out there. Anyway, I hope you’ll enjoy!
I started blogging in 2007 and in the spring of 2009 two things in comics caused me to start blogging about comics. The first was the nightmare Cry For Justice promo image from DC in which Supergirl had no head – and you guessed it – that was the primary inspiration for the name of this very column. The second, which is what we’re going to discuss today, was the promotional announcement for the book Marvel Divas.
And so today I can’t help but compare everything that was the utter fail of the Marvel Divas pitch (which was everything except the gorgeous Tonci Zonjic interior art) with how right Marvel and Brian Wood are getting Wood’s new all-female X-Men team so far.