SDCC: Marvel: Spider-Man and His Amazing Friends Panel
I don’t know if Jason Todd ever stood a chance. At first, he was just a near-identical replacement for Dick Grayson when Grayson left the Robin game to become Nightwing. He was sort of a watered-down version of the young man for whom he was meant to stand in; the first Jason got the job done as Robin but offered nothing new, no reason for readers to warm to him or see him as anything other than a cut-rate attempt at recapturing the magic of the original Boy Wonder. So it makes total sense that in 1987 DC would take a stab at rewriting his background and personality in a post-Crisis world, providing an opportunity for Jason to carve out a more unique and possibly interesting space for himself in the Batman mythos. Sadly, though, I think they gave the task to the wrong guy, because Max Allan Collins wrote Batman as a lighthearted, almost goofy title, which did not really line up with the angry street youth persona of his revamped Jason Todd. Continue Reading »
Blue Beetle #8-19 (DC) by Len Wein, Joey Cavalieri (#12), R.J.M. Lofficer (#14-15, 17-19), Paris Cullins (#8-9, 11-14, 17-18), Chuck Patton (#10), Ross Andru (#15-16, 19), Dell Barras (#8-15), Danny Bulanadi (#16-17, 19), Carl Gafford (#8), Gene D’Angelo (#9-19), John Costanza, Karen Berger (#8-13), Denny O’Neil (#14-19)
To be a superhero requires a certain amount of optimism. It’s not just about having power, but also about believing that you can use that power to make an actual difference. It’s about picking the good side in the never-ending good-vs.-evil conflict that rages within and around us all, and convincing yourself and the world that you’re contributing something, that you’re genuinely helping your side win in the short- and/or long-term. I suppose this requires some level of ego/arrogance, too, and probably more than a little delusion. The titular star of Blue Beetle certainly possesses both of those traits, but it is the aforementioned optimism that shines through most brightly with that character and the series as a whole. Ted Kord earnestly, enthusiastically does good for it’s own sake, and seems to find that it is it’s own reward, too. His life is full of other rewards— money, status, romance, an entire corporation to run—but his superheroics are what take precedence and usurp most of his time, because that’s what most interests and satisfies him. It even, at times, gets in the way of his other obligations, but ultimately Kord chooses over and over to put his Blue Beetle activities first since he thinks of them as the most important, valuable work he does. Continue Reading »
It occurs to me that it seems like many comic book covers are homages. Which is fine with me. I have no problem with it. It just made me think, though, how long could I go before I hit a week where NO new comic book was released that had a cover that was an homage to something? Let’s find out! Here is an archive of all the cover homages featured in the streak so far!
With the recent announcement that DC is re-launching a bunch of their war comics, including “The War That Time Forgot,” I thought I’d post this. I started this in 2008 and meant it to be a series of five, but they take a really long time to put together, and none of the other old-school DC war comics are as fun as Robert Kanigher’s insane soldiers-versus-dinosaurs epic anyway, so I’m only doing this one. But it’s a doozy!
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