She-Hulk Archives - Comics Should Be Good! @ Comic Book Resources
Inside this episode!
We begin with a review of the brand new Hexed #1 by Michael Alan Nelson, Dan Mora, and Gabriel Cassata. Then a review of the previous week’s She-Hulk #7, the best issue yet for the new series, brought to you by Charles Soule, Javier Pulido, and Muntsa Vicente. Kevin Wada did the gorgeous cover seen below. Up next we have an interview with Black Widow writer Nathan Edmondson. Responsible for Marvel’s current Black Widow title, and also the fantastic, critically acclaimed, and coming soon to a theater near you – Who is Jake Ellis? and the current Where is Jake Ellis?, Edmondson talk about his approach to Natasha and working with both Phil Noto and Tonci Zonjic. We then talk a little bit about the Guardians of the Galaxy movie, general comics news, and Sue gives us an update on Boston Comic Con, where she was last weekend. Finally Sue managed to find an adorable DRAMATIC READING. Enjoy!
*sidebard: we had a bit of trouble with audio difficulties this week – just imagine while you listen that I am Rob Brydon’s famous “small man trapped in a box.” And if you haven’t seen The Trip, you all should get on that. Greatest. Show. Ever.
3 Chicks Review Comics is a podcast featuring female comics lovers and bloggers. Sue from DC Women Kicking Ass and Kelly Thompson from She Has No Head! Tune in to CSBG every other Monday at noon as we review comics and discuss hot topics of the week. In addition to the blogs above, you can also follow us all on twitter as well: Kelly and Sue. Special thanks to Caanan Grall for our incredible 3 Chicks Logo and to Nik Furious for our awesome 3 Chicks theme song.
“The novel I would most like to read at this moment,” Ludmilla explains, “should have as its driving force only the desire to narrate, to pile stories upon stories, without trying to impose a philosophy of life on you, simply allowing you to observe its own growth, like a tree, an entangling, as if of branches and leaves …” (Italo Calvino, from If on a winter’s night a traveler)
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And I mean that title literally. The definition of “five by five” is as follows: Five by five is the best of 25 possible subjective responses used to describe the quality of communications, specifically the signal-to-noise ratio.
Marvel’s “quality of communication” on their interest in female leads right now is FIVE BY FIVE.
It’s also a handy way to talk about the five new female-led books they’ve launched and with the debut of Elektra last week, I can say unequivocally they are all good. And that, is, well, that’s HUGE.
Every day this year, I will be examining the artwork on a single comic book story. Today’s artist is Mahmud Asrar, and the issue is She-Hulk: Cosmic Collision, which was published by Marvel and is cover dated February 2009. Enjoy!
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“I wish life was like banking,” I said. “I don’t mean it’s straightforward. Some of it’s incredibly complicated. But you can understand it in the end, if you try hard enough. Or there’s someone, somewhere, who understands it, even if only afterward, after it’s too late. The trouble with life, it seems to me, is that it can turn out to be too late and you still haven’t understood it.” (Julian Barnes, from Talking It Over)
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I was thinking a lot this past week about Young Avengers forthcoming end with issue #15, and how, as disappointed as I am to not be getting that book as a continued ongoing, there’s something wonderful about how Gillen and McKelvie’s Young Avengers will now exist as a nearly perfect 15 issue run, with limited guest artists, no phone-it-in-issues (which just happens over a long run, it’s only natural), one clear and concise vision, and most importantly, no damn crossover issues or messy event tie-ins. Young Avengers will be able to be collected into a few awesome trades, and if we’re lucky someday maybe a sweet little omnibus. It will be a great book to put on your shelf and go back to time and time again. Kind of like the wonder that is Nextwave Agents of H.A.T.E. – which I re-read at least once every year – and which stands out in the way that only the “brilliant but cancelled” can.
But maybe these things don’t have to be “cancelled,” maybe, instead, like Young Avengers they can just choose to be one smaller and more defined moment.
Well, world domination may be a bit excessive, but all in all the news coming out of NYCC (and some that came before NYCC) was incredibly positive. Hard to argue with such a killer week of news. Let’s start with some cool stuff that actually happened last week, prior to NYCC.
EDIT: Just to be clear, since people are going nuts in the comments. This post is SPECIFICALLY about the news that was announced this weekend at NYCC 2013. While I talk generally about Marvel and DC and their approach to “women in comics” the catalyst is all the NEW THINGS that were announced this weekend. To summarize: yes, DC has some lady-led comics right now (more in fact than Marvel) but short of the Stephanie Brown announcement they made ZERO exciting moves on the “women in comics” front this weekend. So, yeah, that’s gonna skew what I’m talking about. Try not to cry.
The Dan Slott issues, basically. Yes, I know theoretically they’re not “volume 3″ and “volume 4,” as one of the characters helpfully explains, but I can still call them that!
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If you wrote a magazine just for me, designed to plug into my brain and force me to purchase, it would have to be the “Liberated Ladies” issue of the new Back Issue magazine. Devoted to the in-depth examination of just a few of the strongest female superheroes in comic books, as well as interviewing three of the most identifiable women working in comic books – I had to read it.
I watched Count Tolstoy leave and thought how it is not he who knows the truth who is right, but he who is convinced of the truth of his lie. (Milorad Pavić, from Landscape Painted With Tea)
There’s nothing cool or sexy about reading comics. I mean it, and I should know, I’ve been reading them all my life, since I could only understand the pictures and wonder what the hell the words meant (but when the comic books you’re reading are your dad’s stolen Fat Freddy’s Cat, not being able to read detracts nothing). Up until very recently, my comic book habit was only just tolerated by most of my friends, I’d try to get them into it, giving them graphic novels and saying “Oh, I bought too many copies of Violent Cases, you might like it…” they didn’t). Time moves on, and now at least a few of them see the value of the medium, and I’m lucky to say that some of my friends are even fellow zealots.
But when I was the only little english girl in the playground who wanted to play X-Men, running around pretending to be Phoenix with my telekinetic powers, or the Hulk (I really enjoyed growling “You wouldn’t like me when I’m angry”, and then roaring a whole bunch – who wouldn’t?), everyone else wanted to play Charlie’s Angels (and what were their superpowers? Long hair?) When people saw me reading Superman, or Love & Rockets, they balked. It quickly became pretty clear that comics weren’t socially acceptable. Even on my annual visits to America to visit my New York dwelling family, I only occasionally glimpsed a world of comic-influenced play, and that place was clearly reserved for the boys. I could ask to play with their Batman toys, coveting those batmobiles that actually shot little missiles (to this day I still fantasize about inheriting my dad’s), but owning my own superhero toys was a step too far into overt weirdo territory.
Nowadays, despite the growing popularity of comic books and the superhero medium, I haven’t really changed. Continue Reading »