With intriguing columns about superheroine movies over the past months from io9 and Jezebel to USA Today and The BBC everyone is talking about this issue — that issue being “Where are all the Superheroines in Film?” Readers (or at least writers) cannot get enough of the topic. CSBG’s own Sonia Harris was interviewed last week for a Huffpost video, and I was interviewed last week by both CNN/HNL and SciFi Now Magazine for upcoming pieces on the subject. It feels like we’re hitting a point of no return where the people will simply demand a supeheroine film come hell or high water. We probably can’t call anything a “superheroine age” without some movies (and toys and all that comes with such things) but it does feel like we may finally be headed there.
I wrote over a year ago about why The Avengers got The Black Widow so right, and suggested some superheroine movies I’d like to see on the heels of that (I also wrote about both Catwoman and The Black Widow on Lit Reactor), but I was a bit too early for the rush it seems – and now, unwilling to be left out of the frenzy, since it’s an issue so clearly dear to my heart — here I am again.
Like many this weekend, I saw The Avengers, and was blown away. I had a lot of faith going in, since I have huge confidence in Joss Whedon, but the ensemble superhero movie (hell, even the single superhero movie) is a herculean task to get right…and so I admit to being worried. But those worries were soon put to rest. Whedon delivered on every single level, and while one could complain that there could have been more plot, or more character development, I think in the end he struck the right (and smart) balance. Had he tried to do more (he was already doing so much) I think he would have ended up actually doing less…or at least doing less right.
Most wonderful of all to me (and there was a lot of wonderful) and least surprising was Whedon’s exceptional use of Scarlett Johansson as Black Widow. In a movie with this many “big” superheroes (Iron Man, Hulk, Captain America, and Thor in particular) it would have been easy for a character like Black Widow, with her more subtle power profile to get lost. Not only are her powers not as spectacle driven as those above, but every one of those gents has an introductory superhero movie under their belt already (ahem, some of them have two).
But instead of getting lost, Whedon utilized Black Widow to her best. He knew exactly where to put her for maximum impact, and he let her just be her badass spy self. It worked like gangbusters and Johansson got both amazing scenes, and also a critical role in the story, rather than just some cool one-off scenes. A director less familiar with female characters and with superheroes in general, might not have been able to pull this off but for Whedon it feels effortless – because it is.
And so that leaves us with only one question…when do we get our solo Black Widow film, starring Johansson and directed by Whedon?
Marvel would be fools not to jump on the opportunity to create the first superhero franchise featuring a female character, and I don’t suppose they’d hate the idea of making Whedon and superheroines work, when DC couldn’t make it happen with their star female superhero – Wonder Woman.
So, who else is ripe to lead a film and potentially begin a franchise? And perhaps more importantly as we’ve learned with Whedon and Widow, who would be the director to do it right?