Rob Liefeld Looks Back on Deadpool's Real Secret Origin
Film, Comic Books
Every once in a while I write a post just so I can use a comprehensive link in discussions rather than explaining myself over and over again. “No, it’s not equal” was born of this. Our issue today is not nearly as complex, nuanced, or far reaching as the subject of that post, but people misunderstanding the phrase “strong female characters” intentionally or innocently, and sometimes I just can’t tell which, is something that has been irritating me for a good long time.
Most of you probably don’t need this tutorial – everything I’m going to say here is honestly pretty basic and obvious (and I am by no means the first – or will be the last – to say it) but a surprising number of people still don’t get it. Since there ARE people that don’t get it, and still others who don’t get it to the tune that they think that writing “strong female characters” is indeed shorthand for tough badasses and that they’re doing “good work” by writing those one note characters, or by vilifying the idea of the “strong female character”…we’ll here’s my mini tutorial, rant, whatever you wanna call it. Enjoy.
So, back in August I did a post talking about the women of the Marvel Studios Films, doing that made me think I wanted to talk about all the superheroine film performances I’ve loved. Then a few months ago we did a whole post trying to figure out how to define a superhero. It ended up being a really interesting discussion (one in which by some miracle everyone was really well behaved! Miracles! They do happen!). However, the end result was that it became increasingly clear that everyone has a different view of these things and as such I would never satisfy everyone’s definition since such a thing didn’t exist. So I’m just going to choose to satisfy only my own criteria and everyone has to deal with that.
I was originally going to do a best 50 but while there are well over 50 roles of note, there weren’t really 50 I felt passionate about and wanted to discuss, even cutting down to the top 25 I found I was talking more about the problems I had with the roles/performances than the things that I loved, and since I intended this to be largely a positive post, I cut the list down again to a Top 10. And that was the sweet spot where I felt a horrible yearning for a few that had to be left off and could speak with real love about the roles on the list.
So, I have a column I’ve been working on — off and on — for a few months now, but I keep stumbling on the parameters and I thought I could put it out to all of you, see if together we could come up with better parameters than I have been able to come up with myself.
For the purpose of the column in question – which is a column about superheroes on film – my major stumbling block seems to be between action hero and superhero – where does one draw the line?
I have had some wonderful help from whip smart CSBG commenter Dean Hacker (thanks Dean!) and without him I would not even be this far along. Right now my in-process definition looks a bit like this:
“Superhero is a fluid term. It does not HAVE to come with clear cut superpowers or even a costume, though it should be said that costumes come in many shapes and forms beyond the traditional (i.e. is Ripley’s flight suit a costume? If not, why not?). While a “superhero” does not HAVE to come with the aforementioned superpowers or costume, a superhero does have to come with actions that are “super” in what they attempt – scope, breadth, intensity, etc., and perhaps with a “magical” solution of sorts to solving the huge problem they face.”
Inside this episode! A review of Matt Fraction and Chip Zdarsky’s new book from Image – Sex Criminals #1 as well as a review of the triumphant return of The Powerpuff Girls #1 from IDW by Troy Little. There’s no guest this week (schedules!! amirite?!) We discuss some of our “comfort comics” that we return to time and time again over the years – feel free to sound off in the comments about some of your comfort comics! Also on deck is a discussion of Superheroines on film in general and a surprisingly in-depth spontaneous Kickstarter/self-publishing conversation. After the credits stay tuned for a small peek at Sue’s and my third (is that right?) Batfight. I didn’t include the whole fight cause frankly, we sounded like assholes and I couldn’t bear to publish the whole thing…but I figured you guys deserved a peek at least. And I don’t know why the only the thing we fight about are things related to Batman…that probably is deserving of further analysis. Enjoy, kids!
3 Chicks Review Comics is a podcast featuring female comics lovers and bloggers Sue from DC Women Kicking Ass and Kelly Thompson from She Has No Head! Tune in to CSBG every other Monday at noon as we review comics and discuss hot topics of the week. In addition to the blogs above, you can also follow us all on twitter as well: Kelly and Sue. Special thanks to Nik Furious for our awesome 3 Chicks theme song.
*As always beware of spoilers if you haven’t read the books in question!
Yup. Another superheroine on film post. Maybe I’ll just keep writing these until one gets made (probably not, I’m already pretty tired).
If you read this column frequently you guys know that I’m a pretty big fan of io9 in general, but Charlie Jane Anders has been killing it lately on the superheroines on film issue. First with her compilation of Action Movies Starring Women that I linked to in last week’s article and then this past week she proposed 8 ways to get a superheroine movie made, it’s a great piece even if I agree with some of the ideas more than others.
One thing she points out that I think is key, is that NOW is the time to get a superheroine movie made. Waiting two, three, four, or more years to get the ball seriously rolling on a superheroine film is just not an option. Moves need to be made now, or we might just miss our window. There’s sure to be burnout on superhero movies (are we already there?). As long as the movies continue to be good I think people will continue to spend money to see them (even if they complain or pretend to complain that they’re tired of them), but the mainstream audience may get weary, and seeing a bad one (they can’t ALL be good) can put a lot of people who aren’t naturally invested in superhero properties off the concept quickly.
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